MCN Columnists

Gross Behavior Column By Andrea Gronvallandreagronvall@aol.com

The Gronvall Report: Michaël Dudok de Wit On THE RED TURTLE

There are many animals among this year’s contenders for the Best Animated Film Academy Award, including Finding Dory, The Secret Life of Pets and Zootopia, but none as mysterious as the title character in the hauntingly beautiful The Red Turtle. This wordless fable shows how a man shipwrecked on an uninhabited island, far from any other land mass, copes with loneliness and his sometimes hostile environment. The arrival of a giant red sea turtle changes his life in ways he never could have foreseen.

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Leonard Klady on Claude Sautet

Although he would occasionally return to the thriller format, it’s the sagas of the bourgeoisie that Sautet is most identified with and provides his legacy.

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Gross Behavior: Summer on Low Simmer

The preliminary numbers are in and summer season 2012 clocks in at approximately $4.04 billion at the box office. The figure represents roughly a 5% gross decline in gross revenues and an 8% decline in actual tickets bought during the period running from early May through the conclusion of Labor Day weekend.

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GROSS BEHAVIOR: Sound and Fury…

Movie going is unquestionably destined to become the opera of the future. By that I mean that the 18th century’s favorite form of entertainment still exists but it long ago ceded its vaunted position. The movies today cannot compete with television and that diversion abetted by home entertainment has had the biggest impact on the Seventh Art since its debut circa 1896.

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Gross Behavior: Leonard On Bingham

Bingham had a number of virtues few of us can claim. He didn’t hold many grudges and wasn’t someone prone to gotcha politics. When we talked it was a true discussion whether it was one-on-one or in a group. He wasn’t diplomatic, not that he was abusive or dogmatic. Bing simply spoke his mind and that was fine, mostly, when he was running October Films with Jeff Lipsky and problematic when he worked for others.

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Guillaume Canet’s Series of Most Fortunate Events

Considered one of the most versatile leading actors of contemporary French cinema, Guillaume Canet self-confesses that stardom –even the prospect of becoming a working performer — was a series of accidents. Canet, 37, is ostensibly in Los Angeles for a few days to promote the film Farewell, a fact-based thriller about a French functionary in…

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If You Build It, Will They Come?

The Los Angeles Film Festival kicks off Thursday night with a curtain raiser of The Kids Are All Right, which won awards and commercial distribution following its premiere at Sundance in January. And despite its relative nascence, LAFF is attempting to do a bit of re-imagining. The most obvious change is its location. Following home bases in Hollywood and Westwood,…

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Let’s Be Perfectly Franque

With Cannes and COLCOA in the wings, I was reminded of an encounter with the actor Philippe Leotard (now deceased) in the streets of the French festival town. He was walking in the street with actress Nathalie Baye and I stopped him just to say how much I admired his performance in Le Gueule Ouverte, a searing family…

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Reap What You Til

Til Schweiger is probably the biggest star in the German film industry today. He recalls the rugged masculinity of the likes of William Holden. Schweiger became a star with the release of the social comedy Der Bewegte Mann (Maybe … Maybe Not in the U.S.) in 1994 and has managed a career that has encompassed high and low brow…

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It’s an (Organic) Wrap

Las Vegas – There was a lot to digest at the recently concluded Showest convention, ranging from matters of life and death (digital conversion, access to diverse movies) to the frankly frivolous (healthier snack foods). On balance, one left with the sense that at least the distribution sector was 1) on relatively stable economic ground and 2)…

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It Was the Showest of Times, It Was the Showorst of Times

The film industry ought to be giddy. Box office is booming thanks to a pair of 3D movies; namely Avatar and Alice in Wonderland. Attendance is up; people, according to industry statistics, are going more often and rate the experience with four stars. Yet, apart from the rare instance of hyperbole, you’d have to characterize the mood…

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Confessions of a Festival Junkie …

Despite avid research I’ve been stumped. The wag who observed that when one receives something for free, the value is commensurate with the cost (or words to that effect) appears to have been lost to time. I’ve certainly employed that theorem over the years and it’s something I’ve believed/experienced without exception. So, the first blush…

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Festival in …

They don’t have car shows in Detroit. But in Los Angeles — a once near-moribund venue for alternative cinema — the landscape is rife with celebrations of the seventh art. The unprepossessing-sounding Los Angeles Film Festival is one of two annual events (the other, AFI Fest, unspools in November) that at least on paper strive…

