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Douglas Pratt

The Ultimate DVD Geek By Douglas PrattPratt@moviecitynews.com

The Top Ten DVDs and BDs of 2008

With the elimination of a competing format, 2008 saw the establishment of the backwards compatible Blu-ray (BD) system as the high-end subset of the DVD format. While it is less flexible and does not offer significant improvements in supplementary features (except enhanced interactivity and an ability to connect with other fans of a title online),…

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Wall-E

The lovely 2008 Pixar feature about a robot who rescues humanity, WALL-E, has been released by Walt Disney Studios Home Entertainment. With minimal dialog but plenty of sound effects and music, the 99-minute computer-animated film depicts the robot cleaning up the trash on Earth left after all of the people have long since departed (in Disney…

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The Dark Knight

Every year, hundreds of movies are produced and twenty performers in a few of those movies are justifiably honored with Oscar nominations, but it is far less often that a film performance occurs which is so utterly spellbinding that it transcends the movie it is in to captivate the viewer with the sheer joy of…

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Quote Unquotesee all »

“I don’t believe in the Nietzschean notion that what doesn’t destroy you makes you stronger. You see these soldiers come back with PTSD; they’ve been to war and seen death and experienced these existential crises one after the other. There are traumas in life that weaken us for the future. And that’s what’s happened to me. The various slings and arrows of life have not strengthened me. I think I’m weaker. I think there are things I couldn’t take now that I would have been able to take when I was younger.”
~ Woody Allen

“Hitchcock films the story with a wide-eyed, astonished, fascinated, and disturbed camera stare that seems to shudder and tremble every time Hedren is onscreen. Even the director’s cameo—in which he watches Hedren walking down a hotel corridor and then turns back to look at the camera, shamefacedly caught in his own leer—suggests his self-aware sense of visual carnality. The images offer an extraordinary swing between blasts of heat and an eerie chill, sometimes bringing the two together. Even the film’s exterior locations have a fluorescent buzz that captures an ambient sense of derangement.”
~ Richard Brody on Marnie

 

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