MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on Movies: Cop Out, The Crazies, A Prophet, North Face and The Ghost Writer (revisited)

Cop Out (One and a Half Stars) U. S.; Kevin Smith, 2010 Cop Out is one movie where you can tell what went wrong just by looking at the trailer. The

Read the full article »

Wilmington on Movies: Shutter Island, The Ghost Writer and Ajami

Shutter Island (Four Stars) U.S.; Martin Scorsese, 2010 Shutter Island, Martin Scorsese’s new film, is a horror movie for aficionados, who like to be scared and not have to check their brains in the lobby. It‘s for moviegoers who’ve had their fill of the current

Read the full article »

Wilmington on Movies: Valentine’s Day and Percy Jackson and the Olympians: The Lightning Thief

Valentine‘s Day (One and a Half Stars) U.S.; Garry Marshall, 2009 Lonely on Valentine’s Day? Hollywood has your number. They’re holding tickets (or at least one ticket) to director Garry Marshall’s appropriately titled Feb-12-14 weekend release Valentine’s Day — an all-star Angeleno big-movie box of flavorless

Read the full article »

Wilmington

Quote Unquotesee all »

“I don’t know, because I don’t know much about those cameras. I know that’s been a complaint, but I wouldn’t know. Film is what worked for this film. I have a fear of the unknown. I’ve spent a long time trying to learn one camera, and to fucking stop and try to learn another one… I would have to stop for 20 years! I’m a slow learner; I’d have to go through the manual, it would be starting over. So there’s that, too. It’s an issue for filmmakers, and it’s on people’s minds, and I have to say that it’s a lot more challenging and difficult just to kind of get somebody to show film or to print film. It’s far more challenging than it should be right now, and we’re just trying to keep it alive a little bit and create a little pocket where it can be shown that way in various places across the country right now.”
~ Paul Thomas Anderson To David Ehrlich On The Prospect Of Switching From Film

“Almodóvar–the first name is almost unnecessary–is a genius, is a flower, is a guiding light: the last, best son of Buñuel and so much more than that. His screenplays, which he directs with passion and fine care, have taught us about the exteriors of his native land and the interiors of our own hearts. From the early, manic experimental Super-8 work to the breakthrough Women on the Verge of a Nervous Breakdown, his titles are as evocative as most people’s screenplays. Yet for all their antic energy, Almodóvar’s films are deeply spiritual: watching his disturbing, mysterious, heart-rending Talk to Her is to understand, perhaps for the first time, the full meaning of grace. An Almodóvar screenplay is a running leap off a Gaudi balcony, it flips, soars, ascends, careens, tumbles, falls – always landing, astonishingly and astonished, on its feet.”
~ Howard A. Rodman, Announcing Almodóvar’s Jean Renoir Award