MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Annihilation, Kaurismäki, Borzage, Sweet Sweetback, Two of Us, Cold Turkey, Weinstein, Jackass and more

Alex Garland is a terrific writer-director who challenges the imagination and rewards viewers, for whom patience a virtue. Garland received sole screenwriter credit on 28 Days Later … (2002), Sunshine (2007), Never Let Me Go (2010) and Dredd (2012), while sharing the writing credit with Tameem Antoniades on the video games and “DmC: Devil May Cry” and “Enslaved: Odyssey to the West.” He also wrote the novels from which The Beach (2000) and The Tesseract (2003), were adapted. None of them enjoyed an easy stroll to the big screen. Those difficulties were a walk in the park compared to the difficulties the London-born author and filmmaker faced getting Ex Machina (2014) and Annihilation into theaters. Together, they represent two of the finest examples of Earth-bound science fiction — or, if you prefer, speculative fiction or cutting-edge fiction – to be produced sequentially, in memory.

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DVD Wrapup: Vazante, Early Man, Elis, Swung, Death Smiles, Of Unknown Origin, Swamp Thing 2, Little Women, MST3K Singles and more

Because historical fidelity was vital to her vision, Thomas employed a team of historians and tribal experts to reproduce the lifestyles and clothing of the era. This included a group of non-actors who are descendants of the region’s former slaves. Thomas’ commitment to a slow-burn narrative wouldn’t have worked if it weren’t for Inti Briones’s gorgeous monochromatic cinematography, whose every frame demands to be savored. The explosive final scene anticipates Brazil’s pluralistic society to come, even as it demonstrates how difficult it might be to achieve.

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The DVD Wrapup: Black Panther, Forgiven, Monkey King, Sweet Escape, Black Venus, It’s Alive and more

What were Stan Lee and Jack Kirby smoking when they named their new superhero after the militant organization founded by Bobby Seale and Huey P. Newton? Or… what were Seale and Newton smoking when they named the BPP after a comic-book superhero?

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The DVD Wrapup: La Belle Noiseuse, 50 Shades Freed, 4K Titles, Paradox, Manifesto, Dear White People, Butterflies and more

“Take My Word for It” might be a better title for this column, especially as it applies to movies that went to straight-to-video or streaming or are made by filmmakers yet to establish reputations. Jacques Rivette’s 1991 masterpiece, La Belle Noiseuse, doesn’t fit those categories, but, with its four-hour length and ready availability of an inferior 125-minute cut, La Belle Noiseuse: Divertimento, Cohen Media’s upgraded Blu-ray may benefit from any endorsement. La Belle Noiseuse (The Beautiful Troublemaker) won the Grand Prize of the Jury at Cannes and was nominated for a Palme d’Or. Roger Ebert called it “the best film I have ever seen about the physical creation of art, and about the painful bond between an artist and his muse.” The great Japanese director Akira Kurosawa named it one of his two favorite movies of the 1990s — with Takeshi Kitano’s Fireworks – calling it the best filmed display of a struggle of an artist doing his craft, as well as a movie he would have liked to have directed.

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The DVD Wrapup: In the Fade, Insult, In Between, Please Stand By, Kaleidoscope, Schlock, The Unwilling, Tremors, Capitalism and more

In Fatih Akin’s award-winning drama, In the Fade, we’re asked to share the grief of a woman whose husband and son are murdered in a racially motivated bombing so intense that police say they were burned beyond recognition. German-born Katja Sekerci (Diane Kruger) is married to a Turk – once convicted for selling hashish, not that it matters – whose business is in a part of Hamburg where the immigration community has been vulnerable to attacks by nationalist and anti-immigration groups. Just after she drops her son off at his dad’s office, Katja cautions a young woman against leaving her bicycle unlocked on the street. By the time she returns to pick them up, the bomb has already been detonated and the damage done.

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Dretzka

Gary J Dretzka on: The DVD Wrapup: Peppermint, Wild Boys, Un Traductor, Await Instructions, Lizzie, Coby, Afghan Love Story, Elizabeth Harvest, Brutal, Holiday Horror, Sound & Fury … More

Gary J Dretzka on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

aniban83 on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

porn on: The DVD Gift Guide I: Uni Monsters, Body Snatchers, Twilight 4K, Evil Dead, Trauma, Creepshow, Haunted Hill, Dude 4K, Saved by Bell, 3 Stooges … More

Daniella Isaacs on: The DVD Wrapup: Peppermint, Wild Boys, Un Traductor, Await Instructions, Lizzie, Coby, Afghan Love Story, Elizabeth Harvest, Brutal, Holiday Horror, Sound & Fury … More

Gary Dretzka on: The DVD Wrapup: Eighth Grade, No. 1 Fan, Jeannette, Moe Berg, 12th Man, La Familia, Molly, Sarno, Making a Killing, All Styles … More

David Pearce on: The DVD Wrapup: Eighth Grade, No. 1 Fan, Jeannette, Moe Berg, 12th Man, La Familia, Molly, Sarno, Making a Killing, All Styles … More

