MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on Movies: Knight and Day and Wild Grass

Knight and Day (Three Stars) U.S.; James Mangold, 2010 Knight and Day doesn’t make much sense, but do we really want it to?

Read the full article »

Wilmington on Movies: Toy Story 3, The Killer Inside Me, The A-Team and Marmaduke

Toy Story 3 (Four Stars) U. S. Lee Unkrich, 2010 Toy Story 3 is just what we’ve come to expect from Pixar: a brilliantly conceived and immaculately animated knockout of a family show

Read the full article »

Wilmington: A Tale of Two Cities

“It was the best of times, it was the worst of times…” Charles Dickens, A Tale of Two Cities So said Charles Dickens, to describe the changing worlds of staid England and turbulent France, of the two cities London and Paris, during French revolutionary times — in his great melodramatic novel A Tale of Two…

Read the full article »

Wilmington on Movies: Get Him to the Greek and Breathless

Get Him to The Greek (Three Stars) U.S.; Nicholas Stoller, 2010 Get Him to the Greek — the latest from the Judd Apatow juggernaut

Read the full article »

Wilmington

Quote Unquotesee all »

“I am just grateful I am still around. I would love to be Steven Soderbergh, but I am lucky to be Joe Swanberg. Actors want to work with me, people want to give me money, and my nightmare scenario remains: Getting in bed with a studio, spending years on a movie, and it turns out horrible, but now I’m rich.”

Actually, by Hollywood standards, you’re right, I said. That is unambitious.

“It is, and yet, if you can go to bed happy at night, doing what you want, isn’t that ambition for a lifetime?”
~ Swanberg On Swanberg By Borelli

“In retrospect, nothing of that kind surprised me about Philip, because his intuition was luminous from the instant you met him. So was his intelligence. A lot of actors act intelligent, but Philip was the real thing: a shining, artistic polymath with an intelligence that came at you like a pair of headlights and enveloped you from the moment he grabbed your hand, put a huge arm round your neck and shoved a cheek against yours; or if the mood took him, hugged you to him like a big, pudgy schoolboy, then stood and beamed at you while he took stock of the effect.”
John le Carré on Philip Seymour Hoffman