Way, way before The Matrix, before Blade Runner and before umpteen Japanese anime tales, Fassbinder not only understood the epistemological paradoxes of cyberworlds, he understood how to communicate those paradoxes to viewers in an entertaining and engrossing manner.
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RT @erickohn: I think Godard just permanently ruined my eyesight.
RT @MarkHarrisNYC: I think the rain we just had in New York was what Michael Shannon predicted in Take Shelter.
RT @farrellybros: Spectacular new Pharrell video! http://t.co/M8KdW3gMSW
RT @fruitvalemovie: "It was one the happiest moments of my life." @michaelb4jordan on the standing ovation for Fruitvale at #Cannes http://…
RT @adamdonaghey: Bleu cheese wedge salad! @ Oddfellows http://t.co/glJbnwimr8
Cannes ’13: What Is This Thing Called Love? - The Hot Blog
DP/30 @ Sundance ’13: We Steal Secrets: The Story Of Wikileaks, documentarian Alex Gibney - The Hot Blog
GREAT GATSBY Party Preem In Sydney (4’43″) - MCN Indie
DP/30: What Maisie Knew, screenwriter Carroll Cartwright - The Hot Blog
“The true punk film of the festival.”
~ Romain Blondeau On Claire Denis’ Les Saluds in Les Inrocks
“It’s also defined commercially by the difference between a colorful, Hawaii-set comedy starring George Clooney and a black-and-white, prairie-based old-age odyssey featuring a straggly and unkempt Bruce Dern. All the same, Paramount Vantage should be able to ride accolades for this very fine Cannes competition entry to respectable specialized returns in fall release.”
~ McCarthy On Nebraska
