Gurus Twitter Z
MCN Columnists
Leonard Klady

Klady By Leonard KladyKlady@moviecitynews.com

GROSS BEHAVIOR: Sound and Fury…

Movie going is unquestionably destined to become the opera of the future. By that I mean that the 18th century’s favorite form of entertainment still exists but it long ago ceded its vaunted position. The movies today cannot compete with television and that diversion abetted by home entertainment has had the biggest impact on the Seventh Art since its debut circa 1896.

Read the full article »

Gross Behavior: Leonard On Bingham

Bingham had a number of virtues few of us can claim. He didn’t hold many grudges and wasn’t someone prone to gotcha politics. When we talked it was a true discussion whether it was one-on-one or in a group. He wasn’t diplomatic, not that he was abusive or dogmatic. Bing simply spoke his mind and that was fine, mostly, when he was running October Films with Jeff Lipsky and problematic when he worked for others.

Read the full article »

The Weekend Report: Float Like a Butterfly … Sting Like a Bee

The debut of Underworld: Awakening led weekend ticket sales with an estimated $25.2 million. Two other films bowed nationally and a fourth platformed after four weeks in Oscar-qualifying exclusives. The saga of the Second World War Tuskegee Airmen, Red Tails, ranked second with $19.1 million and the take no prisoners actioner Haywire kicked out with $8.9 million. Wedged in-between was the expansion of Extremely Loud & Incredibly Close in position four with $10.4 million.

Read the full article »

The Weekend Report: October 9, 2011

Real Steel provided the TKO to ascend to the top of weekend movie going charts with an estimated $26.8 million debut. The sessions other national freshman, the political thriller The Ides of March, was a distant second with $10.4 million launch. The lull pre-Thanksgiving also saw another Telugu movie out-pacing the traditionally stronger Hindi newcomer…

Read the full article »

Confessions of a Film Festival Junkie: Day 4

Glitch! Saturday morning’s early morning screening of The Descendents – Alexander Payne’s new film starring George Clooney – at the Toronto International Film Festival got into rather severe technical problems. Those of us standing in line were told at about 20 minute intervals that there was a problem but exactly what problem was kept vague….

Read the full article »

Confessions of a Film Festival Junkie: Toronto 2011 – Day II

Historically the festival has an almost unerring capacity for choosing the wrong opening night picture. This year was no exception with its selection of the U2 profile From the Sky Down. More rumination than concert film, it focuses on the group’s preparation for the 2011 Glastonbury festival, one of England’s most beloved musical events. They decide to revisit their seminal album Achtung Baby, recorded 20 years earlier in Berlin.

Read the full article »

CONFESSIONS OF FILM FESTIVAL JUNKIE: Toronto 2011

There are some festivals that pivot abruptly from being a film geek favorite to an industry whistle stop. Historians cite the 1989 screening of sex, lies, and videotape as just such a turning point for Sundance. It wasn’t simply a rabid audience response (it was crowned their favorite but failed to nab the jury award)…

Read the full article »

Studio Market Share, Summer 2011

Read the full article »

The Weekend Report: May 8

The god of thunder – Thor – hammered an estimated $65.8 million to handily reign at the top of the weekend box office charts. The session also saw a pair of counter-programmers bow nationally with the sweetly romantic Something Borrowed slotting third with $13.2 million and Jumping the Broom a breath behind at $13 million.

Read the full article »

The Weekend Report — May 1

With the summer tentpoles around the corner, this weekend’s frame played out pretty much as anticipated. Fast Five retained its lead and ended up well ahead of the pack at an estimated $83 million. Newcomer kiddie flick Hoodwinked Too! found it hard to compete with Rio, which held fast to the place position, while Tyler Perry’s latest Madea film clung to third by a nose.

Read the full article »

The Weekend Report: April 24, 2011

Holy cow! Easter saw a close race between the animated Rio and the agitated Madea’s Big Happy Family. Sunday estimates gave the former a slight edge of $26.2 million to the latter’s $25.7 million. The holiday session featured another national bow with the adaptation of Water for Elephants that ranked third in the lineup with…

Read the full article »

The Weekend Report: April 17, 2011

The box office continued to be animated with the aviary stereoscopic Rio high aloft from the film flock with an estimated $39.9 million. Session bridesmaid was another freshman, the long delayed squeamquel Scream 4 that grossed $18.9 million.

