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Gary Dretzka

Digital Nation By Gary DretzkaDretzka@moviecitynews.com

Gary Dretzka Digital Nation: Kisses

As the title of Lance Daly’s sweet coming-of-age dramedy implies, lips meet lips in Kisses. If for no other reason than those lips are on the faces of characters 13 and 11 years old, the embraces are few, but memorable. Revealing anything more about the tenor, timing or taste of those kisses would require a…

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Music Box Films Bets on a Win with “Girl” Double-Header

Music Box Films, whose namesake theater stands within shouting distance of Wrigley Field, is playin’ two this week. And, no, Cubs icon Ernie Banks isn’t appearing in either movie. In the cinematic equivalent of a double-header, the three-year-old distribution company has released on DVD and Blu-ray The Girl With the Dragon Tattoo, with The Girl…

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Digital Nation

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A Haunted House 2 is not a movie. It is a nervous breakdown. Directed by Michael Tiddes but largely the handiwork of star, producer, and co-writer Marlon Wayans, the film is being billed as yet another Wayans-ized spoof of the horror movie genre, à la the first Haunted House movie and the wildly successful Scary Movie series. (Keenen Ivory Wayans and his brothers were responsible for the first two Scary Movie films; they have since left that franchise, which may explain why a new one was needed.) And there are some familiar digs at recent horror flicks: This time, the creepy doll and the closet from The Conjuring, the family-murdering demon from Sinister, and the dybbuk box from The Possession all make appearances. But this new film is mostly an excuse for star Marlon Wayans to have extended freak-outs in response to the horrors visited upon him—shrieking, screaming, crying, cowering, and occasionally hate-fucking for minutes on end. Yes, you read that last bit right. A Haunted House 2 puts the satyriasis back in satire.”
Ebiri On A Haunted House 2

“I wanted to make you love a murderer. There’s no way of redeeming him. He’s a drunk and a killer. He killed at least seven people (that we know of). But there were reasons he was a bad guy. He was surrounded by evil in those days. A lot of people were killed building modern Florida—modern everywhere. Watson had plenty of opportunities to see how rough those guys were playing and he thought he could do it too. At least he rationalized it that way. He had the devil beaten out of him and became a very dangerous guy. And he couldn’t handle his liquor, which is one of the worst aspects of him. And he went crazy. Understanding how that happened is useful, I think. There’s no reason any one of us couldn’t be Edgar Watson.”
~ Peter Mathiessen On Writing “Killing Mister Watson”