MCN Columnists
Kim Voynar

Voynaristic By Kim VoynarVoynar@moviecitynews.com

Kevin Smith vs. Film Critics

By now you’ve probably heard about this whole  Eric D. Snider, who Tweeted back thusly: “I don’t care what @thatkevinsmith thinks about movie reviews unless he paid to read them.” Let’s be clear here: attending free screenings is a privilege, not a First Amendment right, but it is a privilege that, generally speaking, benefits the…

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From Rapunzel to Tangled? Disney’s Dicey Decision

Hot on the heels of Kathryn Bigelow‘s historic moment as the first female to win a Best Director Oscar for making a decidedly “guy” film comes word via the LA Times from Disney that they’ve changed the title of their upcoming animated adaptation of Rapunzel to Tangled. Apparently someone at the Mouse House did a little research into why The…

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Thoughts on Oscar Night: Bigelow, Precious and a Screenplay Snub

Finally. History was made Sunday night when Kathryn Bigelow became the first woman to win an Oscar for Best Director. Surprisingly, there’s not been much posturing about whether Bigelow won the award because her work actually merited it above the work of the other nominees, or whether she won because it was “time” for a woman…

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Male vs. Female? On Double Standards in Film Criticism

A comment on a post over on Glenn Kenny’s blog got me pondering: Do the mostly male, mostly heterosexual writers who dominate the business of reviewing films have two standards — one by which they review films aimed at women, and another by which they judge films aimed at men — and does such a double-standard…

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Quote Unquotesee all »

“By the time the sounds of the Von Trapp children warbling ‘Silent Night’ drift through The Giver, you may find yourself wondering what fresh movie hell this is. In truth, the enervating hash of dystopian dread, vague religiosity and commercial advertising-style uplift is nothing if not stale. Adapted from Lois Lowry’s book for young readers, the story involves an isolated society that, with its cubistic dwellings, mindless smiles, monochromatic environs and nebulous communitarianism, seem modeled on a Scandinavian country or an old Mentos commercial.”
~ Manohla Dargis’ Deadly Lede For Review Of The Giver

“It’s possible that in the coming days or, God forbid, weeks, the president could have something more specific to say about the freighted decades-long history of political imbalance at work, in this case between a mostly black working-class town and its majority white government and police force. But this is a black man who must choose his words about race, governance, and law enforcement even more carefully than a white politician would. And this is the third summer in which, as president, he would have to do so…

“Until this point in the turmoil, the absence of the crucial second face in the incident seemed to heighten the distance between police and the people they serve. It grants them both an anonymity and autonomy that matches the bizarre transformation, in Ferguson and elsewhere, of police into troops. The riot gear turns 2014 into a dot on a Jim Crow–era timeline. Since the officer’s name wasn’t made public more immediately, it should have seemed urgent for the police to lose the riot attire and take steps to minimize distrust, to dispel the contagious assumption that silence equates racism…

“What is so affecting isn’t just that 18-year-old Michael Brown was killed when he was barely a man. It’s other things as well. One was how many reports of the incident that first day mentioned that he was about to start college. That’s a rite that’s universally emotional. But for a black male from a poor family, the first day of college is a freighted day that usually requires the sacrifice of more than one person. Black people know the odds of getting to and graduating from college, and that they’re low. That Brown seemed to be on the right path compounded the parental, local, and national outrage over his being wiped from it.”

~ Wesley Morris On Let’s Be Cops, The Shooting In Ferguson, Obama…