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Leonard Klady

Klady By Leonard KladyKlady@moviecitynews.com

Los Angeles Film Festival 2016 Wrap

The good news for LAFF is it emerged with a relatively strong program, albeit based upon my limited personal experience. I’ll just add the fact that I didn’t see as many films as was my intention. Still, such films as Blood Stripe, Kicks and 11:55 fulfilled a mandate of diversity without employing it as a crutch.

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Review: A Bigger Splash

There’s a glow that enshrines the Mediterranean isle of Pantelleria. The idyllic fashion in which it’s presented in Luca Guadagnino’s A Bigger Splash, the skeptical would conclude it was a fictional locale. It’s not. Pantelleria is a getaway for wealthy Europeans.

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Review: HOLOGRAM FOR A KING

A Hologram for the King is an experimental film, albeit with considerable assets. All the elements one might want are present even if the equation hasn’t properly been worked out.

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Confessions Of A Film Festival Junkie

I’m compelled to say a few things about choice. And how it’s been raining in Toronto the entire weekend.

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Confessions Of A Film Festival Junkie – TIFF40

The Toronto International Film Festival evolved as a journey rather than a slog. Back when Clint Eastwood was a star, not an auteur, and Rocky and Star Wars were not yet on the horizon, there was the The Festival of Festivals, concocted by a trio of entrepreneurial hustlers in the city with the not-yet-proud nickname of “Hogtown.” The first event screened a couple of dozen films at the theater at Ontario Place.

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Leonard Klady on Claude Sautet

Although he would occasionally return to the thriller format, it’s the sagas of the bourgeoisie that Sautet is most identified with and provides his legacy.

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Confessions Of A Film Fest Junkie: LAFF 2015

Toronto always seems to be compete with the events of the day. I can remember everything going gloomy (including the weather) when Princess Diana was killed during TIFF 1997 and it’s difficult to convey the impact of 9/11 on that Canadian metropolis all those many years ago. Los Angeles is divorced from reality in any event.

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Confessions of a Film Festival Junkie: It’s a Wrap

Officially there were 366 features shown at the just completed edition of the Toronto International Film Festival. I saw about 30. So it should come as no surprise that few of this year’s public and jury prize winners managed to elude my grasp.

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Confessions of a Film Festival Junkie

It’s kinda official. To be honest I really haven’t noticed anyone taking notice of the fact that Toronto mayor Rob Ford hasn’t shown his face at the Toronto International Film Festival. Granted the local attendees don’t appear to be his constituency and there is a mayoral race coming up before the end of the year. In fact, there either was a debate scheduled (there are three others on the ballot) or one that went forward that Ford opted out of without extending much of a reason.

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Confessions of a Film Festival Junkie: Toronto 2014 – Getting Started

Naturally my Canadian content level has risen in recent days and came into focus last week when Telefilm Canada hosted a pre-fest event for journalists and buyers in Los Angeles. Apart from product reels and a limited bar, the ‘do also had a healthy supply of TIFF’s program book … or rather tome. To the event’s credit it’s developed a rather good system of press and industry screenings that run parallel to the public showings. The veteran TIFFer can keep to the P&I projections with a couple of regular screenings tossed in to mingle with the hoi polloi.

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Confessions Of A Film Festival Junkie: TIFF 2014 Opening Days

The first thing you notice, or, rather, sense about Toronto is there is no recession. In the midst of festival village and all around there is massive construction. A couple of natives (and former TIFF employees) told me they hadn’t seen this level of building activity in the downtown district for at least two decades. So it’s noisy. Traffic, human and vehicular, is very stop-start. And just to up the ante the festival got the city to agree to closing off about four blocks and turning the area around its Bell Lightbox into a temporary mall with art and live music events.

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Knights At Table: Remembering Mazursky

On the appointed day I made my way toward Bob’s Donuts and could hear laughter and boisterous banter well before I reached my destination. When I finally spied Mazursky I could see him at the center (not literally) of a group of about eight people—the loud folk I’d heard from a distance. I approached cautiously and as I neared he waved me over.

