MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on DVDs: Ice Age: Dawn of the Dinosaurs, Il Divo, Z, Whatever Works, Nothing Like the Holidays, The Orphan and more…

Ice Age: Dawn of the Dinosaurs(Two and a Half Stars) U. S.; Carlos Saldanha, Mike Thurmeier, 2009 Are those Ice Age wedding bells breaking up that old gang of mine?

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Wilmington on DVDs: Transformers: Revenge of the Fallen, Monsoon Wedding, Planes, Trains & Automobiles, Easy Rider and more…

Transformers: Revenge of the Fallen (Two and a Half Stars) U. S.; Michael Bay, 2009 This might better be called Transformers: Revenge of the Hasbro Action Toys

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Wilmington on DVDs: Drag Me to Hell, Natural Born Killers, Snow White and the Seven Dwarfs and more…

PICK OF THE WEEK: NEW Drag Me to Hell (Three-and-a-Half Stars) U. S.; Sam Raimi, 2009 (Universal) Drag Me to Hell, from Sam (“SpiderMan”) Raimi, is a terror fest in his Evil Dead mode and gear: a scary movie that’s really

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Wilmington on DVDs: Anvil! The Story of Anvil, Chinatown, A Hard Day’s Night and more…

PICK OF THE WEEK: NEW Anvil: The Story of Anvil (Three-and-a-Half Stars) U. S.; Sacha Gervasi, 2009 (VHI Films) This funny, sad, rockin’ little documentary is about a

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Wilmington on Movies: Edna Wilmington 1915-2009

    Edna Wilmington (1915-2009). By Michael Wilmington Last Wednesday night, September 30, my mother, Edna Wilmington, died at the age of 94, several hours after being discharged from Northwestern Memorial Hospital after repeated hospital stays there, and at St. Joseph’s, for a variety of health problems. She had requested me never to send her to…

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“Almodóvar–the first name is almost unnecessary–is a genius, is a flower, is a guiding light: the last, best son of Buñuel and so much more than that. His screenplays, which he directs with passion and fine care, have taught us about the exteriors of his native land and the interiors of our own hearts. From the early, manic experimental Super-8 work to the breakthrough Women on the Verge of a Nervous Breakdown, his titles are as evocative as most people’s screenplays. Yet for all their antic energy, Almodóvar’s films are deeply spiritual: watching his disturbing, mysterious, heart-rending Talk to Her is to understand, perhaps for the first time, the full meaning of grace. An Almodóvar screenplay is a running leap off a Gaudi balcony, it flips, soars, ascends, careens, tumbles, falls – always landing, astonishingly and astonished, on its feet.”
~ Howard A. Rodman, Announcing Almodóvar’s Jean Renoir Award

“I got a feeling I am going to win in the long run, but I want to be part of the zeitgeist, too. I want to support young girls who are in their 20s now and tell them: You’re not just imagining things. It’s tough. Everything that a guy says once, you have to say five times. Girls now are also faced with different problems. I’ve been guilty of one thing: After being the only girl in bands for 10 years, I learned—the hard way—that if I was going to get my ideas through, I was going to have to pretend that they—men—had the ideas. I became really good at this and I don’t even notice it myself. I don’t really have an ego. I’m not that bothered. I just want the whole thing to be good. And I’m not saying one bad thing about the guys who were with me in the bands, because they’re all amazing and creative, and they’re doing incredible things now. But I come from a generation where that was the only way to get things done. So I have to play stupid and just do everything with five times the amount of energy, and then it will come through.”
~ Björk to Jessica Hopper at Pitchfork