MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on DVDs: Of Time and the City, El Dorado, Zabriskie Point, and more…

PICK OF THE WEEK: NEW Of Time and the City (Three-and-a-Half Stars) U. K.; Terence Davies, 2008 (Strand Releasing) The sometimes mournfully brilliant British independent filmmaker Terence Davies returns to Liverpool, the place of his birth and growing up

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Wilmington on DVDs: The Man Who Shot Liberty Valance, Wise Blood, Valkyrie and more…

CO-PICKS OF THE WEEK: CLASSICS The Man Who Shot Liberty Valance (Two Discs) (Four Stars) U. S.; John Ford, 1962 (Paramount) John Ford’s last great Western is a visually spare masterpiece about the new and old frontiers

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Wilmington on DVDs: Tell No One, A Grin Without a Cat, Max Fleischer’s Superman and more…

PICK OF THE WEEK: NEW Tell No One (Three Stars) France; Guillaume Canet, 2006 (Music Box Films/MPI) A provincial French pediatrician named Beck (Francois Cluzet) — still tormented by the

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Wilmington on DVDs: The Curious Case of Benjamin Button, Wendy and Lucy, Science is Fiction and more…

CO-PICKS OF THE WEEK: NEW The Curious Case of Benjamin Button (Three and a Half Stars) U. S.; David Fincher, 2008 (Criterion) David Fincher, seemingly working at full intensity, gives us the epic adaptation of an obscure

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Wilmington

Quote Unquotesee all »

“I am just grateful I am still around. I would love to be Steven Soderbergh, but I am lucky to be Joe Swanberg. Actors want to work with me, people want to give me money, and my nightmare scenario remains: Getting in bed with a studio, spending years on a movie, and it turns out horrible, but now I’m rich.”

Actually, by Hollywood standards, you’re right, I said. That is unambitious.

“It is, and yet, if you can go to bed happy at night, doing what you want, isn’t that ambition for a lifetime?”
~ Swanberg On Swanberg By Borelli

“In retrospect, nothing of that kind surprised me about Philip, because his intuition was luminous from the instant you met him. So was his intelligence. A lot of actors act intelligent, but Philip was the real thing: a shining, artistic polymath with an intelligence that came at you like a pair of headlights and enveloped you from the moment he grabbed your hand, put a huge arm round your neck and shoved a cheek against yours; or if the mood took him, hugged you to him like a big, pudgy schoolboy, then stood and beamed at you while he took stock of the effect.”
John le Carré on Philip Seymour Hoffman