MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Lady Macbeth, Girls Trip, Moka, Chicago, American Gods and more

s as if a sympathetic visitor had left a copy of Gustave Flaubert’s recently published “Madame Bovary” within her reach, hoping it would spark Katherine’s desire for something more substantial than practicing her needlepoint and making sure the surfaces are being dusted. When their relationship becomes the subject of village gossip, Katherine concocts plans that would leave her the true head of the estate. Viewers may not be able to precisely identify the peril that looms just over the horizon, but we know it can’t possibly bode well for the weak-willed Sebastian. In an interesting decision, Oldroyd and screenwriter Alice Birch elected to make three key characters of African descent. The story practically ignores their race, leaving the audience to make of the casting what it will.

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The DVD Wrapup: Survivalist, Vampyr, Lure, Giallo, Dreamgirls and More

At a time when dystopian dramas are a dime a dozen, it bears noting when something out of the ordinary emerges. Filmed entirely in a lush forest, near Antrim, Northern Ireland, The Survivalist is just such a picture. After appearing at prominent festivals to rave reviews, Stephen Fingleton’s directorial debut was accorded only a tentative release before being sent to the video after-marketplace. It isn’t difficult to guess why. Set in an indeterminate time and place, after an unexplained energy-related catastrophe, The Survivalist chronicles one unnamed man’s struggle to survive in an environment devastated by famine, overpopulation and desperation. The survivalist (Martin McCann) appears to have prepared for all possible threats to his security, short of nuclear war.

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The DVD Wrapup: Queen of the Desert, POTC 5, DeMille’s Lost City, Otherworld, Patsy Cline, Wanda and more

Herzog also allows time for coverage of her love affairs, which either were ill-advised or crushed by her domineering parents. But as fascinating a character as Bell is, the director’s longtime fans won’t find anything in Bell that recalls Klaus Kinski’s eccentric behavior in Aguirre, the Wrath of God and Fitzcarraldo, or, for that matter, Nicolas Cage, in Bad Lieutenant: Port of Call New Orleans. Maybe, critics were hoping for a bit more craziness in Kidman’s portrayal of such an independent and driven soul as Bell. There’s nothing at all wrong with Peter Zeitlinger’s cinematography, which nicely captures the desert scenery and extremes of Jordan and Morocco.

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Dretzka

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“Most of these women were in their early twenties. Most of them refused to go any further with him, but a few went to dinner, or to some sort of casting situation, or to someplace private… if the stories were just about some crazed sex addict who approaches thousands of women on the street trying to get laid, I wouldn’t be posting this now. I don’t want to be attacking every Hollywood douchebag who hits on countless women. That type of behavior isn’t cool, but I think it’s important to separate douchebaggery from any kind of sexual coercion. But the women I talked to who DID go someplace private with Toback, told stories that were worse than the women only accosted on the street… So I did what I could do in my impotent state – for over twenty years now, I’ve been bringing up James Toback every chance I could in groups of people. I couldn’t stop him, but I could warn people about him… I’ve been hoping the Weinstein/O’Reilly stuff would bring this vampire into the light (him and a couple others, frankly). So I was happy today to wake up to this story in the L. A. Times.”
~ James Gunn

“BATTLE OF THE SEXES: Politics and queerness as spectacle/spectacle as politics and queerness. Pretty delightful, lovely, erotic. A-

“Not since EASY A and CABARET have I seen Emma Stone give a real sense of her range. Here, she has pathos and interiority and desire. I love the cinematography and the ways in which the images of the tennis icons are refracted and manipulated via various surfaces/mediators. Also, wild how a haircut is one of the most erotic scenes in cinema this year. Spine tinglingly tactile that feels refreshing. Proof that *cough* you don’t need to be ~graphic/explicit~ to be erotic *cough*. Also, it made me want to get into tennis. Watching it, at least.

“There are interesting touches and intimations as to the cinematic nature of sports, & unpacking the formal approach of broadcasting sports.Also, I was here for Sarah Silverman smoking. And also, hi Mickey Sumner!! It’s a really interesting film about the ways in which public spectacle is never apolitical, and how spectacle is prone to assignation.

“There’s this one other scene from BATTLE OF THE SEXES that I love, and it’s the one in the bar. You see Billie looking after Marilyn as she dances. Through a crowd. There’s a paradoxical closeness and distance between them. In the purple light, and the kitschy decor, everything is distorted. But Billie catches a glance and you can feel the nervous swell inside.”
~ Kyle Turner