MCN Columnists
Gary Dretzka

Digital Nation By Gary DretzkaDretzka@moviecitynews.com

A colonial dandy gets more than he bargained for in ‘Ambassador’

At first glance, you’d think that making a film documenting crime and corruption in central Africa, and exposing the underground trade in passports and other official documents, would be as difficult as fishing with hand grenades. It pretty much is, but no one told Mads Brügger that the hard part would be staying alive long enough to see it finished.

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The DVD Wrapup: Porno Gang, A Separation, Dictator, Chimpanzee, Bernie … More

Even before the collapse of the former Yugoslavia and subsequent wars for self-determination, the country’s filmmakers could be counted on to deliver closely observed tales of a society driven insane by Cold War politics and the realization that any freedoms they’ve enjoyed could disappear overnight. Now that an uneasy truce appears to have taken hold in Bosnia, Kosovo and once-disputed parts of Croatia, the savagery that marked those struggles continues to haunt the cinemas of the newly independent states.

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‘Compliance’ stirs emotions by putting viewers in hot seat

At a time when most mega-budget movies are forgotten 10 minutes after the final credits have rolled, it’s interesting that a no-frills indie has kept serious movie buffs talking since it was screened last January at Sundance. Based on a series of actual events, “Compliance” describes just how hideously wrong things can go when otherwise level-headed Americans think they’re doing the right thing.

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‘Nuit #1’ explores love, sex and despair in Montreal’s lost generation

It all happens in a flash. No sooner do Emond’s lovers kick the door of his apartment shut than they’re groping each other and striping off their clothes. The cherry is added to the sundae when Nikolai apologizes for having to ask Clara what her name is. The same thing happened in Rod Stewart’s “Stay With Me,” another song about sex without love, intimacy without passion. “There’s a lot of me in ‘Nuit #1,’ of course,” the first-time writer/director allows. “I know how it feels to be 30 and lost.”

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Quote Unquotesee all »

“I really want to see The Irishman. I’ve heard it’s big brother Martin Scorsese’s masterpiece. But I really can’t find the time. The promotion schedule is so tight, there’s no opportunity to see a three and a half-hour movie. But I really want to see it. In 2017, right before Okja’s New York premiere, I had the chance to go to Scorsese’s office, which is in the DGA building. There’s a lovely screening room there, too, with film prints that he’s collected. I talked to him for about an hour. There’s no movie he hasn’t seen, even Korean films. We talked about what he’s seen and his past work. It was a glorious day. I’ve loved his work since I was in college. Who doesn’t? Anyone involved with movies must feel the same way.”
~ Bong Joon-ho

“But okay, I promise you now that if I ever retire again, I’m going to ensure that I can’t walk it back. I’ll post a series of the most disgusting, offensive, outrageous statements you can ever imagine. That way it will be impossible for me to ever be employed again. No one is going to take my calls. No one is going to want to be seen with me. Oh, it will be scorched earth. I will have torched everything. I’m going to flame out in the most legendary fashion.”
~ Steven Soderbergh