MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: 45 Years, 10 Cloverfield Lane, London Has Fallen, Wenders/Franco, La chienne and more

Once upon a time in Hollywood, movies that featured elderly characters played by venerable stars could be counted on to attract a decent-sized slice of the box-office pie and command the attention of awards voters.

Read the full article »

The DVD Wrapup: Janis, Triple 9, Princess, Wim Wenders, City of Women, Blood Bath, Human Tornado and more

For as long as I can remember, someone has been trying to make a biopic about Janis Joplin. The closest anyone has come is Mark Rydell’s 1979 The Rose, which was loosely based on the Texas songbird’s troubled life, career and premature death to a heroin overdose nine years earlier. Because Joplin’s family wasn’t yet ready to commit to a specific Hollywood suitor, The Rose could only tease audiences with allusions to known facts. Since then, Lili Taylor, Pink, Zooey Deschanel, Brittany Murphy, Renée Zellweger, Amy Adams and Nina Arianda have had their names attached to film and theatrical projects that hit roadblocks along the way for similar reasons. The wait, in large part is over. Amy Berg’s comprehensive and legitimately affecting documentary, Janis Joplin: Little Girl Blue, succeeds because she was granted the access the other hopefuls were denied. Still, it took eight years to complete.

Read the full article »

Dretzka

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch