MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on Movies: Dinner for Schmucks, Cats & Dogs: The Revenge of Kitty Galore, Charlie St. Cloud, The Concert, 8 1/2

Dinner for Schmucks (Two and a Half Stars) U.S.; Jay Roach, 2010 There are plenty of primo American comedy actors around right now; all we really need is the movies to put them in. Dinner for Schmucks, with its story courtesy  of French buddy-comedy master Francis Veber, and its showcase roles for Paul Rudd, Zach…

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Wilmington on DVDs: Vincere, The Red Shoes, Black Narcissus, Elvis: That’s the Way it Is, Cop Out … and more

Vincere (Four Stars) Italy; Marco Bellocchio, 2009 Marco Bellocchio’s Vincere (Victory) is grandly ambitious and often stunningly beautiful: a lush, brilliantly stylish operatic bio-drama about an edgy, difficult subject, the unlikely tragedy of Benito Mussolini‘s spurned lover/maybe wife Ida Dalzer, his rejected son, Benito Albino Mussolini and the brutal Il Duce‘s barbarous neglect and mistreatment…

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Wilmington on Movies: Inception

Inception (Four Stars) U.S.; Christopher Nolan, 2010 It begins with a man washed up on the beach, awaking as if from a dream, waves crashing around him. What happens next? Christopher Nolan’s Inception, — with Leonardo DiCaprio as a tortured guy who shoves dreams into your head — is obviously some kind of masterpiece. It’s…

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Wilmington on DVDs: Terribly Happy, Ride with the Devil, Chloe, Film Noir Classic Collection Vol. 5, The Bounty Hunter … and more

PICK OF THE WEEK: NEW Terribly Happy (Three Stars) Denmark; Henrik Ruben Genz, 2008 (Oscilloscope) A troubled cop with a dark secret named Robert Hansen (Jakob Cedergren) travels from Copenhagen to a small Danish town, where the citizens at the local bar tend to be sarcastic and vaguely menacing and the local drunken doctor, Zerleng…

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Predators, Despicable Me and The Law (La Loi)

Predators (One and a Half Stars) U.S.; Nimrod Antal, 2010 I‘d be less than honest if I didn’t inform you that Predators — a horror movie about a Dirty Half-Dozen or so of mercenaries parachuted down onto a planetful of monsters — is a piece of god-awful shit. I would however be borrowing, and maybe…

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Wilmington

Quote Unquotesee all »

“Let me put this bluntly, in language even a busy blogger can understand: Criticism — and its humble cousin, reviewing — is not a democratic activity. It is, or should be, an elite enterprise, ideally undertaken by individuals who bring something to the party beyond their hasty, instinctive opinions of a book (or any other cultural object). It is work that requires disciplined taste, historical and theoretical knowledge and a fairly deep sense of the author’s (or filmmaker’s or painter’s) entire body of work, among other qualities.”
~ Richard Schickel

“When Barry Jenkins introduced Moonlight, he said he hoped we see ourselves in the characters. We’re thrown into neighborhood combat with 10-year-old Chiron in Miami’s Liberty City where the empty lots, abandoned buildings, sidewalks — the shortcuts and escape routes — are his total known world. We intake vividly, like a 10-year-old, the cruel, the generous, the strangeness of others, the crack-addled neglect in a home he can’t escape. Jenkins’ characters’ lives move on, get stunted, are dulled to stupefaction, end tragically, end in separation. Moonlight is Chiron’s world. It’s the current lower-middle class, working class, disenfranchised- and-alienated-class world. Intimacy is Jenkins’ accomplishment. But, what we’re intimate with is another consciousness so totally and truthfully created, that we’re looking outward and inward simultaneously. That’s why Jenkins’ work is profound. Chiron is us and we are him, asking ourselves, ‘Who am I? Where do I fit?'”
~ Michael Mann On Moonlight