MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on DVDs: Fast and Furious, Anita O’Day: The Life of a Jazz Singer, Repulsion, and more…

Fast and Furious (One-and-a-Half Stars) U.S.; Justin Lin, 2009 (Universal) Fast and Furious — fourth in the mega-muscle-car-chase, car-crash series that began with The Fast and the Furious back in 2001

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Wilmington on DVDs: Coraline, Harvard Beats Yale, 29-29, 2 or 3 Things I Know About Her, Watchmen, Confessions of a Shopaholic, and more…

PICK OF THE WEEK: NEW Coraline (Three-and-a-Half Stars) U. S.; Henry Selick, 2009 (Universal) Other big budget studio movie genres may often seem overblown and underthought, but

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Wilmington on DVDs: 12, For All Mankind, This is Spinal Tap, The Haunting in Connecticut, and more…

PICK OF THE WEEK: NEW 12 (Three-and-a-Half Stars) Russia; Nikita Mikhalkov, 2008 12 is a modern Russian version of one of the great virtuoso American melodramas

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Wilmington on DVDs: Knowing, Quo Vadis?, Lonely are the Brave and more…

Knowing (Also Blu-Ray) Two Stars U.S.; Alex Proyas, 2009 Apocalypse anyone? Something awful is happening in the world and Nic Cage’s John Koestler is

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Wilmington

tamzap on: Wilmington on DVDs: The Magnificent Seven, Date Night, Little Women, Chicago and more …

rdecker5 on: Wilmington on DVDs: Ivan's Childhood

Ray Pride on: Wilmington on Movies: The Purge: Election Year

Movieman on: Wilmington on Movies: The Purge: Election Year

Johanna Lynch on: Wilmington on DVDs: The File on Thelma Jordon; Adua and her Friends; Bullet to the Head

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Quote Unquotesee all »

Kyle Buchanan: I think the deal with a lot of white, male critics is there’s a very empirical way that they write that they write their movie reviews that always puzzled me. Movies are such subjective things. Back in the day, I used to be the film critic for The Advocate, and it was really striking to me when I would go into screening rooms and I was by far the youngest. They were filled with old white men. And when you watch a film like Black Snake Moan, that’s playing with a whole lot of gender and race issues, I was like, Are like 70-year-old white men like really the sole voices that I want to hear on this movie? It just didn’t feel right.

Jen Yamato I’ve been very pleasantly surprised to see the receptions Moonlight has gotten. But one of the films that I was disappointed to see not get more traction was American Honey. I distinctly remember sitting in a screening room full of mostly older white guys and thinking during the film, How are any of them going to relate to this movie?

~ Taking On The “Old White Guys”

“I was frustrated, a bit angry even. There should be no need for winning in the arts. Awards condition people into thinking that art is a competition, that good cinema is prize-winning … that a filmmaker must win an award or two to be considered finance-worthy. It enables the slow death of many and lack of support for most. My films do not ask to be liked. In fact, my films actively seek to be disliked. It seems that I have failed at this goal. What does it mean to be political in the time of Trump… in the country of Duterte? I dedicate the film to all the outsiders of the world: kids, midgets, freaks, paralytics, prostitutes, scoundrels. These are my people. I make outsider films that talk about the pain and joy of not belonging, of always being on the outside peering in.”
~ Prolific Philippines Filmmaker Khavn de la Cruz On Getting A Prize From Geneva Int’l Film Fest