MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Girl With All the Gifts, Girl From Brothel, Underworld V, Detour, Catfight, We Are X, Borowczyk, Three Brothers and more

The more I learn about the business of distributing DVDs, Blu-ray and VOD, the less sense key business decisions make. Take, for example, Colm McCarthy and writer Mike Carey’s very representative horror flick The Girl With All the Gifts. Apart from being extremely well made and unusually thought-provoking, it features a performance by Glenn Close that almost has to be seen to be believed. Looking a bit like her cross-dressing butler Albert Nobbs – for which she won an Obie and received an Oscar nominated – but with an authoritative bearing not unlike her Nova Prime, in Guardians of the Galaxy, Close plays Dr. Caroline Caldwell, a no-nonsense biologist determined to find a vaccine for a zombie plague. The novelty of such casting, alone, would appear to be sufficient cause for an arthouse release. After debuting at last year’s Locarno, Stuttgart Fantasy Film and Toronto festivals – where it received excellent reviews — The Girl With All the Gifts was accorded little more than an Internet premiere, in January. Then, apparently, no one could figure out what to do with the darn thing,

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The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

As McDonald’s struggles once again to figure out how it wants to be perceived in markets in the U.S. and around the world, The Founder reminds of us of what made the concept so revolutionary in the first place. There’s a scene in John Lee Hancock’s appealing biographical drama in which Ray Kroc visits an early franchisee, where the operator has chosen to change the menu’s emphasis on hamburgers, fries and shakes and garishly promote its chicken entrees. The look on Kroc’s face made me think that he might take a cue from the New Testament and banish the blasphemers from his golden-arched temple, turning over tables and upending trash cans. Heaven only knows what he’d do if he returned to Earth, today, and visited my local McDonald’s, My guess is that he’d prefer spinning in his grave than sampling an Angus Mushroom & Swiss on a “premium bakery style bun.”

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The DVD Wrapup: Lion, Toni Erdmann, Worlds Apart, Daughters of the Dust, Ludwig, Cathy’s Curse and more

Films made about children appropriated by authorities and handed over to politically connected or wealthy families as orphans aren’t all that unusual. Lion’s happy ending is what sets it apart from other stories.

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The DVD Wrapup: Rogue One, Office Party, Three, Story of Sin, Actor Martinez and more

The first things longtime fans will notice is the absence of a crawl, as well as an overture by a composer not named John Williams, although his aural fingerprints can be heard throughout the score. Buffs probably were already aware of the absence of Jedi in the cast of characters and the difference in narrative tone from the other episodes. Director Gareth Edwards (Godzilla) and co-writers Chris Weitz (Cinderella) and Tony Gilroy (The Bourne Identity) have emphasized that “Rogue One” was conceived as a war story with a sometimes ambiguous moral code.

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Dretzka

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch