MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: World Cinema Project 2, Obsession, Pelle the Conqueror, Jacques Rivette, Dark Angel and more

It would be difficult for most of us to sustain the level of affection and enthusiasm Martin Scorsese displays in his introductions to the half-dozen films collected in World Cinema Project: No. 2. They are his godchildren. Scorsese has always been a key player in the film preservation movement and this is the second batch of movies the World Cinema Project has rescued for future generations to enjoy. Established in 2007 under the auspices of the Film Foundation, which, in 1990, Scorsese founded and now chairs, the project has thus far restored 30 marginalized, infrequently screened films from 21 regions generally unequipped to preserve their own cinema history. They have been made available for exhibition on various platforms. For its part, the foundation has helped restore more than 750 films, accessible to the public through programming at festivals, museums and educational i.nstitutions around the world. It easily qualifies as God’s work and Scorsese has a right to be expect a few plenary indulgences.

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The DVD Wrapup: Space Between Us, xXx, Starlight, Operation Mekong, Serial Mom, Brain Damage and more

There are exteriors in the largely Mars-based The Space Between Us that look as if they might have been ported over from The Martian. Its lack of success commercially and critically, however, probably can be traced to issues unrelated to space fatigue. Absent any of the bells and whistles that helped launch other recent sci-fi extravaganzas — 3D, IMAX, 3D IMAX — even The Martian faced an uphill climb. Neither were its chances enhanced by three release-date changes and a marketing campaign hobbled by mixed messages.

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The DVD Wrapup: Fifty Shades Darker, Things to Come, Chef’s Wife, Alena, Kiju Yoshida, Streets of Fire, Beaches and more

In less time than it takes for most folks to decide between fake butter and plain popcorn, they reconnect and he’s agreed to Anastasia’s list of demands. In another blink of the eye, she’s peeling off her britches in elevators and restaurants, and submitting to the tortuous pleasure of inserting beads into her hoohah for a night out on the town.

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The DVD Wrapup: Salesman, Gold, Red Turtle, Rings, Tunnel, Age of Shadows, Saving Banksy, Saturday Night Fever and more

It can be argued, I suppose, that Donald Trump’s decision to ban citizens of Iran and six other predominately Muslim countries gave Asghar Farhadi’s The Salesman an edge in the voting for this year’s Best Foreign Language Film Oscar.

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Dretzka

Quote Unquotesee all »

“It’s a film festival’s job—and increasingly so—to create moments of recognition, of enjoyment, of shock, of learning. Not of consumerism. Not of implementing cultural policy. But moments without pretence, unclouded by vested interests, by intervention, by cynicism, by everyday business. Committed to nothing but the thing itself. Under obligation to nothing, to no one, not even to the filmmakers themselves. To basically seek access to a form that does not yet exist, a place no one has been to, a time that has not yet come. ’A form that thinks, and a thought that forms,’ as Jean-Luc Godard has it.”
~ Hans Hurch, late director of the Viennale

“There’s a mass belief that if you’re texting, you’re somehow not interrupting the conversation—you’re not being rude. It’s an illusion of multitasking. I started filmmaking when people didn’t expect to have a phone on set, when it would’ve been seen as unprofessional to pull out a phone. Phones have become a huge distraction, and people work much better without them. At first it causes difficulty, but it really allows them to concentrate on what they’re doing. Everybody understands. I’ve had a lot of crews thank me. With a set, we’re trying to create a bubble of alternate reality.”
~ Christopher Nolan