MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on Movies: A Nightmare on Elm Street, Please Give and Harry Brown…

A Nightmare on Elm Street (One and a Half Stars) U.S.; Samuel Bayer, 2010 Twenty-six years ago, I walked into the only theater that ever stood on the very same block where I lived — the Vogue in Los Angeles on Hollywood Boulevard between La Brea and Cherokee — and got the living, screaming

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Wilmington on Movies: The Back-Up Plan, The Losers and Oceans …

The Back-up Plan (One and a Half Stars) U.S.; Alan Poul, 2010 If you don’t have a back-up plan when you wander into The Back-up Plan, the new Jennifer Lopez picture, you may

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Wilmington on Movies: Date Night, When You’re Strange, The Greatest and more …

Date Night (Three Stars) U.S.; Shawn Levy, 2010 Steve Carell and Tina Fey make a potentially great movie comedy couple in Date Night — even though

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Wilmington on Movies: Clash of the Titans, The Last Song and Mid-August Lunch

Clash of the Titans (Three Stars) U.S.; Louis Leterrier, 2010 The Kraken, the Medusa, the Pegasus and the lobster monsters are smashing successes in director Louis Leterrier’s lavish remake of Clash of the Titans — the 1981 Ray Harryhausen mythological epic.

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Wilmington

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“Any time a movie causes a country to threaten nuclear retaliation, the higher-ups wanna get in a room with you… In terms of getting the word out about the movie, it’s not bad. If they actually make good on it, it would be bad for the world—but luckily that doesn’t seem like their style… We’ll make a movie that maybe for two seconds will make some 18-year-old think about North Korea in a way he never would have otherwise. Or who knows? We were told one of the reasons they’re so against the movie is that they’re afraid it’ll actually get into North Korea. They do have bootlegs and stuff. Maybe the tapes will make their way to North Korea and cause a fucking revolution. At best, it will cause a country to be free, and at worst, it will cause a nuclear war. Big margin with this movie.”
~ Seth Rogen In Rolling Stone 1224

“Yes, good movies sprout up, inevitably, in the cracks and seams between the tectonic plates on which all of these franchises stay balanced, and we are reassured of their hardiness. But we don’t see what we don’t see; we don’t see the effort, or the cost of the effort, or the movies of which we’re deprived because of the cost of the effort. Paul Thomas Anderson’s Inherent Vice may have come from a studio, but it still required a substantial chunk of outside financing, and at $35 million, it’s not even that expensive. No studio could find the $8.5 million it cost Dan Gilroy to make Nightcrawler. Birdman cost a mere $18 million and still had to scrape that together at the last minute. Imagine American movie culture for the last few years without Her or Foxcatcher or American Hustle or The Master or Zero Dark Thirty and it suddenly looks markedly more frail—and those movies exist only because of the fairy godmothership of independent producer Megan Ellison. The grace of billionaires is not a great business model on which to hang the hopes of an art form.”
~ Mark Harris On The State Of The Movies