MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on Movies: It’s Complicated, The Lovely Bones, Nine, Police – Adjective, Did You Hear About the Morgans?

It’s Complicated (Three Stars) U.S.; Nancy Meyers, 2009 It’s Complicated tries to show that age cannot wither, nor custom stale, even in Santa Barbara, with Meryl Streep making croissants, Alec Baldwin undergoing fertility tests and some funny smoke in the air. The movie costars Streep as a happy baker who’s lived too long unmarried, Baldwin…

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Wilmington on DVDs: THE TEN BEST

Here are my choices for the ten best DVD and DVD box sets (plus a few runners-up) for 2009, last year of the first decade of the twenty-first century.

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Wilmington on Movies: Sherlock Holmes, Into Temptation

Sherlock Holmes (Three Stars) U.S.; Guy Ritchie, 2009 Sir Arthur Conan Doyle’s fog-bound, spellbinding adventures of Sherlock Holmes and Dr. John Watson were among the magical books of my childhood. The game’s afoot! “Elementary, my dear Watson.” The curious incident of the dog in the night-time. I even invented my own counterfeit Holmes and Watson…

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Wilmington on Movies: Avatar, Princess & the Frog, The Young Victoria

  Avatar (Four Stars) U.S.; James Cameron, 2009 Avatar, James Cameron’s planet-shaking, moon-rocking, eco-worshipping, dragon-riding new science fiction fantasy epic-and-a-half, may not be a perfect movie. But it’s sure as hell an incredible experience. It’s a genre-movie knockout, a cinematic mind-blast and a technological marvel whose feats of 3D motion-capture and CGI pyrotechnics, and the…

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Wilmington on DVDs: Inglourious Basterds, The Hangover, Harry Potter and the Half-Blood Prince, 500 Days of Summer and more…

Inglourious Basterds (Three and a Half Stars) U. S.; Quentin Tarantino, 2009 (Universal) Quentin Tarantino shoots the works in Inglorious Basterds, a wild movie-movie-lover’s blend of WW2 action film pyrotechnics, subtitled art cinema romance, inside-movie allusions of every type and description, grand spaghetti-operatic Sergio Leone stylistics, and a brash Let’s-rewrite-World War 2-and make-it-a-De Palma flick…

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Wilmington on Movies: Invictus, Brothers, The Messenger

Invictus (Four Stars) U.S.; Clint Eastwood, 2009 I am the master of my fate. I am the captain of my soul. Those are the stirring last words of William Ernest Henley’s “Invictus,” the British poem from which black political prisoner and Apartheid foe Nelson Mandela took heart during his 27 years in South African prisons…

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Wilmington on DVDs: Julie and Julia, The Hangover, Harry Potter and the Half-Blood Prince, 500 Days of Summer and more…

Julie and Julia (Three Stars) U. S.; Nora Ephron, 2009 (Sony) In Julie and Julia, a perky and ambitious young Manhattan writer named Julie Powell, decides to cook all the recipes in Julia Child’s culinary bible “Mastering the Art of French Cooking” in the space of a year — and write a blog about it,…

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Wilmington on Movies: Up in the Air, Everybody’s Fine and Old Dogs

Up in the Air (Three-and-a-Half Stars) U.S.; Jason Reitman, 2009 In Jason Reitman’s Up in the Air, which I rather liked, George Clooney plays a prime/perfecto Clooney role: Ryan Bingham, a nice-seeming, glamorous looking guy with a highly remunerated, very nasty job. Ryan is a severance expert, a corporate gun-for-hire, who flies around the country…

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Wilmington on DVDs: Terminator Salvation, Wizard of Oz, A Christmas Tale, Night at the Museum, Paper Heart, Flame and Citron and more…

Terminator Salvation (Also Director’s Cut and Blu-Ray) (Two Stars) U. S.; McG, 2009 (Warner) Terminator Salvation — a big, roaring, burn-down-the-planet sequel to the Terminator trilogy set in the future — tries to be a new super-apocalyptic nightmare worthy of its Terminating predecessors: a cine-techno-bloodbath where man battles machine, cyborg battles mini-copter, robot battles android,…

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Wilmington

Quote Unquotesee all »

“I don’t know, because I don’t know much about those cameras. I know that’s been a complaint, but I wouldn’t know. Film is what worked for this film. I have a fear of the unknown. I’ve spent a long time trying to learn one camera, and to fucking stop and try to learn another one… I would have to stop for 20 years! I’m a slow learner; I’d have to go through the manual, it would be starting over. So there’s that, too. It’s an issue for filmmakers, and it’s on people’s minds, and I have to say that it’s a lot more challenging and difficult just to kind of get somebody to show film or to print film. It’s far more challenging than it should be right now, and we’re just trying to keep it alive a little bit and create a little pocket where it can be shown that way in various places across the country right now.”
~ Paul Thomas Anderson To David Ehrlich On The Prospect Of Switching From Film

“Almodóvar–the first name is almost unnecessary–is a genius, is a flower, is a guiding light: the last, best son of Buñuel and so much more than that. His screenplays, which he directs with passion and fine care, have taught us about the exteriors of his native land and the interiors of our own hearts. From the early, manic experimental Super-8 work to the breakthrough Women on the Verge of a Nervous Breakdown, his titles are as evocative as most people’s screenplays. Yet for all their antic energy, Almodóvar’s films are deeply spiritual: watching his disturbing, mysterious, heart-rending Talk to Her is to understand, perhaps for the first time, the full meaning of grace. An Almodóvar screenplay is a running leap off a Gaudi balcony, it flips, soars, ascends, careens, tumbles, falls – always landing, astonishingly and astonished, on its feet.”
~ Howard A. Rodman, Announcing Almodóvar’s Jean Renoir Award