MCN Columnists
Douglas Pratt

The Ultimate DVD Geek By Douglas PrattPratt@moviecitynews.com

The Top Ten DVDs and BDs of 2008

With the elimination of a competing format, 2008 saw the establishment of the backwards compatible Blu-ray (BD) system as the high-end subset of the DVD format. While it is less flexible and does not offer significant improvements in supplementary features (except enhanced interactivity and an ability to connect with other fans of a title online),…

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Wall-E

The lovely 2008 Pixar feature about a robot who rescues humanity, WALL-E, has been released by Walt Disney Studios Home Entertainment. With minimal dialog but plenty of sound effects and music, the 99-minute computer-animated film depicts the robot cleaning up the trash on Earth left after all of the people have long since departed (in Disney…

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The Dark Knight

Every year, hundreds of movies are produced and twenty performers in a few of those movies are justifiably honored with Oscar nominations, but it is far less often that a film performance occurs which is so utterly spellbinding that it transcends the movie it is in to captivate the viewer with the sheer joy of…

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Quote Unquotesee all »

“Any time a movie causes a country to threaten nuclear retaliation, the higher-ups wanna get in a room with you… In terms of getting the word out about the movie, it’s not bad. If they actually make good on it, it would be bad for the world—but luckily that doesn’t seem like their style… We’ll make a movie that maybe for two seconds will make some 18-year-old think about North Korea in a way he never would have otherwise. Or who knows? We were told one of the reasons they’re so against the movie is that they’re afraid it’ll actually get into North Korea. They do have bootlegs and stuff. Maybe the tapes will make their way to North Korea and cause a fucking revolution. At best, it will cause a country to be free, and at worst, it will cause a nuclear war. Big margin with this movie.”
~ Seth Rogen In Rolling Stone 1224

“Yes, good movies sprout up, inevitably, in the cracks and seams between the tectonic plates on which all of these franchises stay balanced, and we are reassured of their hardiness. But we don’t see what we don’t see; we don’t see the effort, or the cost of the effort, or the movies of which we’re deprived because of the cost of the effort. Paul Thomas Anderson’s Inherent Vice may have come from a studio, but it still required a substantial chunk of outside financing, and at $35 million, it’s not even that expensive. No studio could find the $8.5 million it cost Dan Gilroy to make Nightcrawler. Birdman cost a mere $18 million and still had to scrape that together at the last minute. Imagine American movie culture for the last few years without Her or Foxcatcher or American Hustle or The Master or Zero Dark Thirty and it suddenly looks markedly more frail—and those movies exist only because of the fairy godmothership of independent producer Megan Ellison. The grace of billionaires is not a great business model on which to hang the hopes of an art form.”
~ Mark Harris On The State Of The Movies