MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on DVD: Red Riding Trilogy, Ludwig: Requiem for a Virgin King, Pandora and the Flying Dutchman, Errol Flynn Adventures … and more

CO-PICKS OF THE WEEK: NEW The Red Riding Trilogy (Four Stars) U.K.; Julian Jarrold/James Marsh/Anand Tucker, 2009 (IFC Films) Easily one of the most ambitious and best films of 2009 is writer Tony Grisoni‘s three part adaptation of David Peace’s Red Riding novels. This is noir times three, with the three films spanning a decade…

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Wilmington on Movies: Flipped, Takers, Vampires Suck and Centurions

For the past few years, I’ve been looking, yearning even, for a few American studio movies that would make me feel the way I sometimes did as a movie-going kid: searching for smart, realistic dramas or thrillers or comedies (or comedy-dramas), good solid movies that had the warmth, sensibility and humanity of the classics of…

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Wilmington on DVDs: Me and Orson Welles, Ajami, Mona Lisa, Elvis 75th Birthday Collection, and more …

CO-PICKS OF THE WEEK: NEW Me and Orson Welles (Three and a Half Stars) U.S.; Richard Linklater, 2009 (Warner/Target) In Me and Orson Welles, Richard Linklater, a director whose films I usually like, takes on a highly ambitious subject that really, really appeals to me — a portrayal of the astonishing youthful theatrical triumphs of…

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Wilmington on Movies: Nanny McPhee Returns, Mao’s Last Dancer, Eat Pray Love and Lottery Ticket

Nanny McPhee Returns (Three Stars) U.S.; Susanna White, 2010 I love Emma Thompson, even snaggle-toothed and warty. And this Thompson-written, Thompson-starring way-beyond-Mary-Poppins WW2-era film of the Matilda books of Christianna Brand — who also wrote that wonderful WW2-set thriller Green for Danger (which became one of Alistair Sim‘s finest hours) — is a little loud,…

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Wilmington on DVDs: The City of Your Final Destination, Black Orpheus, Hamlet, The Last Song, and more …

PICK OF THE WEEK: NEW The City of Your Final Destination (Three and a Half Stars) U.K.-U.S.; James Ivory, 2009 (Screen Media) In The City of Your Final Destination — maybe the last of the lovably old-fashioned, classically constructed, deeply literate and beautifully wrought Merchant Ivory films, in the string that began back in 1963…

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Wilmington on DVDs: The Magnificent Seven, Date Night, Little Women, Chicago and more …

PICK OF THE WEEK: Blu-Ray The Magnificent Seven (Three and a Half Stars) U.S.; John Sturges, 1960 (MGM) Akira Kurosawa’s classic 1954 battle epic, Seven Samurai was originally distributed in the U.S. under the title The Magnificent Seven. So that’s the title MGM used when John Sturges made the seemingly inevitable Western remake — in…

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MW on Movies: Scott Pilgrim Vs The World and The Expendables

Scott Pilgrim Vs. The World (Three Stars) U.S.; Edgar Wright, 2010 Oh, to be a kid again. To feel the juices running madly, to get wildly excited about comic books and top ten hit-lists and about the last good new teen movie you saw (the canon from A Hard Day’s Night to Superbad) and maybe even a (No!…

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Wilmington

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“Almodóvar–the first name is almost unnecessary–is a genius, is a flower, is a guiding light: the last, best son of Buñuel and so much more than that. His screenplays, which he directs with passion and fine care, have taught us about the exteriors of his native land and the interiors of our own hearts. From the early, manic experimental Super-8 work to the breakthrough Women on the Verge of a Nervous Breakdown, his titles are as evocative as most people’s screenplays. Yet for all their antic energy, Almodóvar’s films are deeply spiritual: watching his disturbing, mysterious, heart-rending Talk to Her is to understand, perhaps for the first time, the full meaning of grace. An Almodóvar screenplay is a running leap off a Gaudi balcony, it flips, soars, ascends, careens, tumbles, falls – always landing, astonishingly and astonished, on its feet.”
~ Howard A. Rodman, Announcing Almodóvar’s Jean Renoir Award

“I got a feeling I am going to win in the long run, but I want to be part of the zeitgeist, too. I want to support young girls who are in their 20s now and tell them: You’re not just imagining things. It’s tough. Everything that a guy says once, you have to say five times. Girls now are also faced with different problems. I’ve been guilty of one thing: After being the only girl in bands for 10 years, I learned—the hard way—that if I was going to get my ideas through, I was going to have to pretend that they—men—had the ideas. I became really good at this and I don’t even notice it myself. I don’t really have an ego. I’m not that bothered. I just want the whole thing to be good. And I’m not saying one bad thing about the guys who were with me in the bands, because they’re all amazing and creative, and they’re doing incredible things now. But I come from a generation where that was the only way to get things done. So I have to play stupid and just do everything with five times the amount of energy, and then it will come through.”
~ Björk to Jessica Hopper at Pitchfork