MCN Columnists
Noah Forrest

Frenzy On Column By Noah ForrestForrest@moviecitynews.com

James Gray Director of Two Lovers

Noah has a far-ranging conversation with Two Lovers director James Gray about Francis Ford Coppola, Italian neo-realism vs French New Wave, The 400 Blows, and his potential next film: The Lost City of Z starring Brad Pitt. Listen to Noah Forrest Podcast with James Gray

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The Top Ten of 2009

As I look back on the cinematic year and the one hundred and fifty new releases that I saw, I feel absolutely certain that this is one of the worst years for films in recent history. No doubt 2009 is the worst year of the past decade with only a handful of great films, one…

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The 2nd Annual Frenzies

Since every minor and major critics group in the country has come up with their own award, I decided last year that I would start my own, The Frenzies. Last year was a rousing success and as with everything in Hollywood that is successful in its first go-round, it’s time for the sequel! I still have…

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The Best of All Decades

A few weeks ago, I wrote a long column about why 25th Hour is the best film of the aughts. That got me thinking about what the rest of my list would look like. I’ve narrowed down the list of potential candidates – I’m ultimately going to pick ten – and in the interest of full…

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For Your Consideration 2009

Every year I try to single out the performances and films that I think aren’t getting enough attention during the awards season.  It seems that certain storylines become more “interesting” or certain actors or films become the “underdog” that everyone roots for and a lot of quality gets lost in the shuffle. And this year,…

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Frenzy On Column

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“I remember very much the iconography and the images and the statues in church were very emotional for me. Just the power of that, and even still — just seeing prayer card, what that image can evoke. I have a lot of friends that are involved in the esoteric, and I know some girls in New York that are also into the supernatural. I don’t feel that I have that gift. But I am leaning towards mysticism… Maybe men are more practical, maybe they don’t give into that as much… And then also, they don’t convene in the same way that women do. But I don’t know, I am not a man, I don’t want to speak for men. For me, I tend to gravitate towards people who are open to those kinds of things. And the idea for my film, White Echo, I guess stemmed from that — I find that the girls in New York are more credible. What is it about the way that they communicate their ideas with the supernatural that I find more credible? And that is where it began. All the characters are also based on friends of mine. I worked with Refinery29 on that film, and found that they really invest in you which is so rare in this industry.”
Chloë Sevigny

“The word I have fallen in love with lately is ‘Hellenic.’ Greek in its mythology. So while everyone is skewing towards the YouTube generation, here we are making two-and-a-half-hour movies and trying to buck the system. It’s become clear to me that we are never going to be a perfect fit with Hollywood; we will always be the renegade Texans running around trying to stir the pot. Really it’s not provocation for the sake of being provocative, but trying to make something that people fall in love with and has staying power. I think people are going to remember Dragged Across Concrete and these other movies decades from now. I do not believe that they will remember some of the stuff that big Hollywood has put out in the last couple of years. You’ve got to look at the independent space to find the movies that have been really special recently. Even though I don’t share the same world-view as some of my colleagues, I certainly respect the hell out of their movies which are way more fascinating than the stuff coming out of the studio system.”
~ Dallas Sonnier