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MCN Columnists
Kim Voynar

Voynaristic By Kim VoynarVoynar@moviecitynews.com

Slumdog Millionaire and the Politics of Spin

What is it with the media’s insistence on attempting to spin stories to harm particular films? After enjoying the bounce of positive buzz from the Telluride and Toronto film festivals, solid critical support and a box office take bigger than anyone could have dreamed for a subtitled Bollywood hybrid, Slumdog Millionaire finds itself the target of…

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Deconstructing Oscar

Published under Oscar Outsider. Last week, those of us who were at Sundance had to pull our heads briefly out of the myopic world of Fest Coverage and back into the myopic world of Oscar Coverage when the all-important Oscar nominations were announced. Clearly, the people who run the Oscars hate those of us who…

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Sundance: It’s a Wrap

In the year of its 25th anniversary, the Sundance Film Festival coincided with the inauguration of a new president who offers hope to a country beaten down by war and a tough economic climate; it’s the first time in my own adult life I’ve ever cared enough about the inauguration to block out time on…

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Here We Go Again: The Foreign-Language Oscar Shortlist

Published under Oscar Outsider. The Oscar shortlist for foreign films was announced yesterday, and in spite of the rules changes that were supposed to stop such things from happening, Matteo Garrone‘s Gomorrah failed to make the short list. Really shocking omission, considering the film won the the Grand Prix at Cannes, the Silver Hugo, and has been…

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No Regrets: Why Even “Amateur” Films Deserve Honest Reviews

Should film critics differentiate or consider whether a given film is “professional” or “amateur” either in reviewing a film, or in deciding whether a film should even be reviewed at all? There’s been an interesting discussion about reviewing “amateur” versus “professional theater” on The Stranger‘s SLOG between critic Paul Constant and his editor, Brendan Kiley, that seems apropos…

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Originality Matters (Page 2)

Published under Oscar Outsider. Joel Coen and Ethan Coen, Burn After Reading I’ve written before that I’ve been befuddled by the rather tepid response to the Coen brother’s latest film, which I think is one of their better dark comedies.  The Coens are masters at exploiting the flaws and foibles of ordinary characters in extraordinary…

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Originality Matters: Considering the Best Original Screenplays of the Year

Published under Oscar Outsider. Spoiler Warning: This column contains heavy spoilers for the films The Wrestler, Happy-Go-Lucky, Burn After Reading, The Visitor and Frozen River. What elements set apart a few screenplays out of all those produced each year from the rest of the pack as we head into Oscar season? All scripts have certain…

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When Good Foreign Films Get Bad Remakes

We hear a lot about how American remakes of foreign films tend to be pale imitations of the original, and there’s more truth than stereotype to that sentiment. But are American remakes inferior because they’re made by Americans, or is there an inherent value in the unique cultural perspective of a foreign film that gets…

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Quote Unquotesee all »

Do you know about Pokémon Go?
No. I don’t know what Pokémon Go is and what all these things are. You’re talking to somebody who made his first phone call at age 17. You’re talking to someone who doesn’t have a cell phone, for example, for cultural reasons. Tell me about Pokémon Go. What is happening on Pokémon Go?

It’s basically the first mainstream augmented reality program. It’s a game where the entire world is mapped and you walk around with the GPS on your phone. You walk around in the real world and can catch these little monsters and collect them. And everybody is playing it.
Does it tell you you’re here at San Vicente, close to Sunset Boulevard?

Yeah, it’s basically like a Google map.
But what does Pokémon do at this corner here?

“To make work out of your own imagination is an invitation to a lot of unforgiving hard slog, failure, satisfaction which doesn’t last long, more failure, discontent, maybe a prize, a bit more satisfaction, self doubt, dissatisfaction, lots more hard work and so on and so on. But anyone who’s persisted and written something and got to the end and even better had it published or performed learns quickly that the hard slog, the frustrations, the blind alleys and dead ends and scenes that don’t work and great ideas that turn to dust are in fact a big part of the work. The reward for the agony is not the ecstasy of Chuck Heston finishing the Sistine Chapel but still more agony that might also include some kind of not pleasure exactly, maybe a brief, terrible joy.”
~ Australian playwright Michael Gow

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