MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Transformers, Lynch’s Art, Piano Teacher, Ruby, Sarno, Jesús, Devil’s Candy and more

For a movie that cost an estimated $217 million to make and God knows how much more to market, Transformers: The Last Knight shouldn’t have had to rely on the overseas marketplace to save to save its ass.

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The DVD Wrapup: ET, Vietnam, Big Sick, Glory, Certain Women, The Hero, Hana-Bi, By the Time It Gets Dark, The Prison, The Flesh, Moderns … More

I wonder how many kids and young adults have only watched E.T. The Extra-Terrestrial and Close Encounters of the Third Kind on screens smaller than a Mini or Fiat. There probably have been plenty of opportunities to catch a special screening at a plus-size theater with state-of-the-art visuals and sonics, but the temptation to watch something with less mileage probably outweighed the advantages of seeing these masterpieces the way Steven Spielberg intended.

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The DVD Wrapup: Beatriz at Dinner, The Mummy, Soul on a String, The Resurrected, Spider, The Apology, Glen Campbell and more

Although Miguel Arteta and Mike White have proven perfectly capable of creating edgy dramedies of their own — HBO’s “Enlightened,” The Good Girl, Chuck and Buck – I can’t help but see Neil LaBute’s darkly comic influence in their latest collaboration.

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The DVD Wrapup: Band Aid, First Kill, Iron Protector, All Eyez, Wedding Plan, Maurice, Big Knife, Narcos 2 and more

In her directorial debut, Zoe Lister-Jones walks the razor-thin line separating relationship dramedy and millennial mockumentary. The 35-year-old Brooklyn native maintains her balance throughout Band Aid, while continually switching the hats typically worn by writers, actors, producers and lyricists. It demonstrates how well she’s paid attention to her environs – not to mention, dues — on the long road to prominence in a cutthroat business. Lister-Jones isn’t there quite yet, but her face should be familiar to viewers of such sitcoms as “Life in Pieces,” “Whitney,” “New Girl” and “Friends with Better Lives.”

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Dretzka

Quote Unquotesee all »

What’s up with your people mover shot, where it seems like people are kind of floating along?
Oh, my signature shot? That’s just a new way for people to move! It’s really become my Alfred Hitchcock cameo. I did not invent that shot, but Ernest and I did it on the set of Mo Better Blues, when Shorty had to walk [through the park], and I thought, “Let’s try it.” But after that, we tried to have a reason for it. For example, that wonderful sequence in Malcolm X where you hear the great song, “A Change Is Gonna Come.” The final scene is like that, Malcolm floating along to his destiny. In 25th Hour, after Philip Seymour Hoffman has kissed Anna Paquin, we did a shot like that, and it shows his state of mind. In Inside Man, after Denzel thinks he’s witnessed the murder of a hostage, we did the floating shot there.

So you just like the way it looks?
Yeah!
~ Spike Lee To Matt Zoller Seitz

“I never accepted the term contrarian. I think that’s offensive, frankly. And my response to that is: if I’m a contrarian, what are other reviewers? What I strive to do is be a good critic, not somebody who simply accepts the product put in front of me. I guess it scares people to think that they don’t have any originality; that they don’t have the capacity to think for themselves.

“There’s a line a lot of reviewers use that I don’t like at all. They say ‘accept the film on its own terms.’ What that really means is, ‘accept the film as it is advertised.’ That’s got nothing to do with criticism. Nothing to do with having a response as a film watcher. A thinking person has to analyze what’s on screen, not simply rubber-stamp it or kowtow to marketing.”m

“To me, everything does have a political component and I think it’s an interesting way to look at art. It’s one way that makes film reviewing, I think, a politically relevant form of journalism. We do live in a political world, and we bring our political sense to the movies with us – unless you’re the kind of person who goes to the movies and shuts off the outside world. I’m not that kind of person.”
~ Armond White to Luke Buckmaster