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MCN Columnists
Kim Voynar

Voynaristic By Kim VoynarVoynar@moviecitynews.com

O Christmas Tree

Published under 1,000 Monkeys. I love everything about the Christmas season, from the decorations to the Christmas music piped in to all the stores to the lights brightening up all the houses. I love planning what to get each of the kids, baking Christmas cookies, and listening non-stop to Christmas music on the radio until…

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Of Indie Film and Insularity

This Thanksgiving weekend, as I ponder my abundant blessings, one of the things I’m most thankful for is having a job that allows me not only to watch a lot of movies, but to see many of them at film festivals far and wide. As I write this, over the past couple years we’ve seen…

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Home is Where My Heart Is

Published under 1,000 Monkeys. Why 1,000 Monkeys? David and I spent a lot of time talking back and forth about a new name for this more philosophical, life-stuff column. One day in frustration, I said to David, “If you put 1,000 monkeys at 1,000 typewriters, they could never write the craziness that is my life…

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Memory Lane

Published under 1,000 Monkeys. Why 1,000 Monkeys? David and I spent a lot of time talking back and forth about a new name for this more philosophical, life-stuff column. One day in frustration, I said to David, “If you put 1,000 monkeys at 1,000 typewriters, they could never write the craziness that is my life…

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Precious Things

Back at Sundance last year, when Precious: Based on the Novel Push by Sapphire was first unveiled for critics with little fanfare but high hopes, quite a few folks thought it would never see the light of day off the fest circuit. Too dark, too depressing, too tragic … with little redemption or justice to buoy…

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The Vampire as Moral Compass

These days, it seems vampires are the new black — but they aren’t quite as black as they used to be. Today’s vampires have more than just gloomy good looks and great fashion sense; they come complete with a moral compass. If art and literature reflect the world in which they are created, what does…

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Quote Unquotesee all »

INTERVIEWER
Do you outline plays before you start to write them?

PINTER
Not at all. I don’t know what kind of characters my plays will have until they…well, until they are. Until they indicate to me what they are. I don’t conceptualize in any way. Once I’ve got the clues I follow them—that’s my job, really, to follow the clues.

INTERVIEWER
What do you mean by clues? Can you remember how one of your plays developed in your mind—or was it a line-by-line progression?

PINTER
Of course I can’t remember exactly how a given play developed in my mind. I think what happens is that I write in a very high state of excitement and frustration. I follow what I see on the paper in front of me—one sentence after another. That doesn’t mean I don’t have a dim, possible overall idea—the image that starts off doesn’t just engender what happens immediately, it engenders the possibility of an overall happening, which carries me through. I’ve got an idea of what might happen—sometimes I’m absolutely right, but on many occasions I’ve been proved wrong by what does actually happen. Sometimes I’m going along and I find myself writing “C. comes in” when I didn’t know that he was going to come in; he had to come in at that point, that’s all.
~ Harold Pinter

“I love Los Angeles. Have I said that? I love it all. The earnestness. The artifice. The blowsy, sunny beauty. The bland, bland, pleasant weather.  The drama of traffic. I love that people don’t know how to make conversation and can’t recognize a joke at a hundred paces. I love that people care about silly things and embrace ridiculousness wholeheartedly. I had a serious conversation with a good friend about his fascination with channeling, for example. Channeling. “I don’t think you’re patient enough for it,” he said and all I could think about was Shirley MacLaine with ectoplasm coming out of her head. Of course I’m fucking patient I thought. I’m fucking spiritual. Shove that up your namaste. Ha ha ha. I love that I’ve become desperately un-English, in the immortal words of my friend Giles, and yet not quite American.”
~ Bumble Ward In The Present Los Angeles Moment

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