MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on DVD: Red Riding Trilogy, Ludwig: Requiem for a Virgin King, Pandora and the Flying Dutchman, Errol Flynn Adventures … and more

CO-PICKS OF THE WEEK: NEW The Red Riding Trilogy (Four Stars) U.K.; Julian Jarrold/James Marsh/Anand Tucker, 2009 (IFC Films) Easily one of the most ambitious and best films of 2009 is writer Tony Grisoni‘s three part adaptation of David Peace’s Red Riding novels. This is noir times three, with the three films spanning a decade…

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Wilmington on Movies: Flipped, Takers, Vampires Suck and Centurions

For the past few years, I’ve been looking, yearning even, for a few American studio movies that would make me feel the way I sometimes did as a movie-going kid: searching for smart, realistic dramas or thrillers or comedies (or comedy-dramas), good solid movies that had the warmth, sensibility and humanity of the classics of…

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Wilmington on DVDs: Me and Orson Welles, Ajami, Mona Lisa, Elvis 75th Birthday Collection, and more …

CO-PICKS OF THE WEEK: NEW Me and Orson Welles (Three and a Half Stars) U.S.; Richard Linklater, 2009 (Warner/Target) In Me and Orson Welles, Richard Linklater, a director whose films I usually like, takes on a highly ambitious subject that really, really appeals to me — a portrayal of the astonishing youthful theatrical triumphs of…

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Wilmington on Movies: Nanny McPhee Returns, Mao’s Last Dancer, Eat Pray Love and Lottery Ticket

Nanny McPhee Returns (Three Stars) U.S.; Susanna White, 2010 I love Emma Thompson, even snaggle-toothed and warty. And this Thompson-written, Thompson-starring way-beyond-Mary-Poppins WW2-era film of the Matilda books of Christianna Brand — who also wrote that wonderful WW2-set thriller Green for Danger (which became one of Alistair Sim‘s finest hours) — is a little loud,…

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Wilmington on DVDs: The City of Your Final Destination, Black Orpheus, Hamlet, The Last Song, and more …

PICK OF THE WEEK: NEW The City of Your Final Destination (Three and a Half Stars) U.K.-U.S.; James Ivory, 2009 (Screen Media) In The City of Your Final Destination — maybe the last of the lovably old-fashioned, classically constructed, deeply literate and beautifully wrought Merchant Ivory films, in the string that began back in 1963…

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Wilmington on DVDs: The Magnificent Seven, Date Night, Little Women, Chicago and more …

PICK OF THE WEEK: Blu-Ray The Magnificent Seven (Three and a Half Stars) U.S.; John Sturges, 1960 (MGM) Akira Kurosawa’s classic 1954 battle epic, Seven Samurai was originally distributed in the U.S. under the title The Magnificent Seven. So that’s the title MGM used when John Sturges made the seemingly inevitable Western remake — in…

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MW on Movies: Scott Pilgrim Vs The World and The Expendables

Scott Pilgrim Vs. The World (Three Stars) U.S.; Edgar Wright, 2010 Oh, to be a kid again. To feel the juices running madly, to get wildly excited about comic books and top ten hit-lists and about the last good new teen movie you saw (the canon from A Hard Day’s Night to Superbad) and maybe even a (No!…

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Wilmington

Quote Unquotesee all »

Julian Schnabel: Years ago, I was down there with my cousin’s wife Corky. She was wild — she wore makeup on her legs, and she had a streak in her hair like Yvonne De Carlo in “The Munsters.” She liked to paint. I had overalls on with just a T-shirt and looked like whatever. We were trying to buy a bunch of supplies with my cousin Jesse’s credit card. They looked at the credit card, and then they looked at us and thought maybe we stole the card, so they called Jesse up. He was a doctor who became the head of trauma at St. Vincent’s. They said, “There’s somebody here with this credit card and we want to know if it belongs to you.”

He said, “Well, does the woman have dyed blonde hair and fake eyelashes and look like she stepped out of the backstage of some kind of silent movie, and is she with some guy who has wild hair and is kind of dressed like a bum?”

“Yeah, that’s them.”

“Yeah, that’s my cousin and my wife. It’s okay, they can charge it on my card.”
~ Julian Schnabel Remembers NYC’s Now-Shuttered Pearl Paint

MB Cool. I was really interested in the aerial photography from Enter the Void and how one could understand that conceptually as a POV, while in fact it’s more of an objective view of the city where the story takes place. So it’s an objective and subjective camera at the same time. I know that you’re interested in Kubrick. We’ve talked about that in the past because it’s something that you and I have in common—

GN You’re obsessed with Kubrick, too.

MB Does he still occupy your mind or was he more of an early influence?

GN He was more of an early influence. Kubrick has been my idol my whole life, my own “god.” I was six or seven years old when I saw 2001: A Space Odyssey, and I never felt such cinematic ecstasy. Maybe that’s what brought me to direct movies, to try to compete with that “wizard of Oz” behind the film. So then, years later, I tried to do something in that direction, like many other directors tried to do their own, you know, homage or remake or parody or whatever of 2001. I don’t know if you ever had that movie in mind for your own projects. But in my case, I don’t think about 2001 anymore now. That film was my first “trip” ever. And then I tried my best to reproduce on screen what some drug trips are like. But it’s very hard. For sure, moving images are a better medium than words, but it’s still very far from the real experience. I read that Kubrick said about Lynch’s Eraserhead, that he wished he had made that movie because it was the film he had seen that came closest to the language of nightmares.

Matthew Barney and Gaspar Noé