Z
MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on DVDs: Fast and Furious, Anita O’Day: The Life of a Jazz Singer, Repulsion, and more…

Fast and Furious (One-and-a-Half Stars) U.S.; Justin Lin, 2009 (Universal) Fast and Furious — fourth in the mega-muscle-car-chase, car-crash series that began with The Fast and the Furious back in 2001

Read the full article »

Wilmington on DVDs: Coraline, Harvard Beats Yale, 29-29, 2 or 3 Things I Know About Her, Watchmen, Confessions of a Shopaholic, and more…

PICK OF THE WEEK: NEW Coraline (Three-and-a-Half Stars) U. S.; Henry Selick, 2009 (Universal) Other big budget studio movie genres may often seem overblown and underthought, but

Read the full article »

Wilmington on DVDs: 12, For All Mankind, This is Spinal Tap, The Haunting in Connecticut, and more…

PICK OF THE WEEK: NEW 12 (Three-and-a-Half Stars) Russia; Nikita Mikhalkov, 2008 12 is a modern Russian version of one of the great virtuoso American melodramas

Read the full article »

Wilmington on DVDs: Knowing, Quo Vadis?, Lonely are the Brave and more…

Knowing (Also Blu-Ray) Two Stars U.S.; Alex Proyas, 2009 Apocalypse anyone? Something awful is happening in the world and Nic Cage’s John Koestler is

Read the full article »

Wilmington

Z

Quote Unquotesee all »

Aloha is the movie equivalent of a man in a donkey suit with a tree branch growing out of his forehead. I don’t know what the fuck this movie is. It feels like Cameron Crowe tried to make some Pynchonesque contemporary riff on Casablanca, then either or he or the studio chickened out halfway through and tried to turn it back into Jerry Maguire. But don’t confuse Aloha with hackwork. It’s more like a mad scientist had 10 beakers bubbling, and instead of unlocking cold fusion, he blew up his lab and melted an ear. I swear, this movie is like some bastard offspring of Casablanca, Inherent Vice, ‘Goosebumps,’ and ‘Baywatch Hawaii.’ My takeaway? Making movies is hard, yo.”
~ Vince Mancini

“We don’t defy the laws of physics: There are no flying men or cars in this movie. So it made sense to do it old-school: real vehicles and real human beings in the desert. We shot the movie more or less in continuity, because the cars and the characters get really banged up along the way. The biggest benefit of digital technology for me was that the cameras were smaller and much more agile, so you could put them anywhere. We also spent a huge amount of time on spatial awareness—making sure the viewer could follow the action and understand what was happening. There has to be a strong causal connection from one shot to the next, just the same way that in music, there has to be a connection from one note to the next. Otherwise it’s just noise. Too often, if you just cram a lot of stuff into the frame, you get the illusion of a fast pace. But there’s no coherence. It doesn’t flow. It comes off as headbanging music, and it can be exhausting. We storyboarded the movie before we had a script: We had 3,500 boards, which helps the cast and crew understand how everything is going to fit together. Movies are getting faster and faster. The Road Warrior had 1,200 cuts. This one has 2,700 cuts. You have to treat it like a symphony.”
~ George Miller

Z Z