MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Gauguin, Blindspotting, Skate Kitchen, Wobble Palace, Third Murder, Outrage Coda, Nelly, Luciferina, MDMA, Heavy Trip, Agony, Family I Had … More

The movie sidesteps Gauguin’s assertion in his memoir that Tehura was 13 years old, not 17, when she was offered to him in marriage. In her first appearance in a movie, Adams isn’t asked to do much more than look exotic, pose well and provide companionship, all of which she does very well.

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DVD Gift Guide II: Bergman@100, 2001 4K, Rambo 4K, Dances With Wolves, Robin Williams, Ernie Kovacs, Detectorists, Frosty, Elf … More

“In honor of Ingmar Bergman’s 100th birthday, the Criterion Collection is proud to present the most comprehensive collection of his films ever released on home video. … Arranged as a curated film festival, with ‘opening’ and ‘closing’ nights bookending double features and ‘centerpiece’ programs …”

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The DVD Wrapup: Owl’s Legacy, Good Manners, Childrens Act, Juliet Naked, Unnamable, Little Italy, Gas Food Lodging, SWF, Detective Dee, Windtalkers … More

“The Owl’s Legacy” was supported by the Onassis Foundation and aired on French public television. When it failed to deliver the expected conclusions about the ancient Athenians’ influence on modern Greece, it was shelved for nearly 30 years.

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The DVD Wrapup: Incredibles 2, Superman, Midaq Alley, La Boyita, 7th Day, Longing, Breaking Brooklyn, Mara, Capra Goes to War, Sleepwalkers, The Circus, Native America … More

If Jerry Siegel and Joe Shuster’s creation hadn’t leapt from the pages of Action Comics #1 and captured the fancy of Americans of all ages, it isn’t likely that “Superman: The Movie” would have been released, 40 years later, and the superheroes in The Incredibles might look more like Batman than Kal-L, from Krypton.

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The DVD Wrapup: Spy Who Dumped Me, Elena Ferrante, Sun at Midnight, Elephant’s Journey, Retro Afrika, Never Goin’ Back, Believer, Dragnet, Valley Girl, Black Sails … More

Credit for keeping viewers from sweating the improbable details largely belongs to McKinnon’s inspired riffing and improvisation, along with Fogel and co-writer David Iserson’s clever plotting and location-hopping.

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Dretzka

https://bestwatches.club/ on: The DVD Wrapup: Diamonds of the Night, School of Life, Red Room, Witch/Hagazussa, Tito & the Birds, Keoma, Andre’s Gospel, Noir

Gary Dretzka on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

GDA on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

Larry K on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

gwehan on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

Gary J Dretzka on: The DVD Wrapup: Peppermint, Wild Boys, Un Traductor, Await Instructions, Lizzie, Coby, Afghan Love Story, Elizabeth Harvest, Brutal, Holiday Horror, Sound & Fury … More

Gary J Dretzka on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

aniban83 on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

Quote Unquotesee all »

“With any character, the way I think about it is, you have the role on the page, you have the vision of the director and you have your life experience… I thought it was one of the foundations of the role for John Wick. I love his grief. For the character and in life, it’s about the love of the person you’re grieving for, and any time you can keep company with that fire, it is warm. I absolutely relate to that, and I don’t think you ever work through it. Grief and loss, those are things that don’t ever go away. They stay with you.”
~ Keanu Reeves

“I was checking through stuff the other day for technical reasons. I came across The Duellists on Netflix and I was absolutely stunned to see that it was exquisitely graded. So, while I rarely look up my old stuff, I stopped to give it ten minutes. Bugger me, I was there for two hours. I was really fucking pleased with what it was and how the engine still worked within the equation and that engine was the insanity and stupidity of war. War between two men, in that case, who fight on thought they both eventually can’t remember the reason why. It was great, yeah. The great thing about these platforms now is that, one way or another, they’ll seek out and then put out the best possible form and the long form. Frequently, films get cut down because of that curse in which the studio felt or feels that they have to preview. And there’s nothing worse than a preview to diminish the original intent.Oh, yeah, how about every fucking time? And I’ve stewed about films later even more because when you tell the same joke 20 times the joke’s no longer funny. When you tell a bad joke once or twice? It’s fine. But come on, now. Here’s the key on the way I feel when I approach the movie: I try to keep myself as withdrawn from the project as possible once I’ve filmed it. And – this is all key on this – then getting a really excellent editor so I never have to sit in on editing. What happens if you sit in is you become stale and every passage or joke, metaphorically speaking, gets more and more tired. You start cutting it all back because of fatigue. So what you have to do is keep your distance and therefore, in a funny kind of way, you, as the director, should be the preview and that’s it.”
~ Sir Ridley Scott