MCN Columnists
Kim Voynar

Voynar By Kim VoynarVoynar@moviecitynews.com

It’s Raining Men: Which Men Should Get Oscar Nods… and Which Men Shouldn’t

Published under Oscar Outsider. This week, we only asked our Gurus to vote on Best Picture, but as the resident Oscar outsider, I’m still working my way up to that category. I’ve delved deeply into the various adapted screenplays I was most interested in, and have covered the women quite extensively, so this week I’m…

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Taking a Wrong Turn on Revolutionary Road

Revolutionary Road is not a story about suburban angst; it’s a story about the illusions people create to sustain their belief in who they are and who they wish they were. Lee Siegel, writing for The Wall Street Journal, has a piece up titled “Why Does Hollywood Hate the Suburbs? America’s Long Artistic Tradition of Claiming Spiritual Death…

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Consider the Source: Defining a Dramatic Structure for Defiance

Published under Oscar Outsider. Spoiler Warning: This column contains heavy spoilers for the film Defiance. Adapting a scholarly tome into a dramatic narrative retelling for the big screen is no easy task; how does one take a detailed, rather dry account of historical facts and translate that into a movie with character arcs, dramatic flow…

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Conflicting Messages About Sex with Teenagers: The Reader vs. Towelhead

I wrote about The Reader in my review last week, but I wanted to delve a little more into what I consider one of the more interesting aspects of this film: that it centers around a sexual relationship between a 15-year-old boy and a woman who’s more than twice his age — and that not a…

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Consider the Source: The Adaptation of Revolutionary Road

Published under Oscar Outsider. Spoiler Warning: This column contains heavy spoilers for both the book and film Revolutionary Road. In adapting Richard Yates‘ 1961 novel Revolutionary Road, screenwriter Justin Haythe faced the challenge of translating a book that’s largely interior and told from the point of view of one character, Frank Wheeler (played in the film by Leonardo…

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New Moon’s New Director: Does it Really Matter that He’s Not a Woman?

I wrote briefly on Film Essent the other day about the Twilight series getting a new (male) director, but I wanted to address it in a bit more detail here. Twilight, in case you’ve been living under a rock the past six months or so, is a wildly popular book series about a teenage girl who falls…

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And the Nominees for Best Actress Should Be…

Back in October, I wrote about three performances I feel merit Best Actress nominations this year: Kristin Scott Thomas in I’ve Loved You So Long, Anne Hathaway in Rachel Getting Married, and Sally Hawkins in Happy-Go-Lucky. Today, having finally seen the rest of the films with Best Actress-contending performances, I’d like to talk about the actresses who should fill the remaining two…

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Nudity in Film: Why Bare Chests Do Not Equal Bare Breasts

A while back, I wrote a column here on whether female nudity in film is art or exploitation. One of the things I posited in that column was that the existence of female nudity as such in a film isn’t what determines whether it’s art or exploitation — it’s the context in which the nudity is…

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Docs: Poetry Vs Prose

Published under Oscar Outsiders. I am a serious doc geek — the kind who would bore you stupid on a date dissecting some fascinating doc about Bulgarian toe fetishists. And sadly, I’ve just not been blown out of the water much by the docs this year. Maybe it’s the tightening of the economy overall making…

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Quote Unquotesee all »

“We don’t have any idea what the universe is. Wise people have always told us that this is proof you shouldn’t think, because thinking leads you nowhere. You just build over this huge construction of misunderstanding, which is culture. The history of culture is the history of the misunderstandings of great thinkers. So we always have to go back to zero and begin differently. And maybe in that way you have a chance not to understand but at least not to have further misunderstandings. Because this is the other side of this question—Am I really so brave to cancel all human culture? To stop admiring the beauty in human production? It’s very difficult to say no.”
~ László Krasznahorkai

“I have a license to carry in New York. Can you believe that? Nobody knows that, [Applause] somebody attacks, somebody attacks me, oh, they’re gonna be shot. Can you imagine? Somebody says, oh, it is Trump, he’s easy pickings what do you say? Right? Oh, boy. What was the famous movie? No. Remember, no remember where he went around and he sort of after his wife was hurt so badly and kill. What?  I — Honestly, Yeah, right, it’s true, but you have many of them. Famous movie. Somebody. You have many of them. Charles Bronson right the late great Charles Bronson name of the movie come on.  , remember that? Ah, we’re gonna cut you up, sir, we’re gonna cut you up, uh-huh.

Bing!

One of the great movies. Charles Bronson, great, Charles Bronson. Great movies. Today you can’t make that movie because it’s not politically correct, right? It’s not politically correct. But could you imagine with Trump? Somebody says, oh, all these big monsters aren’t around he’s easy pickings and then shoot.”
~ Donald Trump