MCN Columnists
Leonard Klady

Klady By Leonard KladyKlady@moviecitynews.com

21 or Bust…

The card counting added up to an estimated $24.1 million as the debut of 21 ascended to the top of weekend movie going. The solid bow coupled with a better than expected $9.4 million opening for Superhero Movie still could not stave off another box office erosion as the movie experience hunkers down in the…

Read the full article »

Easter Lays an Egg…

The second weekend of Horton Hears a Who led weekend film going but not as definitively as it had in its debut. The Seussical sophomore session rang up an estimated $25.3 million while the debut of Meet the Browns from niche auteurTyler Perry was within striking distance at $20.2 million. The Easter weekend (not one…

Read the full article »

Who’s On First…

Doc Seuss’s Horton Hears a Who translated best to the big screen audience this past weekend with an estimated $45.3 million. It was sloppy seconds for the frame’s two other national freshmen with the teen martial arts yarn Never Back Down generating a respectable $8.8 million to rank third overall and the Apocalyptic adventure Doomsday…

Read the full article »

35.1 Million B.C. (Big Cume)…

History be damned, 10,000 B.C. went to the head of the class with an opening weekend estimated at $35.1 million. In an otherwise depressed frame, there was also positive spin for College Road Trip that debuted in second spot with $13.8 million and a rather respectable $5.4 million launch for the ripped from the headlines…

Read the full article »

So What!?

Wednesday morning Motion Picture Association of America president Dan Glickman got on the phone with (by my count) 15 or so entertainment business journalists. He told them a few things they probably knew, a lot they could have guessed and a panoply of things of no great significance. The seeming important news was that the domestic…

Read the full article »

Semi-Po’ and Con…

Despite topping the weekend box office chart with an estimated by $15.4 million, Semi-Pro provided slim comfort in a depressed post-Oscar frame. No Country for Old Men added close to 1000 theaters and saw its revenues rise 63% but other winners saw no immediate benefit in the domestic arena. The frame also saw a strong…

Read the full article »

Klady

Quote Unquotesee all »

“Almodóvar–the first name is almost unnecessary–is a genius, is a flower, is a guiding light: the last, best son of Buñuel and so much more than that. His screenplays, which he directs with passion and fine care, have taught us about the exteriors of his native land and the interiors of our own hearts. From the early, manic experimental Super-8 work to the breakthrough Women on the Verge of a Nervous Breakdown, his titles are as evocative as most people’s screenplays. Yet for all their antic energy, Almodóvar’s films are deeply spiritual: watching his disturbing, mysterious, heart-rending Talk to Her is to understand, perhaps for the first time, the full meaning of grace. An Almodóvar screenplay is a running leap off a Gaudi balcony, it flips, soars, ascends, careens, tumbles, falls – always landing, astonishingly and astonished, on its feet.”
~ Howard A. Rodman, Announcing Almodóvar’s Jean Renoir Award

“I got a feeling I am going to win in the long run, but I want to be part of the zeitgeist, too. I want to support young girls who are in their 20s now and tell them: You’re not just imagining things. It’s tough. Everything that a guy says once, you have to say five times. Girls now are also faced with different problems. I’ve been guilty of one thing: After being the only girl in bands for 10 years, I learned—the hard way—that if I was going to get my ideas through, I was going to have to pretend that they—men—had the ideas. I became really good at this and I don’t even notice it myself. I don’t really have an ego. I’m not that bothered. I just want the whole thing to be good. And I’m not saying one bad thing about the guys who were with me in the bands, because they’re all amazing and creative, and they’re doing incredible things now. But I come from a generation where that was the only way to get things done. So I have to play stupid and just do everything with five times the amount of energy, and then it will come through.”
~ Björk to Jessica Hopper at Pitchfork