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The Eye of the Navel 2008

(Something Like a Top 10 List) Stop me if you’ve heard this one before. Compiling a “best of” list reflects one’s mood on the day of doing the deed. The films most recently seen are advantaged because one’s had less time to ruminate about their qualities. Today I’m feeling more magnanimous than usual and have…

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Last One Out Turns Off the Lights

The traditional glib article about the American Film Market will talk about the parade of Troma characters parading in front of the Loew’s Santa Monica Hotel. Or, it will highlight the weird exploitation titles being sold (I Ate His Liver with Fava Beans) or the busty women handing out pamphlets and trade papers. Regardless, there’s…

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Que la Fete Commence 2

The expression goes “that if I had a nickel for every time I (fill in the blank), I’d be a millionaire.” What crosses my mind at this particular point in time is the number of articles and words I’ve committed to film festivals. In a broad sense it can be boiled down to: the role…

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Paul Newman

You knew something was wrong when Paul Newman announced that he was retiring from acting a couple of years ago. Oh, there had been others that had made it “official” in the past. Cary Grant stuck to his guns and Cagney stayed out of the picture for two decades until his doctor ordered him back to work. Grace…

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Will That be Poppyseed?

The question most asked about living in Los Angeles is: why can’t you get a good bagel in the city? Some would argue otherwise and then there’s the whole explanation that involves water and yeast. With the Los Angeles Film Festival beginning full screenings Friday, this is one of those times of year when there’s…

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Vadim Perelman

Vadim Perelman had the sort of feature film debut most filmmakers dream about but rarely are able to realize. An acclaimed director of commercials, he optioned the novel House of Sand and Fog by Andre Dubus III, adapted it for the screen with Shawn Lawrence Otto and co-produced the film with Michael London. The tale of a young woman…

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Charlton Heston

Charlton Heston was the sort of movie icon that received either grudging respect or abject derision rather than the praise or affection extended such contemporaries as William Holden and Burt Lancaster. The caricature is one of a face permanently cemented in some tense fashion with teeth clenched. The verity of his filmography contradicts such easy comic illustrations….

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Quote Unquotesee all »

“BATTLE OF THE SEXES: Politics and queerness as spectacle/spectacle as politics and queerness. Pretty delightful, lovely, erotic. A-

“Not since EASY A and CABARET have I seen Emma Stone give a real sense of her range. Here, she has pathos and interiority and desire. I love the cinematography and the ways in which the images of the tennis icons are refracted and manipulated via various surfaces/mediators. Also, wild how a haircut is one of the most erotic scenes in cinema this year. Spine tinglingly tactile that feels refreshing. Proof that *cough* you don’t need to be ~graphic/explicit~ to be erotic *cough*. Also, it made me want to get into tennis. Watching it, at least.

“There are interesting touches and intimations as to the cinematic nature of sports, & unpacking the formal approach of broadcasting sports.Also, I was here for Sarah Silverman smoking. And also, hi Mickey Sumner!! It’s a really interesting film about the ways in which public spectacle is never apolitical, and how spectacle is prone to assignation.

“There’s this one other scene from BATTLE OF THE SEXES that I love, and it’s the one in the bar. You see Billie looking after Marilyn as she dances. Through a crowd. There’s a paradoxical closeness and distance between them. In the purple light, and the kitschy decor, everything is distorted. But Billie catches a glance and you can feel the nervous swell inside.”
~ Kyle Turner

“Our business is complicated because intimacy is part and parcel of our profession; as actors we are paid to do very intimate things in public. That’s why someone can have the audacity to invite you to their home or hotel and you show up. Precisely because of this we must stay vigilant and ensure that the professional intimacy is not abused. I hope we are in a pivotal moment where a sisterhood — and brotherhood of allies — is being formed in our industry. I hope we can form a community where a woman can speak up about abuse and not suffer another abuse by not being believed and instead being ridiculed. That’s why we don’t speak up — for fear of suffering twice, and for fear of being labeled and characterized by our moment of powerlessness. Though we may have endured powerlessness at the hands of Harvey Weinstein, by speaking up, speaking out and speaking together, we regain that power. And we hopefully ensure that this kind of rampant predatory behavior as an accepted feature of our industry dies here and now. Now that we are speaking, let us never shut up about this kind of thing. I speak up to make certain that this is not the kind of misconduct that deserves a second chance. I speak up to contribute to the end of the conspiracy of silence.”
Lupita Nyong’o