MCN Columnists
Kim Voynar

Voynaristic By Kim VoynarVoynar@moviecitynews.com

Of Romance and Fairy Tales, and Happily Ever After

Published under 1,000 Monkeys. Do such things as “true love” and “soul mates” actually exist outside the realm of fantasy and fairy tales, or are we just setting ourselves up from childhood with an unrealistic expectations of what our romantic relationships as adults are going to be? There was a time, back when I was…

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Review Roundup: Avatar, Fantastic Mr. Fox, The Lovely Bones and Up in the Air

Avatar Avatar, James Cameron’s first film since the record-breaking Titanic way back in 1997, doesn’t quite live up to it’s hype, but it’s nonetheless a solid enough effort bolstered by some stunning visuals that immerse the viewer in the world Cameron has created. The world in question is a place called Pandora which, as it…

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And Now, the Rest of the Story

Published under 1,000 Monkeys. You have a lot of time to read when you’re laid up recovering from surgery. Thankfully, a friend gave me a gift I will treasure forever, Donald Miller‘s A Million Miles in a Thousand Years. One of the things Miller talks about in this book is Story (yes, in the Robert McKee sense)  –…

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Quote Unquotesee all »

“The effect of the avalanche, and Tomas’ refusal to acknowledge his terror, seem to have devastating effects. But the interesting thing about Force Majeure is the sly suggestion that maybe this event could have a liberating effect on the family.”
~ Robert Horton 

 “Teaching how to make a film is like trying to teach someone how to fuck. You can’t. You have to fuck to learn how to fuck. It’s just how it is. The filmmaker has to protect the adventurous side of their self. I’m an explorer, I’m an inventor. Doc Brown is the character I relate to the most and he’s a madman. He’s a madman alone, locked up with his ideas but he does whatever he wants. He makes what he makes because he wants to make it. Yes, the DeLorean has to work in order for him to be a madman with a purpose—the DeLorean should work—but the point is I think everyone should try and find their own DeLorean. When Zemeckis was trying to get Back To The Future made, which he was for seven years, he was trying to get a film made where basically a teenager gets in a time machine, goes back to 1954 and almost —-s his mother. That pitch is extremely subversive and twisted in a way. My point is, he had a fascinating idea that no one had done before, but was clearly special to him and he stuck to it and made it what it was. When you do that you can create culture, but I think a lot of movies are just echoing culture and there’s a difference.”
~ A Girl Walks Home Alone At Night Filmmaker Ana Lily Amirpour