MCN Columnists
Kim Voynar

Voynaristic By Kim VoynarVoynar@moviecitynews.com

Coming of Age at the Movies: Where’s the Brat Pack for Today’s Teens?

My own coming-of-age years were defined by Sixteen Candles, The Breakfast Club, Pretty in Pink and Ferris Bueller’s Day Off (seasoned with a generous sprinkle of Purple Rain and a dash of Desperately Seeking Susan). If you were a couple years behind me in high school, it was probably Say Anything and Some Kind of Wonderful.  The 1980s teen flicks were great…

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Until the Credits Do Us Part: Marriage and the Movies

If you judged marriage based on the recent history of Hollywood’s depiction of adult relationships, you might think most people spend the majority of their lives either starting new relationships or ending old ones, and very little time in the period in between. Perhaps it’s partly the influence of Hollywood, where celebrity marriages might last…

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The Slippery Slope of Truth in Non-Fiction Films

Rich, successful Latino-American lawyer takes on a big corporation on behalf of downtrodden, third-world workers and wins. It makes for a great “David versus Goliath” story of melodramatic Erin Brockovich proportions — but what if the David of the story ends up being accused of fraud, causing not only that case but others to be thrown…

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The Fame and Misfortune of Michael Jackson

People who live and make their living in Hollywood are quick to tell you that Hollywood is an awful, soul-sucking, backstabbing hell of a town, and they’re largely right. Fame is, in its way, as evil a societal monster as alcoholism and drug addiction, and it’s not particularly surprising that many people who achieve fame…

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Quote Unquotesee all »

A statement from David Chase’s representative, Leslee Dart:

A journalist for Vox misconstrued what David Chase said in their interview. To simply quote David as saying,“ Tony Soprano is not dead,” is inaccurate. There is a much larger context for that statement and as such, it is not true. As David Chase has said numerous times on the record, “Whether Tony Soprano is alive or dead is not the point.” To continue to search for this answer is fruitless. The final scene of THE SOPRANOS raises a spiritual question that has no right or wrong answer.
~ David Chase Refutes Vox Writer

“By the time the sounds of the Von Trapp children warbling ‘Silent Night’ drift through The Giver, you may find yourself wondering what fresh movie hell this is. In truth, the enervating hash of dystopian dread, vague religiosity and commercial advertising-style uplift is nothing if not stale. Adapted from Lois Lowry’s book for young readers, the story involves an isolated society that, with its cubistic dwellings, mindless smiles, monochromatic environs and nebulous communitarianism, seem modeled on a Scandinavian country or an old Mentos commercial.”
~ Manohla Dargis’ Deadly Lede For Review Of The Giver