MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Hostiles, Moon Child, Violent Life, Backstabbing, Strings, Grease at 40, Joe, Ringo and more

It’s difficult to argue that Hostiles was snubbed by the Academy, but outstanding performances by Christian Bale and Rosamund Pike deserved more consideration than they got, as did cinematographer Masanobu “Masa” Takayanagi

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DVD Wrapup: Commuter, Oscar, A Taxi Driver, Humor Me, Prince, Doris Day, Shakespeare Wallah, Pomegranates and more

As high-concept pitches go, “Liam Neeson on a train” is right up there with “snakes on a plane” and “MTV cops.” What else would any screenwriter need to know to fill the blanks?

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The DVD Wrapup: Mohawk, Insidious IV, Proud Mary, Are We Not Cats, Fencer, Man From Earth, Mary Stark, Child in Time and more

I’d like to promote a gritty action adventure picture so small it didn’t even register a blip at Box Office Mojo. If Mohawk had been produced and released in the same general vicinity as Little Big Man, Soldier Blue, Black Robe or The Last of the Mohicans, writer-director Ted Geoghegan (We Are Still Here) might have found a niche among fine revisionist Westerns. As it is, he can be proud of almost universal raves in Metacritic.com and kudos for showing a different side to Uncle Sam’s decades-long campaign to eradicate native Americans from their homes. Make no mistake: Mohawk is a genre film from start to finish. No one holds the high ground for very long.

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The DVD Wrapup: All the Money in the World, Surge, Sweet Virginia, Basmati Blues and more

Ridley Scott deserves the highest praise for pulling All the Money in the World from the jaws of disaster.

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Dretzka

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch