MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Florida Project, Daddy’s Home 2, The Hero, Thirsty and more

By setting his closely observed humanist drama, The Florida Project, within the shadow of Disney World, Sean Baker (Tangerine) describes how a community of homeless, underemployed and frequently lawless single parents has taken root on one of the commercial strips leading into Uncle Walt’s greatest fantasy.

Read the full article »

The DVD Wrapup: Ballad of Lefty Brown, Wonder, Blades, Seijun Suzuki, Fellini, Hellraiser, Paradise and more

Set in the desolate plains of Montana, before the arrival of the railroad, The Ballad of Lefty Brown is an ode to the traditional revenge Western. When famed frontier lawman and Montana’s first elected senator Eddie Johnson (Peter Fonda) is brutally murdered – assassinated, to be precise — his longtime sidekick and friend, Lefty Brown (Bill Pullman), vows to avenge his death. The trouble is, Lefty is more than a tad over the hill and he’s outgunned by some ornery desperadoes.

Read the full article »

The DVD Wrapup: Only the Brave, LBJ, Suburbicon, Aida’s Secrets, Clouzot’s Inferno, Jackie Gleason and more

Joseph Kosinski’s stunningly effective Only the Brave is the rare disaster movie guaranteed to leave its audiences not just in tears, but in mourning for the victims, their families and community at large, as well.

Read the full article »

The DVD Wrapup: Last Flag, Westfront 1918, My Art, Viva L’Italia, Gothic, Viva Espana and more

At first glance, the best reason for picking up Last Flag Flying are the names on the promotional material. The Amazon Studios production was directed by Richard Linklater (Boyhood), adapted from a novel by co-screenwriter Darryl Ponicsan (Cinderella Liberty) and stars Steve Carell, Bryan Cranston and Laurence Fishburne. (Good enough for me, anyway.) Last Flag Flying also got extremely positive reviews. But Linklater’s heartfelt story about whether honor and the bonds of brotherhood still matter, played in no more than 110 domestic theaters, earning  just under a million dollars before shipping off to ancillary markets, where money figures are kept close to a studio’s vest. When it was released, just ahead of Veterans Day, many pundits predicted Last Flag Flying might produce an Oscar nomination, or two, but it was ignored … not “snubbed,” ignored. That’s what happens when a picture underperforms in the marketplace for no good reason.

Read the full article »

Dretzka

Quote Unquotesee all »

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain