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MCN Columnists
Douglas Pratt

The Ultimate DVD Geek By Douglas PrattPratt@moviecitynews.com

DVD Geek: Design for Living

Made before the Production Code cleaned up his innuendos and flagrant sexual metaphors, Lubitsch constantly teases the viewer with his balancing act of sharing and hiding what the characters are thinking and doing. Almost as an afterthought, each man’s fortunes rise because of his association with Hopkins’ character, and yet, for each, it is a downward trajectory of spirit when she turns her attentions elsewhere.

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DVD Geek: Godzilla

No other land or people have suffered from the effects of manmade atomic destruction as Japan has, and the monster, Godzilla, is a metaphor of that destruction that has proven to be as far reaching and enduring in its truthfulness as the creature itself has been in popularity. Even America, which is as symbiotically entwined with Japan’s nuclear catastrophes as the American version of the film is with the Japanese version, has embraced the subliminal power that is conveyed by the rubber-suited monster, and its later, upgraded special effect iterations, raging across the captivating miniature landscapes and cityscapes.

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DVD Geek: Lucky Lady

In 1975, the heavily promoted Lucky Lady, sporting three big boxoffice names, was intended to be a Twentieth Century Fox blockbuster. Full of witty one-liners and some decent slapstick (especially from Reynolds), it followed the movie company formula for success precisely, but audiences quickly sniffed a turkey and the stars couldn’t save it.

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DVD Geek: It’s a Mad, Mad, Mad, Mad World

Kramer’s film, which is full of delays and anxiety gags, can seem tiresome to those who are not enthusiastically embracing the free-for-all humor, but it is a veritable encyclopedia of comedy in the early Sixties, seeming to feature every major comedian except Lenny Bruce. It is the mix of the cast that gives the film a historical resonance and creates the foundation for its comical anarchy.

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DVD Geek: Source Code

There is a romantic component to the story, naturally, and more than one life affirming, love affirming conclusion, leaving a viewer feeling both happy and satisfied, several times, after a stimulating and exciting ride. Jake Gyllenhaal stars, with Michelle Monaghan, Vera Farmiga, and Jeffrey Wright. In that the film also evokes aspects of Quantum Leap, there is a cleverly chosen cameo appearance by Scott Bakula.

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DVD Geek: Hobo With a Shotgun

Of the two possibilities open to the filmmakers who chose to call their movie, Hobo with a Shotgun, the first was to make a realistic revenge thriller of some sort, like the dozens of others that carry the same basic premise, which would be that a villain in a position of power underestimates the resolve of the seemingly insignificant hero. The second possibility, however, is the one the filmmakers actually went with…

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DVD Geek: Red Riding Hood

The film is accompanied by 27 minutes of good production featurettes (best moments—a musician records a drumbeat on a watermelon floating in a bucket for the musical score; and a rehearsal of a dancing scene that is hot as all get out even though the performers are just in their sweats) …

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DVD Geek: Tracy & Hepburn The Definitive Collection

You would have to turn to the stage to find a comparable accomplishment to the films that Spencer Tracy and Katharine Hepburn made together across a quarter of a century. The movies will always have their ‘screen couples,’ from Greta Garbo and John Gilbert to Brad Pitt and Angelina Jolie, but capturing the soul of the off screen romance and transcribing it to a consistent body of onscreen character interaction is far more difficult …

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The DVD Geek: The Black Swan

There is a natural grain in the cinematography that is preserved, for better or worse, in the image transfer. In that the entire world of the heroine may be crumbling about her, the grain seems appropriate, and after the first few minutes, it is no longer a bother. The DTS sound mix is excellent, and the directional effects are often chilling.

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The DVD Geek: The King’s Speech

Near the beginning, there is a clever audio metaphor employed, as Firth’s character makes an embarrassingly halting speech over a cavernous public address system, and while it is perfectly effective on the DVD’s 5.1-channel Dolby Digital track, the moment is chillingly enhanced by the detail afforded through the DTS track on Anchor Bay’s Blu-ray.

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The DVD Geek: The Sweet Smell of Success

There are many outstanding Blu-rays in the marketplace, and not a few of them have been released by the Criterion Collection, but every once in a while you come across a Blu-ray that is even better than outstanding, one that has an extra sort of subliminal something that crystallizes its perfection of delivery and transports the viewer to the illusion of a genuine theatrical experience.

