The Hobbit: Battle of the Five Armies
MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on Movies: The Curious Case of Benjamin Button plus reviews of Valkyrie, Bedtime Stories, and The Spirit

The Curious Case of Benjamin Button (Three-and-a-Half Stars) U. S.; David Fincher What a refreshingly “uncommercial” big-budget project! And what a surprisingly enjoyable movie.

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The Wrestler plus reviews of Seven Pounds, Yes Man, Frost/Nixon, Amarcord and Moscow, Belgium

The Wrestler (Three-and-a-Half Stars) U.S.; Darren Aronofsky So the French were crazy for liking Mickey Rourke, huh?

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Wilmington on Movies: Gran Torino plus reviews of Doubt, Nothing Like the Holidays, The Day the Earth Stood Still and Dark Streets

Gran Torino (Four Stars) U.S.; Clint Eastwood Clint Eastwood plays a Dirty Harry grown old in his latest movie Gran Torino. And he makes us feel lucky … to be watching him simmer and explode on screen again.

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Wilmington on Movies: Cadillac Records plus reviews of Nobel Son and Punisher: War Zone

Cadillac Records (Three Stars) U.S.; Darnell Martin The renaissance of the movie musical — at least since 2001 and Moulin Rouge! — has been one real cause for joy in the last several cinematic years, and Darnell Martin‘s Cadillac Records is another shining example. A rockin’ dandy one too.

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Wilmington

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“Any time a movie causes a country to threaten nuclear retaliation, the higher-ups wanna get in a room with you… In terms of getting the word out about the movie, it’s not bad. If they actually make good on it, it would be bad for the world—but luckily that doesn’t seem like their style… We’ll make a movie that maybe for two seconds will make some 18-year-old think about North Korea in a way he never would have otherwise. Or who knows? We were told one of the reasons they’re so against the movie is that they’re afraid it’ll actually get into North Korea. They do have bootlegs and stuff. Maybe the tapes will make their way to North Korea and cause a fucking revolution. At best, it will cause a country to be free, and at worst, it will cause a nuclear war. Big margin with this movie.”
~ Seth Rogen In Rolling Stone 1224

“Yes, good movies sprout up, inevitably, in the cracks and seams between the tectonic plates on which all of these franchises stay balanced, and we are reassured of their hardiness. But we don’t see what we don’t see; we don’t see the effort, or the cost of the effort, or the movies of which we’re deprived because of the cost of the effort. Paul Thomas Anderson’s Inherent Vice may have come from a studio, but it still required a substantial chunk of outside financing, and at $35 million, it’s not even that expensive. No studio could find the $8.5 million it cost Dan Gilroy to make Nightcrawler. Birdman cost a mere $18 million and still had to scrape that together at the last minute. Imagine American movie culture for the last few years without Her or Foxcatcher or American Hustle or The Master or Zero Dark Thirty and it suddenly looks markedly more frail—and those movies exist only because of the fairy godmothership of independent producer Megan Ellison. The grace of billionaires is not a great business model on which to hang the hopes of an art form.”
~ Mark Harris On The State Of The Movies