MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Hacksaw Ridge, Manchester, Arrival, Bad Santa 2, Tharlo, Chabrol X 3 and more

When a Hollywood movie is said to have been based on a true story, it’s safe to assume that the actions of the protagonist were embellished to make the character more heroic or saintly. In his multiple Oscar candidate, Hacksaw Ridge, director Mel Gibson was faced with the opposite problem. The real-life story of U.S. Army medic Desmond Doss — the first conscientious objector to be awarded the Medal of Honor – was too good to be true, even for the movies. If anything, the truth behind Doss’ actions during the Battle of Okinawa, in World War II, had to be scaled back, so that viewers wouldn’t think they were pumped up for dramatic effect. In Gibson’s first directorial effort since 2006’s Apocalypto – or, to be more precise, since he disgraced himself after being stopped in Malibu on suspicion of driving while drunk – the number of men Doss saved or rescued was limited to 75, when it probably was much higher.

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The DVD Wrapup: Edge of 17, Gimme Danger, Cameraperson, Tree Of Wooden Clogs, London Town, Coffin Joe, King Cobra and more

When Stevie Nicks wrote the song after which Kelly Fremon Craig’s coming-of-age comedy-drama was named, she was addressing the grief that resulted from the death of her beloved uncle, Jonathan, and the murder of John Lennon, during the same week of December, 1980. It probably didn’t have much to do with the angst, optimism and anxiety that comes with entering the final year of one’s childhood or experiencing the first genuine pangs of love or pain as young adult, as most of us assumed.

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The DVD Wrapup: Loving, American Pastoral, Eagle Huntress, Come What May, Blush, Leonard Cohen and more

The horrifying story told in Loving may have been revelatory to many viewers, whose only knowledge of this footnote in history derived from feature articles and reviews that accompanied its Cannes debut and release last November. For others, such reminders of American apartheid are as fresh as yesterday’s news.

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The DVD Wrapup: Queen of Katwe, Jack Reacher, Tyler Perry, Killbillies, Victoria and more

That Queen of Katwe is set almost entirely in Uganda, with a side trip to Russia, shouldn’t matter a whit to anyone looking for an escape from the bad news relayed by the talking heads on cable news. The unlikely story of 10-year-old Phiona Mutesi, who rose from poverty in the slums of Kampala to excel in the cutthroat world of international chess competition, fits neatly alongside such compelling David-vs.-Goliath, Cinderella and fish-out-of-water dramas as Stand and Deliver, The Blind Side, The Perfect GameThe Great Debaters and Music of the Heart, as well as uplifting chess-specific titles as The Dark Horse, Life of a King and Brooklyn Castle.

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Dretzka

Quote Unquotesee all »

“I’ve been pleasantly surprised by how many recappers, while clearly over their heads, are baseline sympathetic to finding themselves routinely unmoored, even if that means repeating over and over that this is closer to “avant-garde art” than  normal TV to meet the word count. My feed was busy connecting the dots to Peter Tscherkassky (gas station), Tony Conrad (the giant staring at feedback of what we’ve just seen), Pat O’Neill (bombs away) et al., and this is all apposite — visual and conceptual thinking along possibly inadvertent parallel lines. If recappers can’t find those exact reference points to latch onto, that speaks less to willful ignorance than to how unfortunately severed experimental film is from nearly all mainstream discussions of film because it’s generally hard to see outside of privileged contexts (fests, academia, the secret knowledge of a self-preserving circle working with a very finite set of resources and publicity access to the larger world); resources/capital/access/etc. So I won’t assign demerits for willful incuriosity, even if some recappers are reduced, in some unpleasantly condescending/bluffing cases, to dismissing this as a “student film” — because presumably experimentation is something the seasoned artist gets out of their system in maturity, following the George Lucas Model of graduating from Bruce Conner visuals to Lawrence Kasdan’s screenwriting.”
~ Vadim Rizov Goes For It, A Bit

“On the first ‘Twin Peaks,’ doing TV was like going from a mansion to a hut. But the arthouses are gone now, so cable television is a godsend — they’re the new art houses. You’ve got tons of freedom to do the work you want to do on TV, but there is a restriction in terms of picture and sound. The range of television is restricted. It’s hard for the power and the glory to come through. In other words, you can have things in a theater much louder and also much quieter. With TV, the quieter things have to be louder and the louder things have to be quieter, so you have less dynamics. The picture quality — it’s fine if you have a giant television with a good speaker system, but a lot of people will watch this on their laptops or whatever, so the picture and the sound are going to suffer big time. Optimally, people should be watching TV in a dark room with no disturbances and with as big and good a picture as possible and with as great sound as possible.”
~ David Lynch