MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on Movies: Dinner for Schmucks, Cats & Dogs: The Revenge of Kitty Galore, Charlie St. Cloud, The Concert, 8 1/2

Dinner for Schmucks (Two and a Half Stars) U.S.; Jay Roach, 2010 There are plenty of primo American comedy actors around right now; all we really need is the movies to put them in. Dinner for Schmucks, with its story courtesy  of French buddy-comedy master Francis Veber, and its showcase roles for Paul Rudd, Zach…

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Wilmington on DVDs: Vincere, The Red Shoes, Black Narcissus, Elvis: That’s the Way it Is, Cop Out … and more

Vincere (Four Stars) Italy; Marco Bellocchio, 2009 Marco Bellocchio’s Vincere (Victory) is grandly ambitious and often stunningly beautiful: a lush, brilliantly stylish operatic bio-drama about an edgy, difficult subject, the unlikely tragedy of Benito Mussolini‘s spurned lover/maybe wife Ida Dalzer, his rejected son, Benito Albino Mussolini and the brutal Il Duce‘s barbarous neglect and mistreatment…

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Wilmington on Movies: Inception

Inception (Four Stars) U.S.; Christopher Nolan, 2010 It begins with a man washed up on the beach, awaking as if from a dream, waves crashing around him. What happens next? Christopher Nolan’s Inception, — with Leonardo DiCaprio as a tortured guy who shoves dreams into your head — is obviously some kind of masterpiece. It’s…

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Wilmington on DVDs: Terribly Happy, Ride with the Devil, Chloe, Film Noir Classic Collection Vol. 5, The Bounty Hunter … and more

PICK OF THE WEEK: NEW Terribly Happy (Three Stars) Denmark; Henrik Ruben Genz, 2008 (Oscilloscope) A troubled cop with a dark secret named Robert Hansen (Jakob Cedergren) travels from Copenhagen to a small Danish town, where the citizens at the local bar tend to be sarcastic and vaguely menacing and the local drunken doctor, Zerleng…

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Predators, Despicable Me and The Law (La Loi)

Predators (One and a Half Stars) U.S.; Nimrod Antal, 2010 I‘d be less than honest if I didn’t inform you that Predators — a horror movie about a Dirty Half-Dozen or so of mercenaries parachuted down onto a planetful of monsters — is a piece of god-awful shit. I would however be borrowing, and maybe…

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Wilmington

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Carrie Mulligan on: Wilmington on DVDs: The Great Gatsby

isa50 on: Wilmington on DVDs: Gladiator; Hell's Half Acre; The Incredible Burt Wonderstone

Rory on: Wilmington on Movies: Snow White and the Huntsman

Andrew Coyle on: Wilmington On Movies: Paterson

tamzap on: Wilmington on DVDs: The Magnificent Seven, Date Night, Little Women, Chicago and more …

rdecker5 on: Wilmington on DVDs: Ivan's Childhood

Ray Pride on: Wilmington on Movies: The Purge: Election Year

Quote Unquotesee all »

“A shot is a story. A shot on its own should be a piece of a story. Which is why I talk a lot about watching films, even the films we’re working on, with the sound off. Just to analyze how the film works, because a film should work for an audience without any sound. The biggest problem I see is that someone may have a superficial understanding of what a shot is propositionally, but they don’t have an understanding of how all of these shots are part of a family that needs to connect, and so you’ll get something that’s like a sentence arranged poorly with six nouns in a row. That surprises me, because I think that’s something that can be learned. Some things can’t be, but that can. It’s a grammar. In a classroom I could walk somebody through the difference between a sequence in which the filmmaker has a deep understanding of how images connect, and someone who doesn’t. It’s not really an intellectual process. Some people are just born with it and are just sort of savants at that deep mathematical understanding of shot construction.  I’m better than I used to be, but there are some people I’m just never going to catch. Spielberg. His staging ability. I’m never going to catch him. But when you’re trying to figure out how to get better—I’m not competitive in the sense of looking around at other filmmakers and comparing myself to them. What I do have to think about in trying to navigate myself through a career is: what can I get better at, and what do I have that I can enhance that somebody else doesn’t have?”
~ Steven Soderbergh

“It’s not going to be huge. He and I had been corresponding for a while. When I finally met him, he said, ‘We should collaborate.’ When John Ashbery says that to you, you don’t say when, you just say yes. It has not been easy to conjure this out of nothing. Sean Price Williams and I spent time with him, and it will appear on FilmStruck before the year is out…. I have figured out how to streamline things. I still have dreams of making movies with bigger budgets, and they might be considered to have more of a voice in pop culture. I don’t want to let go of that. I also realize that you grow up a lot of your life with wishful thinking and waiting. I have figured out ways to avoid doing that. I am working on a bigger movie about Nikola Tesla, set in the past, so it is not an easy film to make. I am also working on an adaptation of Don DeLillo’s ‘White Noise.’ That seems more likely to catch fire.”
Michael Almereyda Steps It Up