MCN Columnists
Kim Voynar

Voynar By Kim VoynarVoynar@moviecitynews.com

Real Dads of Hollywood

Over Father’s Day weekend as my kids and I were plotting and planning how to make their dad’s day a special one, I thought about writing a column this week on great movies about dads and fatherhood. Unfortunately, I realized in trying to come up with a list of films I would include in such…

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The Relativity of Relationships

There’s a certain irony in a film festival held in Las Vegas — a town where the size, not the quality, of your chip stash matters and fliers offering beautiful girls sent to your hotel room are handed out on the streets — programming some interesting films that focused on emotional connections. Based on an…

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The Greatest Adventure of All

I celebrated my 41st birthday on Monday and, as many of us do when the clock makes another tick toward the inevitability of our own demise, I’ve been thinking about growing older, and things undone that I wanted to do (or thought I wanted to do) by now. When I was younger, I imagined many…

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I’m Talkin’ About a Revolution

How long can Hollywood sustain the luxurious lifestyle to which it’s grown accustomed? Our economy is bad and not likely to get substantially better for a while — or at least, we’re told, it’s likely to get worse before it gets better again. The mortgage bubble that persuaded people on average incomes they could afford…

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Quote Unquotesee all »

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima

“They’re still talking about the ‘cathedral of cinema,’ the ‘communal experience,’ blah blah. The experiences I’ve had recently in the theatre have not been good. There’s commercials, noise, cellphones. I was watching Colette at the Varsity, and halfway through red flashes came up at the bottom of the frame. A woman came out and said, ‘We’re going to have to reboot, so take fifteen minutes and come back.’ Then they rebooted it from the beginning, and she had to ask the audience to tell her how far to go. You tell me, is that a great experience? I generally don’t watch movies in a cinema at all. Netflix is the future. It’s the present. But the whole paradigm of a series, binge-watching, it’s quite different. My first reaction is that it’s more novelistic, because if you have an eight-hour season, you can get into complex, intricate things. You can let it breathe and the audience expectations are such that they will let you, where before they wouldn’t have the patience. I think only the surface has been touched with experimenting with that.”
~ David Cronenberg