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Other Voices

Voices By Other Voicesvoices@moviecitynews.com

Part Two: The First 120 Hrs. Of Production

May 17, 1982 FIRST DAY OF SHOOTING The first of two days on location, out doors, in Modesto, California, two hours south of San Francisco where we’re headed for ten days after this… Sonny Landham & James Remar Get Dirty Basically our job is to shoot the sequence of Ganz and his native American partner…

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Part One: Before The Movie Shoots

Walter Hill APRIL 18, 1982 Last Thursday Walter Hill phones.  A call my agent had promised me would come but didn’t know when.  I’d hung on for four long days. He was calling, I knew, already, to discuss my gong to work for him on a go picture in active pre production at Paramount called 48 Hours….

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Hollywood, Inc.: May 5, 2008

By R.J. Matson

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Voices

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“What Quibi trying to do is get to the next generation of film narrative. The first generation was movies, and they were principally two-hour stories that were designed to be watched in a single sitting in a movie theater [ED: After formats like the nickelodeon]. The next generation of film narrative was television, principally designed to be watched in one-hour chapters in front of a television set. I believe the third generation of film narrative will be a merging of those two ideas, which is to tell two-hour stories in chapters that are seven to ten minutes in length. We are actually doing long-form in bite-size.”
~ Jeffrey Katzenberg

“The important thing is: what makes the audience interested in it? Of course, I don’t take on any roles that don’t interest me, or where I can’t find anything for myself in it. But I don’t like talking about that. If you go into a restaurant and you have been served an exquisite meal, you don’t need to know how the chef felt, or when he chose the vegetables on the market. I always feel a little like I would pull the rug out from under myself if I were to I speak about the background of my work. My explanations would come into conflict with the reason a movie is made in the first place — for the experience of the audience — and that, I would not want.
~  Christoph Waltz