MCN Columnists
Gary Dretzka

Dretzka By Gary

The DVD Wrapup: I Tonya, Serpico, Assistant, Pastor Paul, Children of Corn, Starlight Ends, Birdboy, Sensitivity Training and more

If Nancy Kerrigan hadn’t been assaulted by members of Jeff Gillooly’s posse before the 1994 U.S. figure-skating championships, it’s likely the tabloid press would have invented a rivalry between Kerrigan and Tonya Harding, leading into the Lillehammer Winter Games. The perceived difference in their economic backgrounds would have been too tempting to avoid.

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The DVD Wrapup: Thor, Gintama, Novitiate, White Sun, Faces Places, Voyage, Paris Opera, Strangers, Moveable Feast and more

Comic books are said to have existed in America since the publication of the hardcover book, “The Adventures of Mr. Obadiah Oldbuck,” in 1842. Newspaper comic strips and panels became a phenomenon in New York at the end of the 1890s, with “The Katzenjammer Kids” and “The Yellow Kid.” It wasn’t until the 1930s that comics in the print and visual media came of age, with Jerry Siegel and Joe Shuster’s “Superman,” which opened the door for a legion of superheroes to come. It’s been something of roller-coaster ride for comic books, strips and movies, ever since. Anyone born since the advent of the digital age might think that studios have always been buoyed by the fortunes of their comic-book franchises. Until recently, though, they’ve been anything but a sure thing. Expensive to make and subject to the whims of fickle fan bases, comic-book movies now flourish commercially because of the extraordinary emergence of modern theaters in foreign markets and audiences hungry for CGI thrills. Unlike comics, storylines are incidental to a movie’s performance.

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The DVD Wrapup: Darkest Hour, Coco, Tom Jones, Basket Case, Hangman, Godard+Gorin, Hallelujah Trail, Tyrus … More

Oldman shines throughout, delivering inspirational oratory, displaying an unexpected sense of humor and the tenacity required to rally the nation in its, yes, darkest hour. The picture is further enhanced by key performances in supporting roles by Kristin Scott Thomas, Lily James, Ronald Pickup and Stephen Dillane. Of six nominations, the other likely winner is in the Best Achievement in Makeup and Hairstyling category.

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Quote Unquotesee all »

“I think [technology has[ its made my life faster, it’s made the ability to succeed easier. But has that made my life better? Is it better now than it was in the eighties or seventies? I don’t think we are happier. Maybe because I’m 55, I really am asking these questions… I really want to do meaningful things! This is also the time that I really want to focus on directing. I think that I will act less and less. I’ve been doing it for 52 years. It’s a long time to do one thing and I feel like there are a lot of stories that I got out of my system that I don’t need to tell anymore. I don’t need to ever do The Accused again! That is never going to happen again! You hit these milestones as an actor, and then you say, ‘Now what? Now what do I have to say?'”
~ Jodie Foster

“If there’s one rule Hollywood has metaphysically proven in its century of experimentation, it’s that there’s no amount of money you can’t squander in the quest for hits.

“Netflix has spent the past couple years attempting to brute-force jailbreak this law. Its counter-theory has seemed to be, sure, a billion dollars doesn’t guarantee quality but how about three billion dollars? How about five billion dollars? Seven?

“This week’s latest cinematic opus to run across no-man’s-land into the machine-gun emplacements has been the Jared Leto yakuza movie ‘The Outsider.’ Once again, debuting on Netflix, another thing called a movie that at one glance doesn’t look like any kind of movie anyone has ever seen before, outside of off-prime time screenings at the AFM.

“If you’re working at a normal studio, you have one or two of these total misfires in a year and people start calling for your head. How many is Netflix going on? Fifteen? Twenty? This quarter? Any normal company would be getting murdered over results like that.”
~ Richard Rushfield