MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on DVD: Red Riding Trilogy, Ludwig: Requiem for a Virgin King, Pandora and the Flying Dutchman, Errol Flynn Adventures … and more

CO-PICKS OF THE WEEK: NEW The Red Riding Trilogy (Four Stars) U.K.; Julian Jarrold/James Marsh/Anand Tucker, 2009 (IFC Films) Easily one of the most ambitious and best films of 2009 is writer Tony Grisoni‘s three part adaptation of David Peace’s Red Riding novels. This is noir times three, with the three films spanning a decade…

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Wilmington on Movies: Flipped, Takers, Vampires Suck and Centurions

For the past few years, I’ve been looking, yearning even, for a few American studio movies that would make me feel the way I sometimes did as a movie-going kid: searching for smart, realistic dramas or thrillers or comedies (or comedy-dramas), good solid movies that had the warmth, sensibility and humanity of the classics of…

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Wilmington on DVDs: Me and Orson Welles, Ajami, Mona Lisa, Elvis 75th Birthday Collection, and more …

CO-PICKS OF THE WEEK: NEW Me and Orson Welles (Three and a Half Stars) U.S.; Richard Linklater, 2009 (Warner/Target) In Me and Orson Welles, Richard Linklater, a director whose films I usually like, takes on a highly ambitious subject that really, really appeals to me — a portrayal of the astonishing youthful theatrical triumphs of…

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Wilmington on Movies: Nanny McPhee Returns, Mao’s Last Dancer, Eat Pray Love and Lottery Ticket

Nanny McPhee Returns (Three Stars) U.S.; Susanna White, 2010 I love Emma Thompson, even snaggle-toothed and warty. And this Thompson-written, Thompson-starring way-beyond-Mary-Poppins WW2-era film of the Matilda books of Christianna Brand — who also wrote that wonderful WW2-set thriller Green for Danger (which became one of Alistair Sim‘s finest hours) — is a little loud,…

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Wilmington on DVDs: The City of Your Final Destination, Black Orpheus, Hamlet, The Last Song, and more …

PICK OF THE WEEK: NEW The City of Your Final Destination (Three and a Half Stars) U.K.-U.S.; James Ivory, 2009 (Screen Media) In The City of Your Final Destination — maybe the last of the lovably old-fashioned, classically constructed, deeply literate and beautifully wrought Merchant Ivory films, in the string that began back in 1963…

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Wilmington on DVDs: The Magnificent Seven, Date Night, Little Women, Chicago and more …

PICK OF THE WEEK: Blu-Ray The Magnificent Seven (Three and a Half Stars) U.S.; John Sturges, 1960 (MGM) Akira Kurosawa’s classic 1954 battle epic, Seven Samurai was originally distributed in the U.S. under the title The Magnificent Seven. So that’s the title MGM used when John Sturges made the seemingly inevitable Western remake — in…

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MW on Movies: Scott Pilgrim Vs The World and The Expendables

Scott Pilgrim Vs. The World (Three Stars) U.S.; Edgar Wright, 2010 Oh, to be a kid again. To feel the juices running madly, to get wildly excited about comic books and top ten hit-lists and about the last good new teen movie you saw (the canon from A Hard Day’s Night to Superbad) and maybe even a (No!…

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Wilmington

Quote Unquotesee all »

“By the time the sounds of the Von Trapp children warbling ‘Silent Night’ drift through The Giver, you may find yourself wondering what fresh movie hell this is. In truth, the enervating hash of dystopian dread, vague religiosity and commercial advertising-style uplift is nothing if not stale. Adapted from Lois Lowry’s book for young readers, the story involves an isolated society that, with its cubistic dwellings, mindless smiles, monochromatic environs and nebulous communitarianism, seem modeled on a Scandinavian country or an old Mentos commercial.”
~ Manohla Dargis’ Deadly Lede For Review Of The Giver

“It’s possible that in the coming days or, God forbid, weeks, the president could have something more specific to say about the freighted decades-long history of political imbalance at work, in this case between a mostly black working-class town and its majority white government and police force. But this is a black man who must choose his words about race, governance, and law enforcement even more carefully than a white politician would. And this is the third summer in which, as president, he would have to do so…

“Until this point in the turmoil, the absence of the crucial second face in the incident seemed to heighten the distance between police and the people they serve. It grants them both an anonymity and autonomy that matches the bizarre transformation, in Ferguson and elsewhere, of police into troops. The riot gear turns 2014 into a dot on a Jim Crow–era timeline. Since the officer’s name wasn’t made public more immediately, it should have seemed urgent for the police to lose the riot attire and take steps to minimize distrust, to dispel the contagious assumption that silence equates racism…

“What is so affecting isn’t just that 18-year-old Michael Brown was killed when he was barely a man. It’s other things as well. One was how many reports of the incident that first day mentioned that he was about to start college. That’s a rite that’s universally emotional. But for a black male from a poor family, the first day of college is a freighted day that usually requires the sacrifice of more than one person. Black people know the odds of getting to and graduating from college, and that they’re low. That Brown seemed to be on the right path compounded the parental, local, and national outrage over his being wiped from it.”

~ Wesley Morris On Let’s Be Cops, The Shooting In Ferguson, Obama…