MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on Movies: The Curious Case of Benjamin Button plus reviews of Valkyrie, Bedtime Stories, and The Spirit

The Curious Case of Benjamin Button (Three-and-a-Half Stars) U. S.; David Fincher What a refreshingly “uncommercial” big-budget project! And what a surprisingly enjoyable movie.

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The Wrestler plus reviews of Seven Pounds, Yes Man, Frost/Nixon, Amarcord and Moscow, Belgium

The Wrestler (Three-and-a-Half Stars) U.S.; Darren Aronofsky So the French were crazy for liking Mickey Rourke, huh?

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Wilmington on Movies: Gran Torino plus reviews of Doubt, Nothing Like the Holidays, The Day the Earth Stood Still and Dark Streets

Gran Torino (Four Stars) U.S.; Clint Eastwood Clint Eastwood plays a Dirty Harry grown old in his latest movie Gran Torino. And he makes us feel lucky … to be watching him simmer and explode on screen again.

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Wilmington on Movies: Cadillac Records plus reviews of Nobel Son and Punisher: War Zone

Cadillac Records (Three Stars) U.S.; Darnell Martin The renaissance of the movie musical — at least since 2001 and Moulin Rouge! — has been one real cause for joy in the last several cinematic years, and Darnell Martin‘s Cadillac Records is another shining example. A rockin’ dandy one too.

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Wilmington

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Carrie Mulligan on: Wilmington on DVDs: The Great Gatsby

isa50 on: Wilmington on DVDs: Gladiator; Hell's Half Acre; The Incredible Burt Wonderstone

Rory on: Wilmington on Movies: Snow White and the Huntsman

Andrew Coyle on: Wilmington On Movies: Paterson

tamzap on: Wilmington on DVDs: The Magnificent Seven, Date Night, Little Women, Chicago and more …

rdecker5 on: Wilmington on DVDs: Ivan's Childhood

Ray Pride on: Wilmington on Movies: The Purge: Election Year

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“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima

“They’re still talking about the ‘cathedral of cinema,’ the ‘communal experience,’ blah blah. The experiences I’ve had recently in the theatre have not been good. There’s commercials, noise, cellphones. I was watching Colette at the Varsity, and halfway through red flashes came up at the bottom of the frame. A woman came out and said, ‘We’re going to have to reboot, so take fifteen minutes and come back.’ Then they rebooted it from the beginning, and she had to ask the audience to tell her how far to go. You tell me, is that a great experience? I generally don’t watch movies in a cinema at all. Netflix is the future. It’s the present. But the whole paradigm of a series, binge-watching, it’s quite different. My first reaction is that it’s more novelistic, because if you have an eight-hour season, you can get into complex, intricate things. You can let it breathe and the audience expectations are such that they will let you, where before they wouldn’t have the patience. I think only the surface has been touched with experimenting with that.”
~ David Cronenberg