Trevor T. Trujillo on: The DVD Wrapup: Hereditary, Ghost Stories, Found Footage 3D, Beast, Venus, This Is Our Land, The Big Take, Brothers, Bloody Spear at Mount Fuji, Sid Caesar, Good Karma Hospital … More

Steven DeGennaro on: The DVD Wrapup: Hereditary, Ghost Stories, Found Footage 3D, Beast, Venus, This Is Our Land, The Big Take, Brothers, Bloody Spear at Mount Fuji, Sid Caesar, Good Karma Hospital … More

Gary J Dretzka on: The DVD Wrapup: Hereditary, Ghost Stories, Found Footage 3D, Beast, Venus, This Is Our Land, The Big Take, Brothers, Bloody Spear at Mount Fuji, Sid Caesar, Good Karma Hospital … More

The DVD Wrapup: Mid90s, Oath, Obamaland, Bad Reputation, Hell Fest, Time Freak, Kusama, Oddsockeaters, Bent, Harry/Sally, Nemesis, Frontline, Cats … More

The DVD Wrapup: 2018’s Most Memorable Titles, Hobbyhorses, Martyr, CMA Live, Tailspin Tommy, Gilda, Miracle Worker … More

The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

The DVD Wrapup: Peppermint, Wild Boys, Un Traductor, Await Instructions, Lizzie, Coby, Afghan Love Story, Elizabeth Harvest, Brutal, Holiday Horror, Sound & Fury … More

The DVD Wrapup: Support the Girls, M:I Fallout, Gosford Park, Serpent’s Egg. True Stories, School Daze, Candyman, Hanging Rock, Yellowstone … More

The DVD Wrapup: Gauguin, Blindspotting, Skate Kitchen, Wobble Palace, Third Murder, Outrage Coda, Nelly, Luciferina, MDMA, Heavy Trip, Agony, Family I Had … More

DVD Gift Guide II: Bergman@100, 2001 4K, Rambo 4K, Dances With Wolves, Robin Williams, Ernie Kovacs, Detectorists, Frosty, Elf … More

The DVD Wrapup: Owl’s Legacy, Good Manners, Childrens Act, Juliet Naked, Unnamable, Little Italy, Gas Food Lodging, SWF, Detective Dee, Windtalkers … More

The DVD Wrapup: Incredibles 2, Superman, Midaq Alley, La Boyita, 7th Day, Longing, Breaking Brooklyn, Mara, Capra Goes to War, Sleepwalkers, The Circus, Native America … More

The DVD Wrapup: Spy Who Dumped Me, Elena Ferrante, Sun at Midnight, Elephant’s Journey, Retro Afrika, Never Goin’ Back, Believer, Dragnet, Valley Girl, Black Sails … More

Quote Unquotesee all »

“When books become a thing, they can no longer be fine.

“Literary people get mad at Knausgård the same way they get mad at Jonathan Franzen, a writer who, if I’m being honest, might be fine. I’m rarely honest about Jonathan Franzen. He’s an extremely annoying manI have only read bits and pieces of his novels, and while I’ve stopped reading many novels even though they were pretty good or great, I have always stopped reading Jonathan Franzen’s novels because I thought they were aggressively boring and dumb and smug. But why do I think this? I didn’t read him when he was a new interesting writer who wrote a couple of weird books and then hit it big with ‘The Corrections,’ a moment in which I might have picked him up with curiosity and read with an open mind; I only noticed him once, after David Foster Wallace had died, he became the heir apparent for the Great American Novelist position, once he had had that thing with Oprah and started giving interviews in which he said all manner of dumb shit; I only noticed him well after I had been told he was An Important Writer.

“So I can’t and shouldn’t pretend that I am unmoved by the lazily-satisfied gentle arrogance he projects or when he is given license to project it by the has-the-whole-world-gone-crazy development of him being constantly crowned and re-crowned as Is He The Great American Writer. What I really object to is this, and if there’s anything to his writing beyond it, I can’t see it and can’t be bothered. Others read him and tell me he’s actually a good writer—people whose critical instincts I have learned to respect—so I feel sure that he’s probably a perfectly fine, that his books are fine, and that probably even his stupid goddamned bird essays are probably also fine.

“But it’s too late. He has become a thing; he can’t be fine.”
~ Aaron Bady

“You know how in postproduction you are supposed to color-correct the picture so everything is smooth and even? Jean-Luc wants the opposite. He wants the rupture. Color and then black and white, or different intensities of color. Or how in this film, sometimes you see the ratio of the frame change after the image begins. That happens when he records from his TV onto his old DVCAM analog machine, which is so old we can’t even find parts when it needs to be repaired. The TV takes time to recognize and adjust to the format on the DVD or the Blu-ray. Whether it’s 1:33 or 1:85. And one of the TVs he uses is slower than the other. He wants to keep all that. I could correct it, but he doesn’t want me to. See, here’s an image from War and Peace. He did the overlays of color—red, white, and blue—using an old analog video effects machine. That’s why you have the blur. When I tried to redo it in digital, I couldn’t. The edges were too sharp. And why the image jitters—I don’t know how he did that. Playing with the cable maybe. Handmade. He wants to see that. It’s a gift from his old machine.”
~ Fabrice Aragno