MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on Movies: New In Town and The Uninvited

New in Town (One-and-a-Half Stars) U.S.; Jonas Elmer Welcome to New Ulm, Minnesota, where the tapioca is fine, the snow is omnipresent,

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Wilmington on Movies: Revolutionary Road, Inkheart, Notorious, Outlander and The Secret of the Grain

Revolutionary Road (Three-and-a-Half Stars) U. S.; Sam Mendes Revolutionary Road is one of these novels I’ve always been meaning to read

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Wilmington on Movies: Defiance, Hotel For Dogs and Paul Blart: Mall Cop

DEFIANCE (Three Stars) U.S.; Ed Zwick Ed Zwick’s Defiance, based on a true-life story about Jewish partisans — who carve out a community-in-hiding in a Belorussian forest during World War 2 — is fairly unique among World War 2 movies, in presenting Holocaust-era Jews not as tragic victims and survivors, but as heroes and heroines…

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Wilmington on Movies: Bride Wars, Marley & Me, Last Chance Harvey, The Reader and Not Easily Broken

Bride Wars(One-and-a-Half Stars) U.S.; Gary Winick How‘s this for a fractured high concept: Beauteous best friend brides-to-be turn vicious enemies for the stupidest reasons imaginable, and behave like viciously addled morons for two unfunny hours. Then (SPOILER ALERT FOR NEXT SIX WORDS) everybody makes up and makes nice.

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Wilmington on Movies: Ten Best Movies 2008

1. Shine a Light U.S.: Martin Scorsese Anyone who loves movies or rock n’ roll, or both, and doesn’t get blown away at Shine a Light

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Wilmington

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Carrie Mulligan on: Wilmington on DVDs: The Great Gatsby

isa50 on: Wilmington on DVDs: Gladiator; Hell's Half Acre; The Incredible Burt Wonderstone

Rory on: Wilmington on Movies: Snow White and the Huntsman

Andrew Coyle on: Wilmington On Movies: Paterson

tamzap on: Wilmington on DVDs: The Magnificent Seven, Date Night, Little Women, Chicago and more …

rdecker5 on: Wilmington on DVDs: Ivan's Childhood

Ray Pride on: Wilmington on Movies: The Purge: Election Year

Quote Unquotesee all »

What’s up with your people mover shot, where it seems like people are kind of floating along?
Oh, my signature shot? That’s just a new way for people to move! It’s really become my Alfred Hitchcock cameo. I did not invent that shot, but Ernest and I did it on the set of Mo Better Blues, when Shorty had to walk [through the park], and I thought, “Let’s try it.” But after that, we tried to have a reason for it. For example, that wonderful sequence in Malcolm X where you hear the great song, “A Change Is Gonna Come.” The final scene is like that, Malcolm floating along to his destiny. In 25th Hour, after Philip Seymour Hoffman has kissed Anna Paquin, we did a shot like that, and it shows his state of mind. In Inside Man, after Denzel thinks he’s witnessed the murder of a hostage, we did the floating shot there.

So you just like the way it looks?
Yeah!
~ Spike Lee To Matt Zoller Seitz

“I never accepted the term contrarian. I think that’s offensive, frankly. And my response to that is: if I’m a contrarian, what are other reviewers? What I strive to do is be a good critic, not somebody who simply accepts the product put in front of me. I guess it scares people to think that they don’t have any originality; that they don’t have the capacity to think for themselves.

“There’s a line a lot of reviewers use that I don’t like at all. They say ‘accept the film on its own terms.’ What that really means is, ‘accept the film as it is advertised.’ That’s got nothing to do with criticism. Nothing to do with having a response as a film watcher. A thinking person has to analyze what’s on screen, not simply rubber-stamp it or kowtow to marketing.”m

“To me, everything does have a political component and I think it’s an interesting way to look at art. It’s one way that makes film reviewing, I think, a politically relevant form of journalism. We do live in a political world, and we bring our political sense to the movies with us – unless you’re the kind of person who goes to the movies and shuts off the outside world. I’m not that kind of person.”
~ Armond White to Luke Buckmaster