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DVD Geek: Elia Kazan’s America America

As Kazan historian Foster Hirsch puts it on his commentary, “This is a film whose time has still not come. I’m hoping that the release of this DVD will change that.”

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The DVD Geek: America Lost and Found: The BBS Story

The one real reason why anybody would pay attention to this collection at all is that only Easy Rider had previously been released on Blu-ray, through Sony Pictures Home Entertainment so that Criterion’s Blu-ray boxed set of the films is a fully loaded treasure trove of must-have movies delivered in the finest condition home video can supply.

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DVD Geek: The Town

At one point in the movie, the robbers put on uniforms to escape detection because, Affleck explains, “People see a uniform and not a person. I always wondered about that until we had to shoot the piece going to the train on the end, and I actually decided to take the subway from where we were to South Station, where the train was, wearing this outfit, and not a single person said anything to me.” Except one old woman, who came up to ask him for directions.

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DVD Geek: The Complete Metropolis

Viewers can finally appreciate the beauty and the fury of Metropolis as it was meant to be experienced and enjoyed. The footage is fairly easy to spot, because the traditional footage is immaculately presented in full screen format, solidified by the lovely BD presentation with smooth, sharp contrasts and barely a scratch, while the restored footage is still quite battered and is slightly windowboxed, though perfectly viewable. It’s not ideal, but it’s worth having, without hesitation.

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DVD Geek: The Last Of The Mohicans, The Director’s Definitive Cut

Mann exhibits a dazzling command of the knowledge he gained while preparing the film and shares many historical insights, from esoteric trivia to far-reaching explanations of the political conflicts both among the Europeans and the indigenous Americans. And his sense of perspective is always exceptional. “The past is a lot closer than we think.”

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DVD Geek: Frozen

—‘I would take my skis and wrap them around the cable, upside-down, and I would reverse-helicopter down to safety.’ Or, ‘I would take my pole and I would vault to the next chair, till I could get to safety.’ It’s hilarious how everybody became Indiana Jones or Spider-Man. ‘Oh, it’s only fifty feet. I would just jump.’”

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The DVD Geek: Harry Brown

As they go over how the film was staged and what went on during the shoot, Caine shares many terrific anecdotes about his career, including marvelous stories about Charles Chaplin and Alfred Hitchcock (who wanted Caine for Frenzy and was annoyed when Caine turned him down), and quite a few excellent insights to his craft.

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DVD Geek: The Thin Red Line

“Terry had never done a film on this scale before. That’s where sort of the frustration came in at times. If you have five hundred people halfway up the mountain and for some reason, a technical reason or some performance reason, you have to stop and re-set, it’s 40 minutes by the time everybody is back to original positions, which was part of the reason Terry just decided to let them run out, because he figured maybe he’d get something in the last half of the roll.”

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DVD Geek: Yoo-Hoo Mrs. Goldberg

An excellent documentary about the talented comedienne, Gertrude Berg, who wrote, produced and starred in her own comedy series, first on radio and then very early on television, essentially inventing the family situation comedy for TV in the process, Yoo-Hoo, Mrs. Goldberg, has been released by Docuramafilms and New Video.

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Quote Unquotesee all »

“I’m disappointed that I wasn’t able to convince the people that it was in their own interest to modify the way in which the business ran, so as to be profitable. I [attempted] to create at The Tribune the same kind of collegial environment that’s been so successful in everything else we’ve done. But it takes two to tango. In my experience, newspaper people are at least as greedy as anybody else and any perception to the contrary is perpetuated by the media itself.”
~ What Sam Zell Believes About His Tenure With The Tribune Company

“I was never let down by the hot dogs, bought from Chicago’s irreplaceable Vienna Beef, which were split down the middle, griddled and laid in a toasted potato bun with or without the classic Chicago garnishes. Better yet is the Bird Dog, a smoked chicken and apple bratwurst from Usinger’s of Milwaukee How the burger could change lives I never divined, but on occasion it was magnificent, as beefy and flavorful as the outer quarter-inch of a Peter Luger porterhouse. More often, though, the meat was cooked to the color of wet newsprint, inside and out, and salted so meekly that eating it was as satisfying as hearing a friend talk about a burger his cousin ate.”
Critical Eating: NYTimes Resto Critic Pete Wells Makes A Mouthful Of Shake Shack

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