MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Me and Orson Welles Red Cliff, The Road, and Ninja Assassi

Me and Orson Welles, Red Cliff, The Road, and Ninja Assassin Me and Orson Welles (Three and a Half Stars) U.S.; Richard Linklater, 2009 In Me and Orson Welles, Richard Linklater, a director whose films I usually like, takes on a highly ambitious subject that really appeals to me — a portrayal of the astonishing…

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Wilmington on DVDs Three Monkeys , Snow White and the Seven Dwarfs, Angels & Demons, Funny People, and more…

PICK OF THE WEEK: NEW Three Monkeys (Three and a Half Stars) Turkey/France/Italy; Nuri Bilge Ceylan, 2008 (Zeitgeist Films) Nuri Bilge Ceylan, the brilliant Turkish cineaste (Distant, Climates), whose exquisite visual tableaus, minimalist plots and flair for long dramatic silences, irresistibly recall the heyday of Michelangelo Antonioni, here offers more plot than usual, in the…

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Wilmington on DVDs: Star Trek, Gone with the Wind, The Exiles, Fight Club, Humpday and more…

PICK OF THE WEEK: NEW Star Trek (Three and a Half Stars) U.S.; J. J. Abrams, 2009 The latest Star Trek movie, called simply Star Trek, is a genuine audience-pleaser, a film that

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Wilmington on DVDs: Up, Wings of Desire, The General, Heat, The Ugly Truth, Mamma Mia!, Monsters, Inc. and more…

PICK OF THE WEEK: NEW Up (Four Stars) U. S.; Pete Docter, 2009 Up, this year’s new Pixar picture, flies

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Wilmington on DVDs: Food, Inc., North By Northwest, Forrest Gump, It’s a Wonderful Life, The Taking of Pelham 1 2 3 and more…

PICK OF THE WEEK: NEW Food, Inc. (Three and a Half Stars) U. S.; Robert Kenner, 2009 (Magnolia) Do you really know everything you should about the food you eat?

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Wilmington

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best new dvd releases on: Wilmington on Movies and DVDs: Beauty and the Beast. Movie: Truesdale/Wise. DVD: Cocteau/Clement.

Barry Sabath on: Wilmington on Movies: The Apu Trilogy

Quote Unquotesee all »

“There are critics who see their job as to be on the side of the artist, or in a state of imaginative sympathy or alliance with the artist. I think it’s important for a critic to be populist in the sense that we’re on the side of the public. I think one of the reasons is, frankly, capitalism. Whether you’re talking about restaurants or you’re talking about movies, you’re talking about large-scale commercial enterprises that are trying to sell themselves and market themselves and publicize themselves. A critic is, in a way, offering consumer advice. I think it’s very, very important in a time where everything is commercialized, commodified, and branded, where advertising is constantly bleeding into other forms of discourse, for there to be an independent voice kind of speaking to—and to some extent on behalf of—the public.”
~ A. O. Scott On One Role Of The Critic

“Every night, we’d sit and talk for a long, long time and talk about the process and I knew he was very, very intrigued about what could be happening. Then of course, one of the fascinating things he told me about was how he had readers who were reading for him that never knew it was Stanley Kubrick. So if he heard of a novel, he would send it out to people. I think he did it through newspaper ads at the time. And he would send it out to people and ask for a kind of synopsis or a critique of the novel. And he would read those. And it was done anonymously. But he said there were housewives and there were barristers and all sorts of people doing that. And I thought, yeah, that’s a really good way to open up the possibilities. Because otherwise, you’re randomly looking, walking through a bookstore or an airport. I said, “How many people are doing this?” It was about 30 people.”
~ George Miller’s Conversations With Kubrick