MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on DVDs: The Wizard of Oz, Monsters vs. Aliens and more…

PICK OF THE WEEK: CLASSIC The Wizard of Oz (Four Stars) U. S.; Victor Fleming, King Vidor (Unc.), 1939 (Warner) Some movies appeal to just about everybody — like the heart-stoppingly entertaining and wonderful 1939 musical that MGM made out of L. Frank Baum’s American fairy tale, The Wizard of Oz (now released in a…

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Wilmington on DVDs: X-Men Origins: Wolverine, That Hamilton Woman, O’Horten and more…

X-Men Origins: Wolverine (Two-and-a-Half Stars) U. S.; Gavin Hood (2009) The question of the day, in a world beset with war, pandemics, economic collapse, crazed cable news-slingers and

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Wilmington on DVDs: Easy Virtue, The Country Teacher, Wagon Master and more…

Easy Virtue (Three Stars) U. K.; Stephan Elliott, 2009 (Sony) Noel Coward’s blithe, spirited, sexy ’20s play, Easy Virtue, is not new to

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Wilmington on DVDs: State of Play, Earth, Sin Nombre, Skin Game, M*A*S*H* and more…

State of Play (Three Stars) U. S.; Kevin Macdonald, 2009 (Universal) There’s stuff wrong with State of Play, director Kevin Macdonald’s would-be brainy newspaper thriller

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Wilmington

Quote Unquotesee all »

“The city to me is the only possible vehicle we have to measure human achievement. We’re an urban species now. If you look at Karachi or Mexico City or Hong Kong or London or New York or Yonkers or Baltimore or any of these other places, the pastoral is now a part of human history. We’re either going to figure out how to live together in these increasingly crowded, increasingly multi-cultural population centers or we’re not. We’re either going to get great at this or we’re going to fail as a species.”
~ David Simon

“I wondered how different it would be to write a novel and it’s totally different. It’s very internal. The weird thing about it is that I found that novel-writing was much more like directing than it is like screenwriting. You’re casting it, you’re lighting it, you’re doing the costumes, you’re doing the locations, you’re doing it all yourself as a director would. In screenwriting, you don’t do that stuff. You don’t describe the face of the actor or the character when you’re writing a screenplay because Tom Cruise is going to do it and he doesn’t look like that, whereas in the novel to describe what he is is what he is. The actual act of writing, just like shooting on a set, is a slow slog. It’s going to work every day.”
~ David Cronenberg On Screenplay vs. Novel