MCN Columnists
Gary Dretzka

Dretzka By Gary DretzkaDretzka@moviecitynews.com

The DVD Wrapup: Zoolander 2, Finest Hours, A Married Woman, Manhunter, The Damned and more

With approximately 100 minutes to go, co-writer-director-star Ben Stiller will be required to recycle gags from the original, coordinate the many cameo appearances of well-known stars and fashionistas, preen in character for the camera and hope that viewers have forgotten that Robert Altman’s Prêt-à-Porter did a far better job skewering the industry seven years before Z1 was unleashed in 2001.

Read the full article »

The DVD Wrapup: Mustang, Where to Invade Next, Patty Duke, In a Lonely Place and more

Nominated for a 2015 Academy Award in Best Foreign Language Film category, Deniz Gamze Ergüven’s and co-screenwriter Alice Winocour’s heart-breaking coming-of-age drama, Mustang, describes what happens in a country, Turkey, where the dreams and hopes of too many girls are crushed at the onset of puberty.

Read the full article »

The DVD Wrapup: East Side Sushi, Glassland, Scherzo Diabolico, The Club, Sharkansas Women’s Prison Massacre, Henry Gamble’s Birthday Party and more

In addition to excellent acting, Marty Rosenberg’s cinematography makes the sushi look consistently mouthwatering. East Side Sushi may not carry the weight of a potential nominee for an Oscar or a Spirit nomination, but it succeeds nicely as an entertainment that can be enjoyed by teens and adults. The blend of ethnic elements is as natural and unforced as the Juana’s prize recipes. It reminds me favorably of the underappreciated rom/com/dram The Ramen Girl, in which Brittany Murphy played a fish out of water in Tokyo. Predictably, that wonderful picture went straight-to-DVD, too. Need I mention that the casts for both pictures are predominantly non-white?

Read the full article »

Dretzka

Quote Unquotesee all »

“Let me put this bluntly, in language even a busy blogger can understand: Criticism — and its humble cousin, reviewing — is not a democratic activity. It is, or should be, an elite enterprise, ideally undertaken by individuals who bring something to the party beyond their hasty, instinctive opinions of a book (or any other cultural object). It is work that requires disciplined taste, historical and theoretical knowledge and a fairly deep sense of the author’s (or filmmaker’s or painter’s) entire body of work, among other qualities.”
~ Richard Schickel

“When Barry Jenkins introduced Moonlight, he said he hoped we see ourselves in the characters. We’re thrown into neighborhood combat with 10-year-old Chiron in Miami’s Liberty City where the empty lots, abandoned buildings, sidewalks — the shortcuts and escape routes — are his total known world. We intake vividly, like a 10-year-old, the cruel, the generous, the strangeness of others, the crack-addled neglect in a home he can’t escape. Jenkins’ characters’ lives move on, get stunted, are dulled to stupefaction, end tragically, end in separation. Moonlight is Chiron’s world. It’s the current lower-middle class, working class, disenfranchised- and-alienated-class world. Intimacy is Jenkins’ accomplishment. But, what we’re intimate with is another consciousness so totally and truthfully created, that we’re looking outward and inward simultaneously. That’s why Jenkins’ work is profound. Chiron is us and we are him, asking ourselves, ‘Who am I? Where do I fit?'”
~ Michael Mann On Moonlight