MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on Movies: It’s Complicated, The Lovely Bones, Nine, Police – Adjective, Did You Hear About the Morgans?

It’s Complicated (Three Stars) U.S.; Nancy Meyers, 2009 It’s Complicated tries to show that age cannot wither, nor custom stale, even in Santa Barbara, with Meryl Streep making croissants, Alec Baldwin undergoing fertility tests and some funny smoke in the air. The movie costars Streep as a happy baker who’s lived too long unmarried, Baldwin…

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Wilmington on DVDs: THE TEN BEST

Here are my choices for the ten best DVD and DVD box sets (plus a few runners-up) for 2009, last year of the first decade of the twenty-first century.

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Wilmington on Movies: Sherlock Holmes, Into Temptation

Sherlock Holmes (Three Stars) U.S.; Guy Ritchie, 2009 Sir Arthur Conan Doyle’s fog-bound, spellbinding adventures of Sherlock Holmes and Dr. John Watson were among the magical books of my childhood. The game’s afoot! “Elementary, my dear Watson.” The curious incident of the dog in the night-time. I even invented my own counterfeit Holmes and Watson…

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Wilmington on Movies: Avatar, Princess & the Frog, The Young Victoria

  Avatar (Four Stars) U.S.; James Cameron, 2009 Avatar, James Cameron’s planet-shaking, moon-rocking, eco-worshipping, dragon-riding new science fiction fantasy epic-and-a-half, may not be a perfect movie. But it’s sure as hell an incredible experience. It’s a genre-movie knockout, a cinematic mind-blast and a technological marvel whose feats of 3D motion-capture and CGI pyrotechnics, and the…

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Wilmington on DVDs: Inglourious Basterds, The Hangover, Harry Potter and the Half-Blood Prince, 500 Days of Summer and more…

Inglourious Basterds (Three and a Half Stars) U. S.; Quentin Tarantino, 2009 (Universal) Quentin Tarantino shoots the works in Inglorious Basterds, a wild movie-movie-lover’s blend of WW2 action film pyrotechnics, subtitled art cinema romance, inside-movie allusions of every type and description, grand spaghetti-operatic Sergio Leone stylistics, and a brash Let’s-rewrite-World War 2-and make-it-a-De Palma flick…

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Wilmington on Movies: Invictus, Brothers, The Messenger

Invictus (Four Stars) U.S.; Clint Eastwood, 2009 I am the master of my fate. I am the captain of my soul. Those are the stirring last words of William Ernest Henley’s “Invictus,” the British poem from which black political prisoner and Apartheid foe Nelson Mandela took heart during his 27 years in South African prisons…

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Wilmington on DVDs: Julie and Julia, The Hangover, Harry Potter and the Half-Blood Prince, 500 Days of Summer and more…

Julie and Julia (Three Stars) U. S.; Nora Ephron, 2009 (Sony) In Julie and Julia, a perky and ambitious young Manhattan writer named Julie Powell, decides to cook all the recipes in Julia Child’s culinary bible “Mastering the Art of French Cooking” in the space of a year — and write a blog about it,…

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Wilmington on Movies: Up in the Air, Everybody’s Fine and Old Dogs

Up in the Air (Three-and-a-Half Stars) U.S.; Jason Reitman, 2009 In Jason Reitman’s Up in the Air, which I rather liked, George Clooney plays a prime/perfecto Clooney role: Ryan Bingham, a nice-seeming, glamorous looking guy with a highly remunerated, very nasty job. Ryan is a severance expert, a corporate gun-for-hire, who flies around the country…

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Wilmington on DVDs: Terminator Salvation, Wizard of Oz, A Christmas Tale, Night at the Museum, Paper Heart, Flame and Citron and more…

Terminator Salvation (Also Director’s Cut and Blu-Ray) (Two Stars) U. S.; McG, 2009 (Warner) Terminator Salvation — a big, roaring, burn-down-the-planet sequel to the Terminator trilogy set in the future — tries to be a new super-apocalyptic nightmare worthy of its Terminating predecessors: a cine-techno-bloodbath where man battles machine, cyborg battles mini-copter, robot battles android,…

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Wilmington

Quote Unquotesee all »

“In the review, I referenced a painful and insidious stereotype solely in order to praise Ms. Rhimes and her shows for traveling so far from it. If making that connection between the two offended people, I feel bad about that. But I think that a full reading allows for a different takeaway than the loudest critics took. The same applies to your question about “less than classically beautiful.” Viola Davis said it about herself in the NYT magazine, more bluntly.  I commended Ms. Rhimes for casting an actress who doesn’t conform to television’s narrow standards of beauty; I have said the same thing about Helen Mirren in “Prime Suspect.” I didn’t think Times readers would take the opening sentence literally because I so often write arch, provocative ledes that are then undercut or mitigated by the paragraphs that follow. (links below) Regrettably, this stereotype is still too incendiary to raise even in arguing that Ms. Rhimes had killed it once and for all.”
Alessandra Stanley On Alessandra Stanley

“Fight Club was a movie where half the financing fell out before we started shooting. Bill Mechanic to his credit said: ‘I’m making this movie.’ Laura Ziskin, may she rest in peace, was there every step of the way saying: ‘Go, keep going, it’s great, we love the dailies, it’s amazing.’ When we cut the movie together and showed them the final thing is the first time everyone realized they were going to get fired. It’s a great cocktail story about doing this movie that’s so dark and twisted and then they see it and go, oh my god, what’s the poster here? How do we get people to see this? The marketing department shit all over the movie and said: ‘Men don’t want to see Brad Pitt with his shirt off and women don’t want to see him bloody so you’re fucked.’ So they devised a campaign for the film to sell it to people watching the World Wrestling Federation. I wanted to sell it as a satire. Madness. People go to the movies to see things they haven’t seen before. Call me a radical.”
~ David Fincher On Fight Club