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MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Me and Orson Welles Red Cliff, The Road, and Ninja Assassi

Me and Orson Welles, Red Cliff, The Road, and Ninja Assassin Me and Orson Welles (Three and a Half Stars) U.S.; Richard Linklater, 2009 In Me and Orson Welles, Richard Linklater, a director whose films I usually like, takes on a highly ambitious subject that really appeals to me — a portrayal of the astonishing…

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Wilmington on DVDs Three Monkeys , Snow White and the Seven Dwarfs, Angels & Demons, Funny People, and more…

PICK OF THE WEEK: NEW Three Monkeys (Three and a Half Stars) Turkey/France/Italy; Nuri Bilge Ceylan, 2008 (Zeitgeist Films) Nuri Bilge Ceylan, the brilliant Turkish cineaste (Distant, Climates), whose exquisite visual tableaus, minimalist plots and flair for long dramatic silences, irresistibly recall the heyday of Michelangelo Antonioni, here offers more plot than usual, in the…

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Wilmington on DVDs: Star Trek, Gone with the Wind, The Exiles, Fight Club, Humpday and more…

PICK OF THE WEEK: NEW Star Trek (Three and a Half Stars) U.S.; J. J. Abrams, 2009 The latest Star Trek movie, called simply Star Trek, is a genuine audience-pleaser, a film that

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Wilmington on DVDs: Up, Wings of Desire, The General, Heat, The Ugly Truth, Mamma Mia!, Monsters, Inc. and more…

PICK OF THE WEEK: NEW Up (Four Stars) U. S.; Pete Docter, 2009 Up, this year’s new Pixar picture, flies

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Wilmington on DVDs: Food, Inc., North By Northwest, Forrest Gump, It’s a Wonderful Life, The Taking of Pelham 1 2 3 and more…

PICK OF THE WEEK: NEW Food, Inc. (Three and a Half Stars) U. S.; Robert Kenner, 2009 (Magnolia) Do you really know everything you should about the food you eat?

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Wilmington

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“The evening’s curious vanity and irrelevance stay with me, if only because those qualities characterize so many of Hollywood’s best intentions. Social problems present themselves to many of these people in terms of a scenario, in which, once certain key scenes are licked (the confrontation on the courthouse steps, the revelation that the opposition leader has an anti-Semitic past, the presentation of the bill of participants to the President, a Henry Fonda cameo), the plot will proceed inexorably to an upbeat fade. Marlon Brando does not, in a well-plotted motion picture, picket San Quentin in vain: what we are talking about here is faith in a dramatic convention. Things “happen” in motion pictures. There is always a resolution, always a strong cause-effect dramatic line, and to perceive the world in those terms is to assume an ending for every social scenario… If the poor people march on Washington and camp out, there to receive bundles of clothes gathered on the Fox lot by Barbra Streisand, then some good must come of it (the script here has a great many dramatic staples, not the least of them in a sentimental notion of Washington as an open forum, cf. Mr. Deeds Goes to Washington), and doubts have no place in the story.”
~ Joan Didion On Hw’d In 1970

CAMPION: We were driving around the countryside the other day, and we happened to chance upon a lone bull and cow going through some sex rituals. I was so surprised to see how lengthy the whole process was for this bull. He started licking the cow’s shin and worked his way quite laboriously up toward her ass. And every now and again, you thought, “Maybe she’s ready now—he’ll try a quick move.”
TAYLOR-JOHNSON: She wasn’t ready.
CAMPION: She made it clear that that wasn’t the case. We couldn’t even wait; it was like 15 minutes, but it was really adorable. Even when we came back, they were still at it. The foreplay was phenomenal.
TAYLOR-JOHNSON: You don’t think of animal love in that way.
~ Jane Campion And Sam Taylor-Johnson in Interview

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