MCN Columnists
David Poland

Pride By David Polandpoland@moviecitynews.com

Weekend, 30 August 1997

What’s Labor Day all about? Theme-itis hits The Hot Button! GOING INTO LABOR Oliver Stone’s novel, A Child’s Night Dream, will hit bookshelves soon. Stone says that the story, about someone named Oliver Stone, is not autobiographical. Let’s hope not. He writes about he and mom being “entwined like snakes of desire…” And of dad?…

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Friday, 29 August 1997

Dunkin’ Donuts has hooked up with 20th Century Fox to cross-promote Home Alone 3’s Thanksgiving release, finally explaining why the police never showed up in the first two films. Bill Duke, director of Hoodlum, reports that he was forced to remove many uses of the word “nigger” from his film due to strong objections by…

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Thursday, 28 August 1997

Geena Davis filed for divorce Tuesday from Finnish director Renny Harlin. Her next relationship, uh, I mean, role, is not yet set. Kim Basinger appeared in Albuquerque, NM, railing against flawed animal welfare laws. “These animals are kept in horrific conditions. They’re dragged around cities, suffering in the name of entertainment,” she said. The 50…

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Wednesday, 27 August 1997

Steven Seagal, musician, (are you laughing yet?) is doing a Fire Down Below blues music tour, inspired by his latest film. Unfortunately for stud boy Seagal, he hasn’t seen anything “down below” since his “pregnancy” — apparently, he’s having triplets. Now if only Warner Bros. can get Brando’s Apocalypse Now cinematographer to light him for…

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August 26, 1997

From the Sometimes A Cigar Is Just A Cigar Dept. — Jim Belushi, Peter Weller and David Caruso have committed to James Orr’s Blowing Smoke, a cigar club Swingers for the over-40 set. If cigars are a symbol of career virility, maybe these three should be sucking on Virginia Slims. Quentin Tarantino’s heading for Broadway….

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This is what's under our skin today in Hollywood.

Would 11.1 million dollars thrill or appall you? Depends whether you spent $100 million on G.I. Jane or $30 million on Money Talks. Audiences will be pleased to know that Masterminds’ $1 million start will cause almost as many moans at Sony HQ as the retro-1983 trailer did in theaters. Air Force One’s Gary Oldman…

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That's Entertainment

Robert Redford and GCC are starting a chain of theaters for independent film only called Sundance Cinemas. But what’s going to happen to the real indie experience? It’s 2 A.M. You arrive at the abandoned hot tub factory. You and your date get out of the car, keeping an eye out for muggers and murderers….

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Pride

Quote Unquotesee all »

“I was 15 when I first watched Sally Hardesty escape into the back of a pickup truck, covered in blood and cackling like a goddamn witch. All of her friends were dead. She had been kidnapped, tortured and even forced to feed her own blood to her cannibalistic captors’ impossibly shriveled patriarch. Being new to the horror genre, I was sure she was going to die. It had been a few months since I survived a violent sexual assault, where I subsequently ran from my assailant, tripped, fell and fought like hell. I crawled home with bloody knees, makeup-stained cheeks and a new void in both my mind and heart. My sense of safety, my ability to trust others, my willingness to form new relationships and my love of spending time with people I cared about were all taken from me. It wasn’t until I found the original The Texas Chain Saw Massacre that something clicked. It was Sally’s strength, and her resilience. It was watching her survive blows to the head from a hammer. It was watching her break free from her bonds and burst through a glass window. It was watching her get back up after she’d been stabbed. It was watching her crawl into the back of a truck, laughing as it drove away from Leatherface. She was the last one to confront the killer, and live. I remember sitting in front of the TV and thinking, There I am. That’s me.”
~ Lauren Milici On “The Final Girl”

“‘Thriller’ enforced its own reality principle; it was there, part of the every commute, a serenade to every errand, a referent to every purchase, a fact of every life. You didn’t have to like it, you only had to acknowledge it. By July 6, 1984, when the Jacksons played the first show of their ‘Victory’ tour, in Kansas City, Missouri, Jacksonism had produced a system of commodification so complete that whatever and whoever was admitted to it instantly became a new commodity. People were no longer comsuming commodities as such things are conventionally understood (records, videos, posters, books, magazines, key rings, earrings necklaces pins buttons wigs voice-altering devices Pepsis t-shirts underwear hats scarves gloves jackets – and why were there no jeans called Bille Jeans?); they were consuming their own gestures of consumption. That is, they were consuming not a Tayloristic Michael Jackson, or any licensed facsimile, but themselves. Riding a Mobius strip of pure capitalism, that was the transubstantiation.”
~ Greil Marcus On Michael Jackson