MCN Columnists
Noah Forrest

Frenzy On Column By Noah ForrestForrest@moviecitynews.com

Frenzy on the Wall: 10 Movies to See This Fall/Winter

I write this column every year. In fact, I write this column three times a year, with the changing of the movie seasons. The interesting thing about writing this particular column at this particular time in this particular year is: 1) this has been such an unfathomably terrible year at the movies that the fall…

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Is Angelina Jolie the First Female Action Hero?

I finally caught up with Salt this weekend and I’m surprised it’s gotten a pass from most of the critical community (61% fresh on Rotten Tomatoes). It’s not that it’s an awful movie, but it’s certainly not a very good one. In fact, it’s a ridiculous and outlandish film that feels twenty minutes too long…

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Scott Pilgrim Vs the World: Less Than Perfect, But That’s Okay

I hate to repeat the beginning of my Inception column, but Scott Pilgrim Vs the World is neither the best nor the worst movie ever. What is it about us as a culture these days? It seems like every film, album, painting, ballet, etc. has to be categorized as either “amazing” or “terrible.” Art runs…

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On Kevin Kline, Todd Solondz, and the Sad Decline of Indie Film

I was thirteen years old in 1996, which I think is the year “indie” film became more of an adjective than a movement. It was the year that “indie” replaced the word “arthouse” — which was odd because many of the successful indie films that followed weren’t independently financed at all. But that year had…

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The Trouble with Defining the Chick Flick as “Stupid”

Are most Hollywood movies made for women “stupid,” or do Hollywood studios in general tend to make movies for both men and women that aren’t aiming for a high intellectual watermark? I was perusing Entertainment Weekly, reading about the upcoming film Eat, Pray, Love when I came across a sub-story about how movies made for…

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Frenzy On Column

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“I always thought that once I had lived in Chicago for a while, it would be interesting to do a portrait of the city – but to do it at a significant time. Figuring out when would be the ideal time to do that was the trick. So when this election came around, coupled with the Laquan McDonald trial, it seemed like the ideal time to do the story. Having lived in Chicagoland for thirty-five-plus years and done a number of films here, I’ve always been struck by the vibrancy of the city and its toughness. Its tenderness too. I’ve always been interested in the people at the center of all the stories. This is a different film in that regard, because we’re not following a couple of individuals over the course of the project in the way that a lot of the films I’ve done have, but I still feel like people’s voices and aspirations and hopes are at the center of this series.

It wasn’t easy. We started back in July 2018, it was actually on the Fourth of July – that was our first shoot. It’s like most documentaries in that the further you go along the more involved and obsessed you get, and you just start shooting more and more and more. We threw ourselves into this crazy year in Chicago. We got up every day and tried to figure out if we should be out shooting or not, and what it is we should shoot. We were trying to balance following this massive political story of the mayor’s race and these significant moments like the Laquan McDonald trial with taking the pulse of people in the city that we encounter along the way and getting a sense of their lives and what it means to live here. By election day, Zak Piper, our producer, had something like six cameras out in the field. You could double-check that, it might have been seven. We had this organized team effort to hit all the candidates as they were voting, if they hadn’t already voted. We hit tons of polling places, were at the Board of Elections and then were at the parties for the candidates that we had been able to follow closely. Then of course, we were trying to make sure we were at the parties of the candidates who made it to the runoff. So, yeah, it was kind of a monster.”
~ Steve James On City So Real

“I really want to see The Irishman. I’ve heard it’s big brother Martin Scorsese’s masterpiece. But I really can’t find the time. The promotion schedule is so tight, there’s no opportunity to see a three and a half-hour movie. But I really want to see it. In 2017, right before Okja’s New York premiere, I had the chance to go to Scorsese’s office, which is in the DGA building. There’s a lovely screening room there, too, with film prints that he’s collected. I talked to him for about an hour. There’s no movie he hasn’t seen, even Korean films. We talked about what he’s seen and his past work. It was a glorious day. I’ve loved his work since I was in college. Who doesn’t? Anyone involved with movies must feel the same way.”
~ Bong Joon-ho