MCN Columnists
Leonard Klady

Klady By Leonard KladyKlady@moviecitynews.com

Next Can’t Happen Too Soon…

April 29, 2007 Weekend Finals Domestic Market Share The weekend box office buzz primarily focused on next weekend’s debut of Spider-Man 3 rather than anything with currency. And it was for good reason! Disturbia was for the third weekend the top grosser with an estimated $9.1 million and a quartet of freshmen releases failed to spark much…

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Jack Be Nimble

Late Thursday afternoon I was on the phone with Seth Oster of the Motion Picture Association of America. Toward the end of our conversation he made reference to Jack Valenti and indicated he wasn’t in the best of shape since his stroke in March. I asked him if he was at home and receiving a lot…

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Shaken, But Not Destirred …

April 22, 2007 Weekend Finals Domestic Market Share While four new films entered the marketplace, last week’s top-slotted Disturbia held first place with an estimated $13.7 million gross. The freshmen class included a place position for the psychological thriller Fracture of $10.7 million; the chiller Vacancy ranked fourth with $7.5 million; Brit hit comedyHot Fuzz grossed $5.8 million…

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Be Disturbed .. Be Very, Very Disturbed!

April 15, 2007 Weekend Finals Domestic Market Share The offbeat teen thriller Disturbia took top honors in weekend movie going with an estimated $22.8 gross. Five other films bowed nationally to generally disappointing results as the industry appeared to be emulating the August tradition of dumping product. However, in this instance new entries were anticipating quick…

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The Grind Who Stole Easter?

April 8, 2007 Weekend Finals Domestic Market Share The mood was eggstatic as the Easter weekend frame eggceeded 2006 business with a quartet of new releases. However, last weekend toppers Blades of Glory and Meet the Robinsons once again held top spots with respective estimated grosses of $23.2 million and $17.1 million. Freshmen entries generally opened well…

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Thick Ice …

April 1, 2007 Weekend Finals Domestic Market Share Blades of Glory figured an impressive estimated $33.1 million to take the gold in weekend box office viewing. There was also good news for the animated Meet the Robinsons that ranked second with $25.7 million but eyes were elsewhere for The Lookout. Additionally the stealth reissue of Peaceful Warrior…

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Klady

Quote Unquotesee all »

“I was 15 when I first watched Sally Hardesty escape into the back of a pickup truck, covered in blood and cackling like a goddamn witch. All of her friends were dead. She had been kidnapped, tortured and even forced to feed her own blood to her cannibalistic captors’ impossibly shriveled patriarch. Being new to the horror genre, I was sure she was going to die. It had been a few months since I survived a violent sexual assault, where I subsequently ran from my assailant, tripped, fell and fought like hell. I crawled home with bloody knees, makeup-stained cheeks and a new void in both my mind and heart. My sense of safety, my ability to trust others, my willingness to form new relationships and my love of spending time with people I cared about were all taken from me. It wasn’t until I found the original The Texas Chain Saw Massacre that something clicked. It was Sally’s strength, and her resilience. It was watching her survive blows to the head from a hammer. It was watching her break free from her bonds and burst through a glass window. It was watching her get back up after she’d been stabbed. It was watching her crawl into the back of a truck, laughing as it drove away from Leatherface. She was the last one to confront the killer, and live. I remember sitting in front of the TV and thinking, There I am. That’s me.”
~ Lauren Milici On “The Final Girl”

“‘Thriller’ enforced its own reality principle; it was there, part of the every commute, a serenade to every errand, a referent to every purchase, a fact of every life. You didn’t have to like it, you only had to acknowledge it. By July 6, 1984, when the Jacksons played the first show of their ‘Victory’ tour, in Kansas City, Missouri, Jacksonism had produced a system of commodification so complete that whatever and whoever was admitted to it instantly became a new commodity. People were no longer comsuming commodities as such things are conventionally understood (records, videos, posters, books, magazines, key rings, earrings necklaces pins buttons wigs voice-altering devices Pepsis t-shirts underwear hats scarves gloves jackets – and why were there no jeans called Bille Jeans?); they were consuming their own gestures of consumption. That is, they were consuming not a Tayloristic Michael Jackson, or any licensed facsimile, but themselves. Riding a Mobius strip of pure capitalism, that was the transubstantiation.”
~ Greil Marcus On Michael Jackson