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Part Two: The First 120 Hrs. Of Production

May 17, 1982 FIRST DAY OF SHOOTING The first of two days on location, out doors, in Modesto, California, two hours south of San Francisco where we’re headed for ten days after this… Sonny Landham & James Remar Get Dirty Basically our job is to shoot the sequence of Ganz and his native American partner…

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Part One: Before The Movie Shoots

Walter Hill APRIL 18, 1982 Last Thursday Walter Hill phones.  A call my agent had promised me would come but didn’t know when.  I’d hung on for four long days. He was calling, I knew, already, to discuss my gong to work for him on a go picture in active pre production at Paramount called 48 Hours….

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Hollywood, Inc.: May 5, 2008

By R.J. Matson

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Voices

Quote Unquotesee all »

“I have to interrupt you. No. the answer is no. I’m just a storyteller. Please don’t confuse the character in a story and the storyteller. Of course there is a connection and of course there is a human being that you sense behind the films, but don’t take it one-on-one that Herzog is Aguirre, the mad conquistador or something like that. This attempt has been made and it has failed all the time. Thank God, I’m not the central figure of my films.”
~ Werner Herzog To Mark Olsen

 

 

“I am just grateful I am still around. I would love to be Steven Soderbergh, but I am lucky to be Joe Swanberg. Actors want to work with me, people want to give me money, and my nightmare scenario remains: Getting in bed with a studio, spending years on a movie, and it turns out horrible, but now I’m rich.”

Actually, by Hollywood standards, you’re right, I said. That is unambitious.

“It is, and yet, if you can go to bed happy at night, doing what you want, isn’t that ambition for a lifetime?”
~ Swanberg On Swanberg By Borelli