Way, way before The Matrix, before Blade Runner and before umpteen Japanese anime tales, Fassbinder not only understood the epistemological paradoxes of cyberworlds, he understood how to communicate those paradoxes to viewers in an entertaining and engrossing manner.
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RT @shailenewoodley: 41 Countries, 330 Marches, 200,000+ People Are Going To #MarchAgainstMonsanto on May 25th http://t.co/dXd1oAVs9Q
RT @APtheMusical: THIS IS NOT AN EXIT.
RT @AlisonAgosti: LOVING this new diet. I can eat anything I want as long as it fits in my oat bag.
RT @JoeLeydon: As we approach Memorial Day, I remember my dad -- a WWII and Korean War vet -- offered to buy me a ticket to Canada during t…
RT @DrGMLaTulippe: Kind of confused about Lena Dunham's lack of a sense of humor about this GIRLS porn parody. As if it even matters (the p…
Nic Refn On Prostitutes; Hw’d (4’09″) MNSFW - MCN Indie
Trailering AIN’T THEM BODIES SAINTS (2’29″) - MCN Indie
Cannes ’13: What Is This Thing Called Love? - The Hot Blog
DP/30 @ Sundance ’13: We Steal Secrets: The Story Of Wikileaks, documentarian Alex Gibney - The Hot Blog
“The true punk film of the festival.”
~ Romain Blondeau On Claire Denis’ Les Saluds in Les Inrocks
“It’s also defined commercially by the difference between a colorful, Hawaii-set comedy starring George Clooney and a black-and-white, prairie-based old-age odyssey featuring a straggly and unkempt Bruce Dern. All the same, Paramount Vantage should be able to ride accolades for this very fine Cannes competition entry to respectable specialized returns in fall release.”
~ McCarthy On Nebraska
