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MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on DVDs: The Wizard of Oz, Monsters vs. Aliens and more…

PICK OF THE WEEK: CLASSIC The Wizard of Oz (Four Stars) U. S.; Victor Fleming, King Vidor (Unc.), 1939 (Warner) Some movies appeal to just about everybody — like the heart-stoppingly entertaining and wonderful 1939 musical that MGM made out of L. Frank Baum’s American fairy tale, The Wizard of Oz (now released in a…

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Wilmington on DVDs: X-Men Origins: Wolverine, That Hamilton Woman, O’Horten and more…

X-Men Origins: Wolverine (Two-and-a-Half Stars) U. S.; Gavin Hood (2009) The question of the day, in a world beset with war, pandemics, economic collapse, crazed cable news-slingers and

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Wilmington on DVDs: Easy Virtue, The Country Teacher, Wagon Master and more…

Easy Virtue (Three Stars) U. K.; Stephan Elliott, 2009 (Sony) Noel Coward’s blithe, spirited, sexy ’20s play, Easy Virtue, is not new to

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Wilmington on DVDs: State of Play, Earth, Sin Nombre, Skin Game, M*A*S*H* and more…

State of Play (Three Stars) U. S.; Kevin Macdonald, 2009 (Universal) There’s stuff wrong with State of Play, director Kevin Macdonald’s would-be brainy newspaper thriller

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Wilmington

Quote Unquotesee all »

“Women’s power is too potent to waste on selfies… Truly dangerous women aren’t looking for dates or husbands, and they do not travel in packs. They rarely have many female friends. Their register is either universal, or intensely personal. They play mind games and make promises. Whether they deliver or not remains a secret, and secrets are essential to seduction. The Web has eroded every notion of privacy and stolen the real power of women: the threat of mystery itself.  “I can see you’re trouble” was once the biggest compliment a man could pay a woman. There was going to be a dark spiral into the whirlpool of sex; there were going to be tears on both sides, secrets and regrets, scandal. Today, everyone is trouble.”
~ Joan Juliet Buck in “W”

“You have to watch the end of the show to see how I feel—I mean, kids are a wonderment. I am quite fond of most of the young people in ‘The Slap,’ actually; it’s the grown-ups who have so much to learn. But to think of ‘The Slap’ as being a critique of contemporary parenting would be to miss the point. Like saying Birdman is about a life in the theater, instead of about a vast pool of narcissism that, again, denudes all grace until all you have is blistered (male) rage and bruised egos. I can’t speak to helicopter parents, but I sure do know a lot about not waking up every day and counting your goddamn blessings, and how fucking toxic that is. And that’s what I see all around me, a kind of spiritual autism, a narcissism of small things, and that’s ‘The Slap.’ Argh. But I like to think that it’s not immutable, that there are still synaptic charges toward doing the right thing, that we are capable of recognition—and being better. I think it’s about what happens when kindness is obliterated by desire.”
~ Jon Robin Baitz

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