Night Moves
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Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on DVDs: Ice Age: Dawn of the Dinosaurs, Il Divo, Z, Whatever Works, Nothing Like the Holidays, The Orphan and more…

Ice Age: Dawn of the Dinosaurs(Two and a Half Stars) U. S.; Carlos Saldanha, Mike Thurmeier, 2009 Are those Ice Age wedding bells breaking up that old gang of mine?

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Wilmington on DVDs: Transformers: Revenge of the Fallen, Monsoon Wedding, Planes, Trains & Automobiles, Easy Rider and more…

Transformers: Revenge of the Fallen (Two and a Half Stars) U. S.; Michael Bay, 2009 This might better be called Transformers: Revenge of the Hasbro Action Toys

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Wilmington on DVDs: Drag Me to Hell, Natural Born Killers, Snow White and the Seven Dwarfs and more…

PICK OF THE WEEK: NEW Drag Me to Hell (Three-and-a-Half Stars) U. S.; Sam Raimi, 2009 (Universal) Drag Me to Hell, from Sam (“SpiderMan”) Raimi, is a terror fest in his Evil Dead mode and gear: a scary movie that’s really

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Wilmington on DVDs: Anvil! The Story of Anvil, Chinatown, A Hard Day’s Night and more…

PICK OF THE WEEK: NEW Anvil: The Story of Anvil (Three-and-a-Half Stars) U. S.; Sacha Gervasi, 2009 (VHI Films) This funny, sad, rockin’ little documentary is about a

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Wilmington on Movies: Edna Wilmington 1915-2009

    Edna Wilmington (1915-2009). By Michael Wilmington Last Wednesday night, September 30, my mother, Edna Wilmington, died at the age of 94, several hours after being discharged from Northwestern Memorial Hospital after repeated hospital stays there, and at St. Joseph’s, for a variety of health problems. She had requested me never to send her to…

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Wilmington

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DEADLINE: How does a visualist feel about people watching your films on a phone or VOD?
REFN: It depends on what kind of movie you make. We had great success with Only God Forgives on multiple platforms in the U.S. Young people will decide how they see it, when they want to see it. Don’t try to fight it. Embrace it. That’s a wonderful opportunity. We’re at the most exciting time since the invention of the wheel, in terms of creativity because distribution and accessibility have changed everything. A camera is still a camera whether it’s digital or not; there’s still sound; an actor is an actor. Ninety-nine percent of what you do is going to be seen on a smart phone – I know this is the greatest thing ever made because it allows people to choose, watching what you do on this format or go into a theater and see it on a screen. That means more people than ever will see what I do, which is personally satisfying in terms of vanity. But you have to be able to adapt, to accept things in different order and length than we’re used to. We are in a very, very exciting time.
~ Nic Refn to Jen Yamato

DEADLINE: You mention Tarantino, who with Christopher Nolan and a few other giants, saved film stock from extinction. To him, showing a digital film in a theater is the equivalent of watching TV in public. Make an argument for why digital is a good film making canvas.
REFN: Costwise, it’s a very effective way for young people to start making movies. You can make your movie on an iPhone. It’s wonderful seeing how my own children use technology to enhance creativity. For me it’s a wonderful canvas. Sure, I love grain in film. I love celluloid. But I also like creativity. I like crayons, I like pencils, I like paint. It’s all relative. Technology is more inclusive. A hundred years ago when film was invented, it was an elitist club. Very few people got to make it, very few people controlled it and very few people owned it. A hundred years later, storytelling through images is everyone’s domain. It’s ultimate capitalism. There are no rules, and no barriers and no Hays Code. Where does this go in another hundred years? I don’t know but I would love to see it.
~ Nic Refn To Jen Yamato