Read the full article »

The Weekend Report: April 10, 2011

Audiences continued to Hop to it as the animated Easter eggs-travaganza topped weekend tickets sales with an eggs-timated $21.6 million. The film bounded well ahead of a quarter of new national releases that saw the remake of Arthur and the distaff thriller Hanna competing for the second slot with the former squeaking ahead by about 200k with a $12.5 million tally. The inspirational Soul Surfer bowed to $10.9 million and the tongue-in-cheek swashbuckler Your Highness swiped $9.5 million.

Read the full article »

The Weekend Report: March 27, 2011

Diary of a Wimpy Kid: Rodrick Rules! not only beats Sucker Punch, but moves over 25% ahead for the weekend. Strong holds for indies from Relativity and Lionsgate also lead the box office news, along with Rango and Just Go With It each passing $100m domestic. At the art house, Miral and Potiche are the weekend leaders.

Read the full article »

The Weekend Report: March 20, 2011

The erosion of the under 25 crowd continued this week with only Paul registering a 50/50 split for that line in the sand according to exit polling. Limitless was 56% attended by plus 25s and The Lincoln Lawyer had a staggering 85% older audience – 49% of which was 40 years old or greater.

Read the full article »

The Weekend Report: January 30, 2011

The debut of the ExoRcIsT-lite The Rite possessed the top of the weekend box office charts with an estimated $14.7 million. In another soft film going frame the other national opener The Mechanic ranked fifth with an $11.1 million bow.

Read the full article »

Weekend Report: January 23, 2011

Zonk Went the Strings of My Heart  The debut of rom-com No Strings Attached led weekend box office sales with an estimated $20.3 million. It was the session’s only national debut in what proved to be a depressed marketplace. Also new were several late year Oscar hopefuls. The endurance saga No Way Back struggled to…

Read the full article »

Weekend Box Office Report – November 14

Take the A Train The animated Megamind with an estimated gross of $29.9 million again topped the weekend viewing charts despite a trio of new contenders in the marketplace. Second on the rails was the kinetic Unstoppable with $23.2 million while the District 9 homage Skyline slotted fourth with $11.5 million and echoes of Broadcast…

Read the full article »

Weekend Box Office Report – November 7

The latest from DreamWorks Animation, Megamind, was generally pegged to debut in a mid-$40 million arena though some felt it could have performed better on a less competitive weekend. Though that contention is dubious, the rest of the year really doesn’t offer that option with both pre-sold and award titles beginning to open up the multiplex floodgates.

Read the full article »

Weekend Box Office Report – September 26

Wall Street: Money Never Sleeps topped the weekend box office charts with a logy estimate of $19.5 million. The new batch of national releases generally underperformed based on tracking including second place Legend of the Guardians: The Owls of Ga Hoole, which hooted up $16.3 million.

Read the full article »

Klady

Z

Quote Unquotesee all »

“I was never let down by the hot dogs, bought from Chicago’s irreplaceable Vienna Beef, which were split down the middle, griddled and laid in a toasted potato bun with or without the classic Chicago garnishes. Better yet is the Bird Dog, a smoked chicken and apple bratwurst from Usinger’s of Milwaukee How the burger could change lives I never divined, but on occasion it was magnificent, as beefy and flavorful as the outer quarter-inch of a Peter Luger porterhouse. More often, though, the meat was cooked to the color of wet newsprint, inside and out, and salted so meekly that eating it was as satisfying as hearing a friend talk about a burger his cousin ate.”
Critical Eating: NYTimes Resto Critic Pete Wells Makes A Mouthful Of Shake Shack

“There is an innocence – an almost monastic purity – about Adam Ant’s enduring devotion to pop; after coming off antidepressants a few years ago, he began performing live again, playing modest venues, often unannounced, and later this year he will release a new album. I find myself hoping his audiences are respectful, and kind. Though still beautiful, he has to wear hats and bandanas to disguise the fact that he is now bald. He was always very conscious of his own beauty – “I think to be a pop star you need sex, subversion, style and humour” – and the hair loss seems gratuitously cruel. “Yeah,” he admits with quiet sadness. “It was pretty awful. But – I dunno – you’ve just got to do what you can. It’s part of the job, really. Just gotta get up, have a shave, and get on with it, really.”
~ Adam Ant On A Life In And Out Of Punk And Pop

Z Z