Night Moves
MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on DVDs: Dear Zachary, Rachel Rachel, Faces, and more … plus, this week’s box set

PICKS OF THE WEEK: NEW Dear Zachary: A Letter to a Son About His Father (Three-and-a-Half Stars) U. S.; Kurt Kuenne, 2008 (Oscilloscope) 2008 was a year of remarkable documentaries. My favorites were Martin Scorsese’s sizzling Stones concert movieShine a Light and James Marsh’s extraordinary, gut-wrenchingMan on Wire, about Philippe Petit‘s high-wire walk between the…

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Wilmington on DVDs: Changeling, I Served the King of England, Faces, Hobson’s Choice and more … plus, this week’s box set

CO-PICKS OF THE WEEK: NEW Changeling (Four Stars) U. S.; Clint Eastwood (Universal) Changeling is another very fine late-career movie from director Clint Eastwood: a scary, blood-chillingly clear look at

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Wilmington on Movies: Coraline, He’s Just Not that Into You, The Pink Panther 2, Fanboys

Coraline (Three-and-a-Half Stars) U. S.; Henry Selick Other movie genres may need some more oomph. But

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Wilmington

Quote Unquotesee all »

A statement from David Chase’s representative, Leslee Dart:

A journalist for Vox misconstrued what David Chase said in their interview. To simply quote David as saying,“ Tony Soprano is not dead,” is inaccurate. There is a much larger context for that statement and as such, it is not true. As David Chase has said numerous times on the record, “Whether Tony Soprano is alive or dead is not the point.” To continue to search for this answer is fruitless. The final scene of THE SOPRANOS raises a spiritual question that has no right or wrong answer.
~ David Chase Refutes Vox Writer

“By the time the sounds of the Von Trapp children warbling ‘Silent Night’ drift through The Giver, you may find yourself wondering what fresh movie hell this is. In truth, the enervating hash of dystopian dread, vague religiosity and commercial advertising-style uplift is nothing if not stale. Adapted from Lois Lowry’s book for young readers, the story involves an isolated society that, with its cubistic dwellings, mindless smiles, monochromatic environs and nebulous communitarianism, seem modeled on a Scandinavian country or an old Mentos commercial.”
~ Manohla Dargis’ Deadly Lede For Review Of The Giver