MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on DVDs: My Dinner with Andre, Two Lovers, Do the Right Thing and more…

PICK OF THE WEEK: NEW Two Lovers (Three-and-a-Half Stars) U. S.; James Gray, 2009 Joaquin Phoenix, in various weird ways, has suggested that James Gray‘s Brooklyn romance Two Lovers may be

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Wilmington on DVDs: Woodstock, Last Year at Marianbad, Waltz with Bashir and more…

PICK OF THE WEEK: CLASSICS Woodstock: 3 Days of Peace and Music — The Director’s Cut (Four Stars) U.S.; Michael Wadleigh, 1970-1994 (Warner) Both a great rock concert movie, and a superb documentary on youth culture in the Vietnam War Years, Michael Wadleigh’s Woodstock

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Wilmington on DVDs: The Seventh Seal, At the Death House Door, Gary Cooper and more…

PICK OF THE WEEK: CLASSICS The Seventh Seal (Two discs) (Four Stars) Sweden; Ingmar Bergman, 1957 (Criterion) Antonius Block, a dazzlingly blonde and handsome, idealistic, death-haunted knight

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Wilmington on DVDs: Gran Torino, Revolution Revisited, The Rain People, and more…

PICK OF THE WEEK: NEW Gran Torino (Four Stars) U.S.; Clint Eastwood, 2008 (Warner) Clint Eastwood plays a Dirty Harry guy grown old in his latest movie Gran Torino.

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Wilmington on DVDs: Revolutionary Road, Tender Mercies, Man Hunt, and more…

PICK OF THE WEEK: NEW Revolutionary Road (Three-and-a-Half Stars) U. S.; Sam Mendes, 2008 (Paramount) Revolutionary Road is one of these novels I‘ve always meant to crack — like Remembrance of Things Past, or

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Wilmington

tamzap on: Wilmington on DVDs: The Magnificent Seven, Date Night, Little Women, Chicago and more …

rdecker5 on: Wilmington on DVDs: Ivan's Childhood

Ray Pride on: Wilmington on Movies: The Purge: Election Year

Movieman on: Wilmington on Movies: The Purge: Election Year

Johanna Lynch on: Wilmington on DVDs: The File on Thelma Jordon; Adua and her Friends; Bullet to the Head

【14時までのご注文は即日発送】04-0017 03 48サイズ JILL STUART NEW YORK (ジルスチュアート ニュ on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

【最安値に挑戦!】 ダイキン SSRN112BD4馬力相当 天井埋込カセット形 マルチフロ on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

alain mikli アランミクリ メガネSTARCK EYES (スタルクアイズ) SH0001D カラー0053(正規品)【楽 on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

【最安値に挑戦!】 ダイキンSZRN63BT2.5馬力相当 天井埋込カセット形 マルチフロ on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

【着後レビューで送料無料】 エアージェイ 充電スタンド ホワイト SJS-2PWH 【RC on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

Quote Unquotesee all »

“To be a critic is to be a workaholic. Workaholism is socially conditioned: viewed favourably by exploiters, it’s generally ruinous to a worker’s mental health. When T.S. Eliot said criticism was as inevitable as breathing, he failed to mention that, respiratory problems notwithstanding, breathing is easy. Criticism is reflexive before reflective: to formalise/industrialise an involuntary instinct requires time, effort and discipline. The reason we seek remuneration, as opposed to the self-hatred of being a scab, is because all labour should be waged…

“Criticism, so the cliché by now goes, is dying. None of the panel discussions on its death agony, however—including those in which I’ve formally participated—come at it from the wider perspective that the problem surely needs. They defend the ways in which criticism functions in relation to the industry and to the public, but they fail to contextualise these relationships as defined by ultimately rotten and self-harming imperatives.

“Criticism was a noble profession so long as only a few could practice it for money; when the field expands, as it has with a so-called ‘democratisation’ of our practice, those few lose their political power. Competition grows and markets are undercut: publications are naturally going to start paying less. Precarity is both cause and effect of a surplus workforce: the reason you’re only as good as your last article is because there are plenty of other folks who can write the next one in your place. The daily grind is: pitch, or perish.

B”ut criticism, so a counter-cliché goes, is not dying. An irony: this is an elite sport that is no longer elite in terms of who is able to practice it, but in economic terms it’s clutching to a perverse and outmoded hierarchical structure. It’s more meritocratic than ever, now: which is to say it isn’t meritocratic at all. That’s a paradox in bad need of a resolution…”

~ Michael Pattison Manifestoes Film Criticism

“It’s easy to forget when you’re reading a critic every single week or multiple times a week, that most of us who do this job, and have been doing it for a long time, understand that this is basically a parasitic profession. I don’t mean in the sense that we’re evil bloodsucking creatures, but we couldn’t exist if we didn’t have something to analyze. And I’m always conscious of that. So whether I like or don’t like a particular thing you do, my point of view is always that of an appreciator. I just like to be in the world that you create.”
~ Matt Zoller Seitz To Sam Esmail

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