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MCN Columnists
Kim Voynar

Voynaristic By Kim VoynarVoynar@moviecitynews.com

Defending Jennifer’s Body

Spoiler Warning: This column contains spoilers about the film Jennifer’s Body. Consider yourself forewarned and forearmed. Is Jennifer’s Body really as bad as some critics say, or are some folks just lime-green Jell-O over anything that has Diablo Cody‘s name attached? I thoroughly enjoyed this film from start to finish, in part because I thought I was…

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Cloudy with a Chance of Mediocrity

I realize I’m in the critical minority on this, but I wasn’t all that crazy about Cloudy with a Chance of Meatballs. Yes, yes, the animation was bright! And colorful! And the cheeseburgers and scoops of ice cream and giant pancakes and meatballs practically popped off the screen. It was all very exciting, I suppose. I…

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To Absent Friends

Today I’m thinking a lot about 1984 — the year, not the Orwell novel. September 8, 1984 was a life-altering day that altered the course of my life; on September 8, 1984, my best friend, Monica, committed suicide at the age of 16. I can still recall, with achingly perfect clarity, where I was when…

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Of Love, Life and Loss

What’s the meaning of a life, and a loss? Earlier today, MCN Headlines Editor Ray Pride posted a particularly tragic headline to the front page of MCN about the murders of Filipino-Canadian film critic Alexis Tioseco and his partner, Slovenian critic and programmer Nika Bohinc, in what seems to be a random house robbery. The murders have hit…

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Quote Unquotesee all »

“Women’s power is too potent to waste on selfies… Truly dangerous women aren’t looking for dates or husbands, and they do not travel in packs. They rarely have many female friends. Their register is either universal, or intensely personal. They play mind games and make promises. Whether they deliver or not remains a secret, and secrets are essential to seduction. The Web has eroded every notion of privacy and stolen the real power of women: the threat of mystery itself.  “I can see you’re trouble” was once the biggest compliment a man could pay a woman. There was going to be a dark spiral into the whirlpool of sex; there were going to be tears on both sides, secrets and regrets, scandal. Today, everyone is trouble.”
~ Joan Juliet Buck in “W”

“You have to watch the end of the show to see how I feel—I mean, kids are a wonderment. I am quite fond of most of the young people in ‘The Slap,’ actually; it’s the grown-ups who have so much to learn. But to think of ‘The Slap’ as being a critique of contemporary parenting would be to miss the point. Like saying Birdman is about a life in the theater, instead of about a vast pool of narcissism that, again, denudes all grace until all you have is blistered (male) rage and bruised egos. I can’t speak to helicopter parents, but I sure do know a lot about not waking up every day and counting your goddamn blessings, and how fucking toxic that is. And that’s what I see all around me, a kind of spiritual autism, a narcissism of small things, and that’s ‘The Slap.’ Argh. But I like to think that it’s not immutable, that there are still synaptic charges toward doing the right thing, that we are capable of recognition—and being better. I think it’s about what happens when kindness is obliterated by desire.”
~ Jon Robin Baitz

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