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Confessions of a Film Festival Junkie: AFI 2012

The AFI Fest opened Friday with the world premiere of Hitchcock, a likable yarn focusing on the iconic filmmaker and his wife at the time of his filming Psycho. In retrospect it seemed an almost anachronistic choice in light of the recent broadcast of “The Girl,” a more Machiavellian portrait of the man and his mentor/Svengali relationship with his The Birds discovery Tippi Hedren.

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Friday Estimates: November 2, 2012

Wreck-It Ralph takes the high score with $13.4 million and will hang onto it for the weekend. Flight takes off with a strong start with $8.1 million and Man with the Iron Fists is in a dead heat for the third spot with Argo.

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The Weekend Report: Abandon Hope

A couple of new releases hardly made a ripple in weekend movie going that sunk to a level not seen in decades. The Words, a convoluted yarn of authorship, bowed to an estimated $4.8 million that ranked fourth on the leader board while the thriller The Cold Light of Day, a leftover from Summit, bowed with $1.8 million. The latter film has already opened overseas where it already grossed a disappointing $12.5 million.

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Gross Behavior: Summer on Low Simmer

The preliminary numbers are in and summer season 2012 clocks in at approximately $4.04 billion at the box office. The figure represents roughly a 5% gross decline in gross revenues and an 8% decline in actual tickets bought during the period running from early May through the conclusion of Labor Day weekend.

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Friday Estimates: July 6, 2012

After opening big on Tuesday, Spider Man stays topside with another $20.3m on Friday. Ted will pass $100 today and Brave holds strong. Oliver Stone’s Savages debuted in fifth on the list with $5.6.

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Friday Estimates: June 30

It’s a stripper and teddy bear weekend! While Merida and her Brave friends will no doubt capture more of the family market, Ted and Magic Mike are at the top of the box office charts on Friday.

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The Weekend Report: Shipwreck!

No one expected the trio of new national releases to unseat “The Avengers” … they just expected them to be more competitive. “The Avengers”‘ third weekend prevailed with an estimated $55.2 million with “Battleship” not quite right behind with $25.3 million. Third spot went to “The Dictator” with $16.7 million and the third freshman, “What to Expect When You’re Expecting,” slotted fifth with $10.5 million.

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The Weekend Report, May 6, 2012

“The Avengers” rewrote the record books with the biggest ever opening three-day weekend that’s estimated at $200.5 million. With $30 million more than the former champ, there’s little chance that the Monday actual will change Sunday’s ebullience.

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Klady

Quote Unquotesee all »

Do you know about Pokémon Go?
No. I don’t know what Pokémon Go is and what all these things are. You’re talking to somebody who made his first phone call at age 17. You’re talking to someone who doesn’t have a cell phone, for example, for cultural reasons. Tell me about Pokémon Go. What is happening on Pokémon Go?

It’s basically the first mainstream augmented reality program. It’s a game where the entire world is mapped and you walk around with the GPS on your phone. You walk around in the real world and can catch these little monsters and collect them. And everybody is playing it.
Does it tell you you’re here at San Vicente, close to Sunset Boulevard?

Yeah, it’s basically like a Google map.
But what does Pokémon do at this corner here?

“To make work out of your own imagination is an invitation to a lot of unforgiving hard slog, failure, satisfaction which doesn’t last long, more failure, discontent, maybe a prize, a bit more satisfaction, self doubt, dissatisfaction, lots more hard work and so on and so on. But anyone who’s persisted and written something and got to the end and even better had it published or performed learns quickly that the hard slog, the frustrations, the blind alleys and dead ends and scenes that don’t work and great ideas that turn to dust are in fact a big part of the work. The reward for the agony is not the ecstasy of Chuck Heston finishing the Sistine Chapel but still more agony that might also include some kind of not pleasure exactly, maybe a brief, terrible joy.”
~ Australian playwright Michael Gow

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