MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on DVDs: Dear Zachary, Rachel Rachel, Faces, and more … plus, this week’s box set

PICKS OF THE WEEK: NEW Dear Zachary: A Letter to a Son About His Father (Three-and-a-Half Stars) U. S.; Kurt Kuenne, 2008 (Oscilloscope) 2008 was a year of remarkable documentaries. My favorites were Martin Scorsese’s sizzling Stones concert movieShine a Light and James Marsh’s extraordinary, gut-wrenchingMan on Wire, about Philippe Petit‘s high-wire walk between the…

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Wilmington on DVDs: Changeling, I Served the King of England, Faces, Hobson’s Choice and more … plus, this week’s box set

CO-PICKS OF THE WEEK: NEW Changeling (Four Stars) U. S.; Clint Eastwood (Universal) Changeling is another very fine late-career movie from director Clint Eastwood: a scary, blood-chillingly clear look at

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Wilmington on Movies: Coraline, He’s Just Not that Into You, The Pink Panther 2, Fanboys

Coraline (Three-and-a-Half Stars) U. S.; Henry Selick Other movie genres may need some more oomph. But

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Wilmington

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Six rules for filmmaking from Mike Nichols
1. The careful application of terror is an important form of communication.
2. Anything worth fighting for is worth fighting dirty for.
3. There’s absolutely no substitute for genuine lack of preparation.
4. If you think there’s good in everybody, you haven’t met everybody.
5. Friends may come and go but enemies will certainly become studio heads.
6. No one ever lost anything by asking for more money.
~ Via Larry Karaszewski and Howard A. Rodman On Facebook

“I expected ‘Salesman’ to take the step backward every day that Chekhov and Beckett did — but no, it was there to help all the time. The circumstances are like a brick shithouse, they are so solid. You can’t really be satisfied, but I am pretty close to it because the cast took it and ran. They get better every day. I’ve never seen anything like that before, and I don’t know if I’ll ever see it again. Is my ambition sated? I don’t know. To get something right, it can’t be sated because you can’t ever get enough of it right—and even if it is right, it won’t stay right. That’s the thing about a play. But with ‘Salesman,’ it’s different. I don’t know how, but they just keep getting better each night. I really don’t think I’ll direct another play. This is as good a time as I’ve ever had, and I don’t want to fuck it up.”
~ Mike Nichols To Stephen Galloway At The Time Of “Death Of A Salesman”