MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on DVDs: Fast and Furious, Anita O’Day: The Life of a Jazz Singer, Repulsion, and more…

Fast and Furious (One-and-a-Half Stars) U.S.; Justin Lin, 2009 (Universal) Fast and Furious — fourth in the mega-muscle-car-chase, car-crash series that began with The Fast and the Furious back in 2001

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Wilmington on DVDs: Coraline, Harvard Beats Yale, 29-29, 2 or 3 Things I Know About Her, Watchmen, Confessions of a Shopaholic, and more…

PICK OF THE WEEK: NEW Coraline (Three-and-a-Half Stars) U. S.; Henry Selick, 2009 (Universal) Other big budget studio movie genres may often seem overblown and underthought, but

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Wilmington on DVDs: 12, For All Mankind, This is Spinal Tap, The Haunting in Connecticut, and more…

PICK OF THE WEEK: NEW 12 (Three-and-a-Half Stars) Russia; Nikita Mikhalkov, 2008 12 is a modern Russian version of one of the great virtuoso American melodramas

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Wilmington on DVDs: Knowing, Quo Vadis?, Lonely are the Brave and more…

Knowing (Also Blu-Ray) Two Stars U.S.; Alex Proyas, 2009 Apocalypse anyone? Something awful is happening in the world and Nic Cage’s John Koestler is

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Wilmington

Quote Unquotesee all »

“The city to me is the only possible vehicle we have to measure human achievement. We’re an urban species now. If you look at Karachi or Mexico City or Hong Kong or London or New York or Yonkers or Baltimore or any of these other places, the pastoral is now a part of human history. We’re either going to figure out how to live together in these increasingly crowded, increasingly multi-cultural population centers or we’re not. We’re either going to get great at this or we’re going to fail as a species.”
~ David Simon

“I wondered how different it would be to write a novel and it’s totally different. It’s very internal. The weird thing about it is that I found that novel-writing was much more like directing than it is like screenwriting. You’re casting it, you’re lighting it, you’re doing the costumes, you’re doing the locations, you’re doing it all yourself as a director would. In screenwriting, you don’t do that stuff. You don’t describe the face of the actor or the character when you’re writing a screenplay because Tom Cruise is going to do it and he doesn’t look like that, whereas in the novel to describe what he is is what he is. The actual act of writing, just like shooting on a set, is a slow slog. It’s going to work every day.”
~ David Cronenberg On Screenplay vs. Novel