MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on Movies: A Nightmare on Elm Street, Please Give and Harry Brown…

A Nightmare on Elm Street (One and a Half Stars) U.S.; Samuel Bayer, 2010 Twenty-six years ago, I walked into the only theater that ever stood on the very same block where I lived — the Vogue in Los Angeles on Hollywood Boulevard between La Brea and Cherokee — and got the living, screaming

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Wilmington on Movies: The Back-Up Plan, The Losers and Oceans …

The Back-up Plan (One and a Half Stars) U.S.; Alan Poul, 2010 If you don’t have a back-up plan when you wander into The Back-up Plan, the new Jennifer Lopez picture, you may

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Wilmington on Movies: Date Night, When You’re Strange, The Greatest and more …

Date Night (Three Stars) U.S.; Shawn Levy, 2010 Steve Carell and Tina Fey make a potentially great movie comedy couple in Date Night — even though

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Wilmington on Movies: Clash of the Titans, The Last Song and Mid-August Lunch

Clash of the Titans (Three Stars) U.S.; Louis Leterrier, 2010 The Kraken, the Medusa, the Pegasus and the lobster monsters are smashing successes in director Louis Leterrier’s lavish remake of Clash of the Titans — the 1981 Ray Harryhausen mythological epic.

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Wilmington

Quote Unquotesee all »

“I am just grateful I am still around. I would love to be Steven Soderbergh, but I am lucky to be Joe Swanberg. Actors want to work with me, people want to give me money, and my nightmare scenario remains: Getting in bed with a studio, spending years on a movie, and it turns out horrible, but now I’m rich.”

Actually, by Hollywood standards, you’re right, I said. That is unambitious.

“It is, and yet, if you can go to bed happy at night, doing what you want, isn’t that ambition for a lifetime?”
~ Swanberg On Swanberg By Borelli

“In retrospect, nothing of that kind surprised me about Philip, because his intuition was luminous from the instant you met him. So was his intelligence. A lot of actors act intelligent, but Philip was the real thing: a shining, artistic polymath with an intelligence that came at you like a pair of headlights and enveloped you from the moment he grabbed your hand, put a huge arm round your neck and shoved a cheek against yours; or if the mood took him, hugged you to him like a big, pudgy schoolboy, then stood and beamed at you while he took stock of the effect.”
John le Carré on Philip Seymour Hoffman