MCN Columnists
Noah Forrest

Frenzy On Column By Noah ForrestForrest@moviecitynews.com

Frenzy on the Wall: If I Had a Ballot 2011

I’m going to give my picks for the Oscars in the major awards, as if I had an actual ballot. Since the Academy cannot be trusted to make the right decisions and will probably make the safe choice whenever possible, it’s fun to give my perspective. Needless to say, I don’t see the Academy sending me a ballot anytime soon.

Read the full article »

Frenzy on the Wall: Downsized and Dispirited, The Company Men Still Has Feeling

The Company Men is a satisfying film, but not an altogether successful one. However, I’m inclined to give it a pass for a lot of its faults because its cause is such a noble one. The film will serve as a time-capsule for future generations to be able to look back and pinpoint this particular…

Read the full article »

Frenzy on the Wall: Somewhere Goes Nowhere

I consider myself a fan of Sofia Coppola. I think her first two films – The Virgin Suicides and Lost in Translation – are up there with any other filmmaker’s first two movies. These films showed a fascinating insight into the minds of both males and females, young and old; these were movies about lost…

Read the full article »

Frenzy on the Wall: Looking Forward to a New (Hopefully Better) Year

2010 was not my favorite year at the movies. There were certainly films that I enjoyed and ones that I expect to own and revisit more than a few times, but there wasn’t a single film that made me shudder or give me goosebumps or to even make me gasp aloud. In other words, while…

Read the full article »

Frenzy On Column

Quote Unquotesee all »

“What Quibi trying to do is get to the next generation of film narrative. The first generation was movies, and they were principally two-hour stories that were designed to be watched in a single sitting in a movie theater [ED: After formats like the nickelodeon]. The next generation of film narrative was television, principally designed to be watched in one-hour chapters in front of a television set. I believe the third generation of film narrative will be a merging of those two ideas, which is to tell two-hour stories in chapters that are seven to ten minutes in length. We are actually doing long-form in bite-size.”
~ Jeffrey Katzenberg

“The important thing is: what makes the audience interested in it? Of course, I don’t take on any roles that don’t interest me, or where I can’t find anything for myself in it. But I don’t like talking about that. If you go into a restaurant and you have been served an exquisite meal, you don’t need to know how the chef felt, or when he chose the vegetables on the market. I always feel a little like I would pull the rug out from under myself if I were to I speak about the background of my work. My explanations would come into conflict with the reason a movie is made in the first place — for the experience of the audience — and that, I would not want.
~  Christoph Waltz