MCN Columnists
Kim Voynar

Voynaristic By Kim VoynarVoynar@moviecitynews.com

O Christmas Tree

Published under 1,000 Monkeys. I love everything about the Christmas season, from the decorations to the Christmas music piped in to all the stores to the lights brightening up all the houses. I love planning what to get each of the kids, baking Christmas cookies, and listening non-stop to Christmas music on the radio until…

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Of Indie Film and Insularity

This Thanksgiving weekend, as I ponder my abundant blessings, one of the things I’m most thankful for is having a job that allows me not only to watch a lot of movies, but to see many of them at film festivals far and wide. As I write this, over the past couple years we’ve seen…

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Home is Where My Heart Is

Published under 1,000 Monkeys. Why 1,000 Monkeys? David and I spent a lot of time talking back and forth about a new name for this more philosophical, life-stuff column. One day in frustration, I said to David, “If you put 1,000 monkeys at 1,000 typewriters, they could never write the craziness that is my life…

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Memory Lane

Published under 1,000 Monkeys. Why 1,000 Monkeys? David and I spent a lot of time talking back and forth about a new name for this more philosophical, life-stuff column. One day in frustration, I said to David, “If you put 1,000 monkeys at 1,000 typewriters, they could never write the craziness that is my life…

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Precious Things

Back at Sundance last year, when Precious: Based on the Novel Push by Sapphire was first unveiled for critics with little fanfare but high hopes, quite a few folks thought it would never see the light of day off the fest circuit. Too dark, too depressing, too tragic … with little redemption or justice to buoy…

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The Vampire as Moral Compass

These days, it seems vampires are the new black — but they aren’t quite as black as they used to be. Today’s vampires have more than just gloomy good looks and great fashion sense; they come complete with a moral compass. If art and literature reflect the world in which they are created, what does…

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Quote Unquotesee all »

“Let me put this bluntly, in language even a busy blogger can understand: Criticism — and its humble cousin, reviewing — is not a democratic activity. It is, or should be, an elite enterprise, ideally undertaken by individuals who bring something to the party beyond their hasty, instinctive opinions of a book (or any other cultural object). It is work that requires disciplined taste, historical and theoretical knowledge and a fairly deep sense of the author’s (or filmmaker’s or painter’s) entire body of work, among other qualities.”
~ Richard Schickel

“When Barry Jenkins introduced Moonlight, he said he hoped we see ourselves in the characters. We’re thrown into neighborhood combat with 10-year-old Chiron in Miami’s Liberty City where the empty lots, abandoned buildings, sidewalks — the shortcuts and escape routes — are his total known world. We intake vividly, like a 10-year-old, the cruel, the generous, the strangeness of others, the crack-addled neglect in a home he can’t escape. Jenkins’ characters’ lives move on, get stunted, are dulled to stupefaction, end tragically, end in separation. Moonlight is Chiron’s world. It’s the current lower-middle class, working class, disenfranchised- and-alienated-class world. Intimacy is Jenkins’ accomplishment. But, what we’re intimate with is another consciousness so totally and truthfully created, that we’re looking outward and inward simultaneously. That’s why Jenkins’ work is profound. Chiron is us and we are him, asking ourselves, ‘Who am I? Where do I fit?'”
~ Michael Mann On Moonlight