MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Last Jedi, Behind the Mask, Executioners, King of Jazz, Sacha Guitry, 1:54, Nicholas, Peyton Place and more

Whew. I’m exhausted just trying to summarize the first 20 minutes.

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The DVD Wrapup: Downsizing, Small Town Crime, Baal, The Church, Images, Daughter of the Nile, Ichi, ’Burbs… and more

Downsizing doesn’t get more involving than a final choice between survival and love, and the solution to that dilemma is preordained. The humor is mostly invested in the excellent visual effects, but, at a certain point, our eyes reflect the reality that these are normal-sized characters in a fabricated environment. The novelty of the conceit wears out by the time we reach the fjord, whose majesty isn’t amplified by the optical gag.

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The DVD Wrapup: I Tonya, Serpico, Assistant, Pastor Paul, Children of Corn, Starlight Ends, Birdboy, Sensitivity Training and more

If Nancy Kerrigan hadn’t been assaulted by members of Jeff Gillooly’s posse before the 1994 U.S. figure-skating championships, it’s likely the tabloid press would have invented a rivalry between Kerrigan and Tonya Harding, leading into the Lillehammer Winter Games. The perceived difference in their economic backgrounds would have been too tempting to avoid.

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The DVD Wrapup: Thor, Gintama, Novitiate, White Sun, Faces Places, Voyage, Paris Opera, Strangers, Moveable Feast and more

Comic books are said to have existed in America since the publication of the hardcover book, “The Adventures of Mr. Obadiah Oldbuck,” in 1842. Newspaper comic strips and panels became a phenomenon in New York at the end of the 1890s, with “The Katzenjammer Kids” and “The Yellow Kid.” It wasn’t until the 1930s that comics in the print and visual media came of age, with Jerry Siegel and Joe Shuster’s “Superman,” which opened the door for a legion of superheroes to come. It’s been something of roller-coaster ride for comic books, strips and movies, ever since. Anyone born since the advent of the digital age might think that studios have always been buoyed by the fortunes of their comic-book franchises. Until recently, though, they’ve been anything but a sure thing. Expensive to make and subject to the whims of fickle fan bases, comic-book movies now flourish commercially because of the extraordinary emergence of modern theaters in foreign markets and audiences hungry for CGI thrills. Unlike comics, storylines are incidental to a movie’s performance.

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The DVD Wrapup: Darkest Hour, Coco, Tom Jones, Basket Case, Hangman, Godard+Gorin, Hallelujah Trail, Tyrus … More

Oldman shines throughout, delivering inspirational oratory, displaying an unexpected sense of humor and the tenacity required to rally the nation in its, yes, darkest hour. The picture is further enhanced by key performances in supporting roles by Kristin Scott Thomas, Lily James, Ronald Pickup and Stephen Dillane. Of six nominations, the other likely winner is in the Best Achievement in Makeup and Hairstyling category.

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Dretzka

https://bestwatches.club/ on: The DVD Wrapup: Diamonds of the Night, School of Life, Red Room, Witch/Hagazussa, Tito & the Birds, Keoma, Andre’s Gospel, Noir

Gary Dretzka on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

GDA on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

Larry K on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

gwehan on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

Gary J Dretzka on: The DVD Wrapup: Peppermint, Wild Boys, Un Traductor, Await Instructions, Lizzie, Coby, Afghan Love Story, Elizabeth Harvest, Brutal, Holiday Horror, Sound & Fury … More

Gary J Dretzka on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

aniban83 on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

Quote Unquotesee all »

“With any character, the way I think about it is, you have the role on the page, you have the vision of the director and you have your life experience… I thought it was one of the foundations of the role for John Wick. I love his grief. For the character and in life, it’s about the love of the person you’re grieving for, and any time you can keep company with that fire, it is warm. I absolutely relate to that, and I don’t think you ever work through it. Grief and loss, those are things that don’t ever go away. They stay with you.”
~ Keanu Reeves

“I was checking through stuff the other day for technical reasons. I came across The Duellists on Netflix and I was absolutely stunned to see that it was exquisitely graded. So, while I rarely look up my old stuff, I stopped to give it ten minutes. Bugger me, I was there for two hours. I was really fucking pleased with what it was and how the engine still worked within the equation and that engine was the insanity and stupidity of war. War between two men, in that case, who fight on thought they both eventually can’t remember the reason why. It was great, yeah. The great thing about these platforms now is that, one way or another, they’ll seek out and then put out the best possible form and the long form. Frequently, films get cut down because of that curse in which the studio felt or feels that they have to preview. And there’s nothing worse than a preview to diminish the original intent.Oh, yeah, how about every fucking time? And I’ve stewed about films later even more because when you tell the same joke 20 times the joke’s no longer funny. When you tell a bad joke once or twice? It’s fine. But come on, now. Here’s the key on the way I feel when I approach the movie: I try to keep myself as withdrawn from the project as possible once I’ve filmed it. And – this is all key on this – then getting a really excellent editor so I never have to sit in on editing. What happens if you sit in is you become stale and every passage or joke, metaphorically speaking, gets more and more tired. You start cutting it all back because of fatigue. So what you have to do is keep your distance and therefore, in a funny kind of way, you, as the director, should be the preview and that’s it.”
~ Sir Ridley Scott