The Hobbit: Battle of the Five Armies
MCN Columnists
Leonard Klady

Klady By Leonard KladyKlady@moviecitynews.com

Next Can’t Happen Too Soon…

April 29, 2007 Weekend Finals Domestic Market Share The weekend box office buzz primarily focused on next weekend’s debut of Spider-Man 3 rather than anything with currency. And it was for good reason! Disturbia was for the third weekend the top grosser with an estimated $9.1 million and a quartet of freshmen releases failed to spark much…

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Jack Be Nimble

Late Thursday afternoon I was on the phone with Seth Oster of the Motion Picture Association of America. Toward the end of our conversation he made reference to Jack Valenti and indicated he wasn’t in the best of shape since his stroke in March. I asked him if he was at home and receiving a lot…

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Shaken, But Not Destirred …

April 22, 2007 Weekend Finals Domestic Market Share While four new films entered the marketplace, last week’s top-slotted Disturbia held first place with an estimated $13.7 million gross. The freshmen class included a place position for the psychological thriller Fracture of $10.7 million; the chiller Vacancy ranked fourth with $7.5 million; Brit hit comedyHot Fuzz grossed $5.8 million…

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Be Disturbed .. Be Very, Very Disturbed!

April 15, 2007 Weekend Finals Domestic Market Share The offbeat teen thriller Disturbia took top honors in weekend movie going with an estimated $22.8 gross. Five other films bowed nationally to generally disappointing results as the industry appeared to be emulating the August tradition of dumping product. However, in this instance new entries were anticipating quick…

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The Grind Who Stole Easter?

April 8, 2007 Weekend Finals Domestic Market Share The mood was eggstatic as the Easter weekend frame eggceeded 2006 business with a quartet of new releases. However, last weekend toppers Blades of Glory and Meet the Robinsons once again held top spots with respective estimated grosses of $23.2 million and $17.1 million. Freshmen entries generally opened well…

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Thick Ice …

April 1, 2007 Weekend Finals Domestic Market Share Blades of Glory figured an impressive estimated $33.1 million to take the gold in weekend box office viewing. There was also good news for the animated Meet the Robinsons that ranked second with $25.7 million but eyes were elsewhere for The Lookout. Additionally the stealth reissue of Peaceful Warrior…

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Klady

Quote Unquotesee all »

“Any time a movie causes a country to threaten nuclear retaliation, the higher-ups wanna get in a room with you… In terms of getting the word out about the movie, it’s not bad. If they actually make good on it, it would be bad for the world—but luckily that doesn’t seem like their style… We’ll make a movie that maybe for two seconds will make some 18-year-old think about North Korea in a way he never would have otherwise. Or who knows? We were told one of the reasons they’re so against the movie is that they’re afraid it’ll actually get into North Korea. They do have bootlegs and stuff. Maybe the tapes will make their way to North Korea and cause a fucking revolution. At best, it will cause a country to be free, and at worst, it will cause a nuclear war. Big margin with this movie.”
~ Seth Rogen In Rolling Stone 1224

“Yes, good movies sprout up, inevitably, in the cracks and seams between the tectonic plates on which all of these franchises stay balanced, and we are reassured of their hardiness. But we don’t see what we don’t see; we don’t see the effort, or the cost of the effort, or the movies of which we’re deprived because of the cost of the effort. Paul Thomas Anderson’s Inherent Vice may have come from a studio, but it still required a substantial chunk of outside financing, and at $35 million, it’s not even that expensive. No studio could find the $8.5 million it cost Dan Gilroy to make Nightcrawler. Birdman cost a mere $18 million and still had to scrape that together at the last minute. Imagine American movie culture for the last few years without Her or Foxcatcher or American Hustle or The Master or Zero Dark Thirty and it suddenly looks markedly more frail—and those movies exist only because of the fairy godmothership of independent producer Megan Ellison. The grace of billionaires is not a great business model on which to hang the hopes of an art form.”
~ Mark Harris On The State Of The Movies