MCN Columnists
Kim Voynar

Voynaristic By Kim VoynarVoynar@moviecitynews.com

Defending Jennifer’s Body

Spoiler Warning: This column contains spoilers about the film Jennifer’s Body. Consider yourself forewarned and forearmed. Is Jennifer’s Body really as bad as some critics say, or are some folks just lime-green Jell-O over anything that has Diablo Cody‘s name attached? I thoroughly enjoyed this film from start to finish, in part because I thought I was…

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Cloudy with a Chance of Mediocrity

I realize I’m in the critical minority on this, but I wasn’t all that crazy about Cloudy with a Chance of Meatballs. Yes, yes, the animation was bright! And colorful! And the cheeseburgers and scoops of ice cream and giant pancakes and meatballs practically popped off the screen. It was all very exciting, I suppose. I…

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To Absent Friends

Today I’m thinking a lot about 1984 — the year, not the Orwell novel. September 8, 1984 was a life-altering day that altered the course of my life; on September 8, 1984, my best friend, Monica, committed suicide at the age of 16. I can still recall, with achingly perfect clarity, where I was when…

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Of Love, Life and Loss

What’s the meaning of a life, and a loss? Earlier today, MCN Headlines Editor Ray Pride posted a particularly tragic headline to the front page of MCN about the murders of Filipino-Canadian film critic Alexis Tioseco and his partner, Slovenian critic and programmer Nika Bohinc, in what seems to be a random house robbery. The murders have hit…

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Quote Unquotesee all »

 “Teaching how to make a film is like trying to teach someone how to fuck. You can’t. You have to fuck to learn how to fuck. It’s just how it is. The filmmaker has to protect the adventurous side of their self. I’m an explorer, I’m an inventor. Doc Brown is the character I relate to the most and he’s a madman. He’s a madman alone, locked up with his ideas but he does whatever he wants. He makes what he makes because he wants to make it. Yes, the DeLorean has to work in order for him to be a madman with a purpose—the DeLorean should work—but the point is I think everyone should try and find their own DeLorean. When Zemeckis was trying to get Back To The Future made, which he was for seven years, he was trying to get a film made where basically a teenager gets in a time machine, goes back to 1954 and almost —-s his mother. That pitch is extremely subversive and twisted in a way. My point is, he had a fascinating idea that no one had done before, but was clearly special to him and he stuck to it and made it what it was. When you do that you can create culture, but I think a lot of movies are just echoing culture and there’s a difference.”
~ A Girl Walks Home Alone At Night Filmmaker Ana Lily Amirpour

Six rules for filmmaking from Mike Nichols
1. The careful application of terror is an important form of communication.
2. Anything worth fighting for is worth fighting dirty for.
3. There’s absolutely no substitute for genuine lack of preparation.
4. If you think there’s good in everybody, you haven’t met everybody.
5. Friends may come and go but enemies will certainly become studio heads.
6. No one ever lost anything by asking for more money.
~ Via Larry Karaszewski and Howard A. Rodman On Facebook