MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on DVDs: Of Time and the City, El Dorado, Zabriskie Point, and more…

PICK OF THE WEEK: NEW Of Time and the City (Three-and-a-Half Stars) U. K.; Terence Davies, 2008 (Strand Releasing) The sometimes mournfully brilliant British independent filmmaker Terence Davies returns to Liverpool, the place of his birth and growing up

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Wilmington on DVDs: The Man Who Shot Liberty Valance, Wise Blood, Valkyrie and more…

CO-PICKS OF THE WEEK: CLASSICS The Man Who Shot Liberty Valance (Two Discs) (Four Stars) U. S.; John Ford, 1962 (Paramount) John Ford’s last great Western is a visually spare masterpiece about the new and old frontiers

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Wilmington on DVDs: Tell No One, A Grin Without a Cat, Max Fleischer’s Superman and more…

PICK OF THE WEEK: NEW Tell No One (Three Stars) France; Guillaume Canet, 2006 (Music Box Films/MPI) A provincial French pediatrician named Beck (Francois Cluzet) — still tormented by the

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Wilmington on DVDs: The Curious Case of Benjamin Button, Wendy and Lucy, Science is Fiction and more…

CO-PICKS OF THE WEEK: NEW The Curious Case of Benjamin Button (Three and a Half Stars) U. S.; David Fincher, 2008 (Criterion) David Fincher, seemingly working at full intensity, gives us the epic adaptation of an obscure

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Wilmington

Quote Unquotesee all »

“Any time a movie causes a country to threaten nuclear retaliation, the higher-ups wanna get in a room with you… In terms of getting the word out about the movie, it’s not bad. If they actually make good on it, it would be bad for the world—but luckily that doesn’t seem like their style… We’ll make a movie that maybe for two seconds will make some 18-year-old think about North Korea in a way he never would have otherwise. Or who knows? We were told one of the reasons they’re so against the movie is that they’re afraid it’ll actually get into North Korea. They do have bootlegs and stuff. Maybe the tapes will make their way to North Korea and cause a fucking revolution. At best, it will cause a country to be free, and at worst, it will cause a nuclear war. Big margin with this movie.”
~ Seth Rogen In Rolling Stone 1224

“Yes, good movies sprout up, inevitably, in the cracks and seams between the tectonic plates on which all of these franchises stay balanced, and we are reassured of their hardiness. But we don’t see what we don’t see; we don’t see the effort, or the cost of the effort, or the movies of which we’re deprived because of the cost of the effort. Paul Thomas Anderson’s Inherent Vice may have come from a studio, but it still required a substantial chunk of outside financing, and at $35 million, it’s not even that expensive. No studio could find the $8.5 million it cost Dan Gilroy to make Nightcrawler. Birdman cost a mere $18 million and still had to scrape that together at the last minute. Imagine American movie culture for the last few years without Her or Foxcatcher or American Hustle or The Master or Zero Dark Thirty and it suddenly looks markedly more frail—and those movies exist only because of the fairy godmothership of independent producer Megan Ellison. The grace of billionaires is not a great business model on which to hang the hopes of an art form.”
~ Mark Harris On The State Of The Movies