MCN Columnists
Leonard Klady

Klady By Leonard KladyKlady@moviecitynews.com

21 or Bust…

The card counting added up to an estimated $24.1 million as the debut of 21 ascended to the top of weekend movie going. The solid bow coupled with a better than expected $9.4 million opening for Superhero Movie still could not stave off another box office erosion as the movie experience hunkers down in the…

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Easter Lays an Egg…

The second weekend of Horton Hears a Who led weekend film going but not as definitively as it had in its debut. The Seussical sophomore session rang up an estimated $25.3 million while the debut of Meet the Browns from niche auteurTyler Perry was within striking distance at $20.2 million. The Easter weekend (not one…

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Who’s On First…

Doc Seuss’s Horton Hears a Who translated best to the big screen audience this past weekend with an estimated $45.3 million. It was sloppy seconds for the frame’s two other national freshmen with the teen martial arts yarn Never Back Down generating a respectable $8.8 million to rank third overall and the Apocalyptic adventure Doomsday…

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35.1 Million B.C. (Big Cume)…

History be damned, 10,000 B.C. went to the head of the class with an opening weekend estimated at $35.1 million. In an otherwise depressed frame, there was also positive spin for College Road Trip that debuted in second spot with $13.8 million and a rather respectable $5.4 million launch for the ripped from the headlines…

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So What!?

Wednesday morning Motion Picture Association of America president Dan Glickman got on the phone with (by my count) 15 or so entertainment business journalists. He told them a few things they probably knew, a lot they could have guessed and a panoply of things of no great significance. The seeming important news was that the domestic…

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Semi-Po’ and Con…

Despite topping the weekend box office chart with an estimated by $15.4 million, Semi-Pro provided slim comfort in a depressed post-Oscar frame. No Country for Old Men added close to 1000 theaters and saw its revenues rise 63% but other winners saw no immediate benefit in the domestic arena. The frame also saw a strong…

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Klady

Quote Unquotesee all »

“A lot of us felt blindsided,” Van Vliet told me. In the seventies, Van Vliet was drafted out of film school by Industrial Light & Magic, where he worked on The Empire Strikes Back and Raiders of the Lost Ark. Now 62 and semi-retired, he said, “Once you get into your fifties, you’re pretty disposable.” Van Vliet was in the middle of reviewing DVD screeners before casting his Oscar votes, a process he estimated would take a hundred and twenty hours. “The Academy is essentially asking us to give them three weeks of labor, and then they’re going to take our results, put them into a ceremony, and sell it,” he said, referring to the seventy-five million dollars that the organization earns from the television broadcast. “Then they’re turning around and kicking us in the teeth.”
~ “Shakeup At The Oscars”

“Richard Schickel was a very perceptive critic and a wonderful writer and documentary filmmaker. As a person he was, to use a once popular term, ‘crusty,’ and he could be brutally funny. But it’s his deep and abiding love of movies that I’ll always remember about him. His early 70s PBS series ‘The Men Who Made the Movies,’ his 2004 restoration of Sam Fuller’s The Big Red One, his wonderful little book about ‘Double Indemnity,’ his biographies of Chaplin and Cary Grant… this is a man who gave his life to the thing he loved.”
~ Martin Scorsese