MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on Movies: A Nightmare on Elm Street, Please Give and Harry Brown…

A Nightmare on Elm Street (One and a Half Stars) U.S.; Samuel Bayer, 2010 Twenty-six years ago, I walked into the only theater that ever stood on the very same block where I lived — the Vogue in Los Angeles on Hollywood Boulevard between La Brea and Cherokee — and got the living, screaming

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Wilmington on Movies: The Back-Up Plan, The Losers and Oceans …

The Back-up Plan (One and a Half Stars) U.S.; Alan Poul, 2010 If you don’t have a back-up plan when you wander into The Back-up Plan, the new Jennifer Lopez picture, you may

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Wilmington on Movies: Date Night, When You’re Strange, The Greatest and more …

Date Night (Three Stars) U.S.; Shawn Levy, 2010 Steve Carell and Tina Fey make a potentially great movie comedy couple in Date Night — even though

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Wilmington on Movies: Clash of the Titans, The Last Song and Mid-August Lunch

Clash of the Titans (Three Stars) U.S.; Louis Leterrier, 2010 The Kraken, the Medusa, the Pegasus and the lobster monsters are smashing successes in director Louis Leterrier’s lavish remake of Clash of the Titans — the 1981 Ray Harryhausen mythological epic.

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“Almodóvar–the first name is almost unnecessary–is a genius, is a flower, is a guiding light: the last, best son of Buñuel and so much more than that. His screenplays, which he directs with passion and fine care, have taught us about the exteriors of his native land and the interiors of our own hearts. From the early, manic experimental Super-8 work to the breakthrough Women on the Verge of a Nervous Breakdown, his titles are as evocative as most people’s screenplays. Yet for all their antic energy, Almodóvar’s films are deeply spiritual: watching his disturbing, mysterious, heart-rending Talk to Her is to understand, perhaps for the first time, the full meaning of grace. An Almodóvar screenplay is a running leap off a Gaudi balcony, it flips, soars, ascends, careens, tumbles, falls – always landing, astonishingly and astonished, on its feet.”
~ Howard A. Rodman, Announcing Almodóvar’s Jean Renoir Award

“I got a feeling I am going to win in the long run, but I want to be part of the zeitgeist, too. I want to support young girls who are in their 20s now and tell them: You’re not just imagining things. It’s tough. Everything that a guy says once, you have to say five times. Girls now are also faced with different problems. I’ve been guilty of one thing: After being the only girl in bands for 10 years, I learned—the hard way—that if I was going to get my ideas through, I was going to have to pretend that they—men—had the ideas. I became really good at this and I don’t even notice it myself. I don’t really have an ego. I’m not that bothered. I just want the whole thing to be good. And I’m not saying one bad thing about the guys who were with me in the bands, because they’re all amazing and creative, and they’re doing incredible things now. But I come from a generation where that was the only way to get things done. So I have to play stupid and just do everything with five times the amount of energy, and then it will come through.”
~ Björk to Jessica Hopper at Pitchfork