MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Ronin, Wedding Banquet, The Stranger, Baywatch, Bring It On, Dean, Born in China and more

On a rain-swept night in Paris, an international crack team of professional thieves, weapons buffs and a computer geek assembles in an old-fashioned neighborhood bistro, summoned by a shady crime syndicate fronted by the enigmatic Deirdre. None of the crooks appear to know each other or the special skills they’re bringing to the table. They will be handsomely paid to steal an aluminum briefcase, handcuffed to the arm of their mark, who’s guarded by several armed men – presumably, ronin, themselves, — and safely make the transfer to Deirdre’s employers. It serves as Ronin’s McGuffin. No matter what the briefcase contains, its theft will inspire two unquestionably great car chases, one through the narrow streets of Nice, the other in Paris; a shootout in and around the centuries-old Arles Amphitheatre and Café Van Gogh; and a sniper attack inside a Paris skating rink. If it sounds confusing, it’s only because viewers aren’t supposed to be able to separate the white hats from the black hats until the final reel.

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The DVD Wrapup: Guardians II, Never Let Go, La Poison, Love of a Woman, Kiki, Whale Rider and more

For diehard fans of superhero movies, the spectacular visual presentation might even trigger the same psychedelic revelations as those experienced by their parents and grandparents during the “Star Child” sequence in 2001: A Space Odyssey. Even the opening credits featuring Baby Groot are worth the price of a rental.

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The DVD Wrapup: Latin Lover, After the Storm, Bluebeard, Meantime, Hickok and more

With dialogue in Spanish and English, How to Be a Latin Lover recovered a respectable $32.1 million at the domestic box and another $30 million overseas. It would be nice to think that those numbers mark a trend and exhibitors are paying attention to Spanish-speaking audiences. Lionsgate has testied the DVD waters with such titles as Everybody Loves Somebody, Un Padre No Tan Padre, 600 Miles, The Legend of Chupacabras and Sundown. It’s doing so in a “synergistic partnership” with Hollywood-based Pantelion Films and Mexican conglomerate, Grupo Televisa.

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The DVD Wrapup: Kung Fu Yoga, Breaking Point, Wolves, In Shadow of Women, Stand, Taisho Trilogy, Re-Animator and more

At a time when saber-rattlers in China and India have begun squabbling over a road along their shared border, it’s easy to forgive this Sino-Indian co-production for underachieving as the action-adventure it might have been, if only box-office returns weren’t an object (which they always are). Make movies, not war.

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The DVD Wrapup: Circle, Amnesia, Lovers, I Am the Blues, Wakefield, Opening Night, 1944, Slither and more

Far-fetched? Not since Julian Assange and Edward Snowden became household names and Russian hackers interfered with U.S. and French elections. If anything, the sting of Ponsoldt’s cautionary tale was blunted by these revelations. Mae’s enthusiasm for the concept completely evaporated when Bailey’s team overplayed its hand by demonstrating to employees how any criminal – or average citizen, like her friend Mercer (Ellar Coltrane) – could be tracked down, anywhere in the world, and arrested or harassed. Not nice. Any character played by Tom Hanks is going to be a pretty tough nut to crack, however, it will take all the magic left in the former Hermione Granger to save us from corporate tyranny. Again, a bit too obvious.

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Dretzka

Quote Unquotesee all »

What about replacing Mr. Spacey with another actor? Mr. Plummer, perhaps.
“That would theoretically be fantastic,” Mr. Rothman said he responded. “But I have supervised 450 movies over the course of my career. And what you are saying is impossible. There is not enough time.”
~ Publicizing Sir Ridley’s Deadline Dash

“Would I like to see Wormwood in a theater on a big screen? You betcha. I’d be disingenuous to argue otherwise. But we’re all part of, like it or not, an industry, and what Netflix offers is an opportunity to do different kinds of films in different ways. Maybe part of what is being sacrificed is that they no longer go into theaters. If the choice is between not doing it at all and having it not go to theaters, it’s an easy choice to make.”
~ Errol Morris